{"id":936,"date":"2018-05-22T18:24:52","date_gmt":"2018-05-22T16:24:52","guid":{"rendered":"http:\/\/www.nyje.al\/?p=936"},"modified":"2024-08-22T19:29:09","modified_gmt":"2024-08-22T17:29:09","slug":"liberalizimi-i-vlerave-si-shprehi-e-hipokrizise","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/liberalizimi-i-vlerave-si-shprehi-e-hipokrizise\/","title":{"rendered":"Liberalizimi i vlerave si shprehi e hipokrizis\u00eb."},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

11.07.2018 | nyje.al<\/strong><\/span><\/p>

Takimet letrare n\u00eb qendr\u00ebn rinore \u201cAta\u201d rifillojn\u00eb me autorin dhe gjuh\u00ebtarin Ardian Vehbiu. Interesat e k\u00ebtij autori dhe e platform\u00ebs s\u00eb komunikimit \u201cPeizazhet e Fjal\u00ebs\u201d q\u00eb ai drejton prej shum\u00eb vitesh, duket se p\u00ebrputhen shum\u00eb me interesat e k\u00ebtij grupi p\u00ebr nd\u00ebrtimin e nj\u00eb dialogu kulturor i k\u00ebrc\u00ebnuar nga mass media dhe format e tjera t\u00eb komunikimit t\u00eb komercializuara.<\/span><\/p>

Pyetje: N\u00eb k\u00ebt\u00eb udh\u00ebtimin e fundit n\u00eb Shqip\u00ebri do t\u00eb keni disa takime si autor, merrni pjes\u00eb n\u00eb Festivalin e Prishtin\u00ebs POLIP, nd\u00ebrkoh\u00eb q\u00eb botohet n\u00eb gjuh\u00ebn greke dhe prezantohet n\u00eb Panairin e Librit n\u00eb Selanik nj\u00eb p\u00ebrmbledhje skicash t\u00eb \u201cZotit Shyti\u201d. Pra duket p\u00ebr pak se po b\u00ebni nj\u00eb jet\u00eb t\u00eb v\u00ebrtet\u00eb autori. N\u00eb fakt a ka nj\u00eb status t\u00eb qart\u00eb autori shqiptar?<\/span>
P\u00ebrgjigje: Tani p\u00ebr t\u00eb ardhur te pyetja juaj, po nisem m\u00eb shum\u00eb nga p\u00ebrvoja ime personale si autor dhe si publicist. Jan\u00eb dy faktorw q\u00eb e kan\u00eb kusht\u00ebzuar t\u00eb sotmen time: e para \u00ebsht\u00eb distanca nga Shqip\u00ebria, fakti q\u00eb kam qen\u00eb larg q\u00eb n\u00eb vitin 1990. Kjo nuk m\u00eb ka b\u00ebr\u00eb m\u00eb t\u00eb mir\u00eb as m\u00eb t\u00eb keq se t\u00eb tjer\u00ebt q\u00eb jan\u00eb k\u00ebtu, por ofroj nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ve\u00e7ant\u00eb. Dhe s\u00eb dyti \u00ebsht\u00eb interneti pa t\u00eb cilin nuk e di se \u00e7far\u00eb do t\u00eb kishte ndodhur me d\u00ebshir\u00ebn time p\u00ebr t\u00eb shkruar, pasi kontakti me Shqip\u00ebrin\u00eb do t\u00eb kishte q\u00ebn\u00eb shum\u00eb i limituar, i v\u00ebshtir\u00eb dhe me siguri edhe n\u00ebse do t\u00eb kisha filluar t\u00eb shkruaja di\u00e7ka do t\u00eb isha futur n\u00eb klishen\u00eb e autorit t\u00eb diaspor\u00ebs q\u00eb flet p\u00ebr m\u00ebm\u00ebdheun.<\/span><\/p>

\u00a0<\/p>

\"Ardian<\/p>

\u00a0<\/p>

Kurse interneti m\u00eb dha mund\u00ebsin\u00eb p\u00ebr t\u00eb qen\u00eb n\u00eb kontakt me njer\u00ebzit, n\u00eb komunitete virtuale arrita t\u00eb identifikoja interesin tim p\u00ebr t\u00eb ndar\u00eb mendime p\u00ebr politik\u00ebn, pastaj p\u00ebr kultur\u00ebn, fillimisht n\u00eb gjuh\u00ebn angleze pastaj n\u00eb shqip. Mund\u00ebsia p\u00ebr t\u00eb folur p\u00ebr \u00e7\u00ebshtje historike, gjuh\u00ebsore dhe kulturore m\u00eb ndihmoi t\u00eb gjeja ritmin me t\u00eb tjer\u00ebt. Kjo gj\u00eb vazhdoi p\u00ebr disa vjet, derisa s\u00eb bashku me nj\u00eb grup miqsh vendos\u00ebm t\u00eb krijonim blogun ton\u00eb \u201cPeizazhe t\u00eb fjal\u00ebs\u201d n\u00eb vitin 2007. Prej 11 vitesh ky blog i shnd\u00ebrruar n\u00eb revist\u00eb ekziston, \u00ebsht\u00eb zgjeruar, transforumar, ka fituar lexues dhe autor\u00eb. Distancat vet\u00ebm n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb arrita t\u2019i kap\u00ebrceja.<\/span><\/p>

Pyetje:Shpeshher\u00eb keni zgjedhur t\u00eb shkruani n\u00ebn nj\u00eb pseudonim\u2026<\/span>
P\u00ebrgjigje: Pseudonimi t\u00eb ndihmon p\u00ebr t\u00eb shkarkuar pesh\u00ebn q\u00eb t\u00eb ka dh\u00ebn\u00eb emri apo pseudonimi i m\u00ebparsh\u00ebm. Shembull klasik q\u00eb sjellin n\u00eb k\u00ebto raste \u00ebsht\u00eb Fernando Pessoa, i cili shkruante ditarin n\u00eb alter ego me emra t\u00eb ndrysh\u00ebm. Kjo nuk ishte nj\u00eb artific\u00eb, as p\u00ebrpjekje p\u00ebr t\u00eb fshehur identitetin, por sipas autorit k\u00ebshtu ishte natyra e pjes\u00ebs s\u00eb shkruar. Autori ishte personazhi q\u00eb ky kishte brenda vetes nj\u00ebfar\u00ebsoj. K\u00ebshtuq\u00eb edhe kjo ka r\u00ebnd\u00ebsi, sepse n\u00eb fund t\u00eb fundit nj\u00eb pseudonim ose nj\u00eb em\u00ebr letrar ose emri i nj\u00eb autori t\u00eb cilin ti nuk e ke takuar ndonj\u00ebher\u00eb, nuk \u00ebsht\u00eb gj\u00eb tjet\u00ebr vet\u00ebm t\u00ebr\u00ebsia e tekstit q\u00eb ke lexuar prej tij.<\/span><\/p>

Pyetje: Maks Gjerazi fillimisht ka q\u00ebn\u00eb pseudonimi juaj n\u00eb rrjetet sociale, m\u00eb pas e kthyet n\u00eb personazh dhe autor i cili rr\u00ebfen histori tek \u201c66 rr\u00ebfimet e Maks Gjerazit\u201d. \u00c7far\u00eb mund\u00ebsish i jep autorit real t\u00eb vepr\u00ebs nj\u00eb personazh q\u00eb \u00ebsht\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb dhe autor i rr\u00ebfimit?<\/span>
P\u00ebrgjigje: I jep distanc\u00eb. N\u00ebse un\u00eb do t\u00eb thoja gj\u00ebrat n\u00eb vet\u00eb t\u00eb par\u00eb, lexuesi gjithmon\u00eb ka prirjen, me t\u00eb drejt\u00eb, t\u2019i shikoj\u00eb si autobiografi, dometh\u00ebn\u00eb q\u00eb shkrimtari po flet p\u00ebr jet\u00ebn e vet ose p\u00ebr gj\u00ebra q\u00eb ka jetuar ose mund t\u2019i kishte jetuar. Nd\u00ebrsa n\u00ebp\u00ebrmjet nj\u00eb personazhi q\u00eb flet n\u00eb vet\u00ebn e par\u00eb, ke krijuar nj\u00eb distanc\u00eb. Disa gj\u00ebra mund t\u2019i faturohen atij personazhi dhe autori b\u00ebn nj\u00eb hap prapa, duke u larguar nuk \u00ebsht\u00eb m\u00eb personazh n\u00eb sken\u00eb, dometh\u00ebn\u00eb \u00ebsht\u00eb m\u00eb mbrapa, megjith\u00ebse ai \u00ebsht\u00eb n\u00eb nj\u00eb deviz\u00eb tjet\u00ebr. Nuk \u00ebsht\u00eb se e kam shpikur un\u00eb k\u00ebt\u00eb. Kur nj\u00eb autor krijon nj\u00eb personazh ose nj\u00eb autor t\u00eb dyt\u00eb t\u00eb cilin e sjell sikur e ka gjetur n\u00eb nj\u00eb arkiv ose n\u00eb nj\u00eb bodrum, apo dor\u00ebshkrim, \u00ebsht\u00eb nj\u00eb artific\u00eb q\u00eb nuk \u00ebsht\u00eb thjesht manieriz\u00ebm, ndihmon p\u00ebr t\u00eb krijuar distanc\u00ebn e nevojshme t\u00eb narrativ\u00ebs. Mua m\u00eb ka ndihmuar n\u00eb m\u00ebnyr\u00eb t\u00eb t\u00ebrthort\u00eb edhe p\u00ebr rastin e personazhit t\u00eb Zotit Shyti.<\/span><\/p>

Pyetje: Pyetja pak m\u00eb lart p\u00ebr statusin e autorit, kishte parasysh marr\u00ebdh\u00ebnien apo marr\u00ebveshjen q\u00eb ky autor ka me sht\u00ebpit\u00eb botuese dhe me tregun. Pra flasim tani p\u00ebr autorin e librit jo thjesht autorin e revist\u00ebs apo autorin e eses\u00eb.<\/span><\/p>

\"Ardian<\/p>

\u00a0<\/p>

P\u00ebrgjigje: Formati i t\u00eb shkruarit rregullisht n\u00eb nj\u00eb faqe online m\u00eb ka ndihmuar t\u00eb krijoj nj\u00eb raport t\u00eb leht\u00eb me lexuesin. Pa e menduar si personin q\u00eb do t\u00eb blej\u00eb, por thjesht si njeriun q\u00eb po komunikoj me t\u00eb sepse vet\u00eb formati i internetit e p\u00ebrjashton iden\u00eb e blerjes s\u00eb objektit. Si \u00ebsht\u00eb t\u00eb jesh autor online e t\u00eb jesh edhe autor librash q\u00eb shiten n\u00eb treg? Un\u00eb m\u00eb p\u00ebrpara kam provuar t\u00eb parin, pastaj kam kaluar tek e dyta me d\u00ebshir\u00ebn gjithnj\u00eb t\u00eb kem nj\u00eb lib\u00ebr (nuk ka shkrimtar t\u00eb mos \u00ebnd\u00ebrroj\u00eb t\u00eb ket\u00eb nj\u00eb lib\u00ebr, qoft\u00eb edhe nj\u00eb). Mbaj mend q\u00eb kur kam marr\u00eb \u201cKull\u00ebn e Sahatit\u201d, u preka. Nuk ishte libri i par\u00eb, por ishte libri im i par\u00eb shqip. Botuesi Ardian Klosi e pat kuruar me shum\u00eb kujdes. Dhe sa p\u00ebr kuriozitet ky \u00ebsht\u00eb libri im i par\u00eb dhe i fundit q\u00eb \u00ebsht\u00eb shkruar me dor\u00eb, me stilolaps, se t\u00eb tjer\u00ebt jan\u00eb t\u00eb gjith\u00eb t\u00eb shkruar me kompjuter.<\/span><\/p>

Pyetje: Sapo u mbyll n\u00eb Tiran\u00eb panairi i librit nga Klik Ekspo Group dhe s\u00ebrish ne nd\u00ebrtuam nj\u00eb pazar t\u00eb librit. Pati disa aktivitete me autor\u00eb t\u00eb ftuar por ishin t\u00eb mjerueshme. Stendat dhe arkitektura e panairit dukeshin si qeli burgu. Pra aty mungonte ky ajri q\u00eb krijon autori, q\u00eb krijon v\u00ebrtet marr\u00ebdh\u00ebnie, komunikim me lexuesin. P\u00ebrse e kemi ne kaq t\u00eb v\u00ebshtir\u00eb ta vendosim autorin n\u00eb qend\u00ebr?<\/span>
P\u00ebrgjigje: Nuk kam pasur eksperienca t\u00eb mira me panairet, megjith\u00ebse kam marr\u00eb pjes\u00eb disa her\u00eb me librat e mi, madje nganj\u00ebher\u00eb i kam programuar t\u00eb dalin pak p\u00ebrpara panairit q\u00eb t\u00eb b\u00ebhen prezantimet dhe nuk e di sa e m\u00ebn\u00e7ur ka qen\u00eb kjo si politik\u00eb, por gjithnj\u00eb ka q\u00ebn\u00eb si nj\u00eb shije e hidhur n\u00eb goj\u00eb, sepse ti shkon atje dhe t\u00eb duket vetja sikur je n\u00eb dyqan. \u00cbsht\u00eb nj\u00eb vend ku libri synohet t\u00eb shitet por jo t\u00eb vler\u00ebsohet si produkt kulturor, m\u00eb shum\u00eb vler\u00ebsohet si mall. Edhe kur kam shkuar n\u00eb prezantime \u00ebsht\u00eb si klishe q\u00eb nuk l\u00ebviz nga panairi n\u00eb panair, nga sezoni n\u00eb sezon. Zakonisht askush s\u2019e ka lexuar librin, sepse libri sapo ka dal\u00eb k\u00ebshtuq\u00eb do flitet p\u00ebr gj\u00ebra t\u00eb p\u00ebrgjithshme; autori do t\u00eb thot\u00eb ndonj\u00eb kuriozitet, do t\u2019i b\u00ebjn\u00eb ndonj\u00eb pyetje p\u00ebr kopertin\u00ebn, do t\u00eb thon\u00eb p\u00ebrse ia ke v\u00ebn\u00eb k\u00ebt\u00eb titull se nuk e kan\u00eb lexuar librin dhe pastaj do t\u00eb blihen disa libra e do t\u00eb k\u00ebrkojn\u00eb t\u2019i n\u00ebnshkruash. Kisha mund\u00ebsin\u00eb t\u00eb isha n\u00eb panairin e Selanikut i cili si hap\u00ebsir\u00eb ndoshta \u00ebsht\u00eb 3-4 her\u00eb m\u00eb i madh sesa hap\u00ebsira e Pallatit t\u00eb Kongreseve. Pata p\u00ebrshtypjen q\u00eb atmosfera ishte m\u00eb pak komerciale. M\u00eb shum\u00eb i kushtohej v\u00ebmendje kontakteve t\u00eb autor\u00ebve me lexuesin, me botuesin, me nj\u00ebri-tjetrin, takimeve me autorin jo takimeve p\u00ebr t\u00eb prezantuar libra, jo takimeve info-merciale. K\u00ebshtu q\u00eb ndoshta \u00ebsht\u00eb kjo q\u00eb u ka munguar panaireve t\u00eb librit tek ne, v\u00ebmendje e madhe tek shitja, v\u00ebmendje e madhe te disa autor\u00eb t\u00eb rastit t\u00eb cil\u00ebt jan\u00eb p\u00ebrkthyer me shpejt\u00ebsi ngaq\u00eb jan\u00eb superkomercial\u00eb, q\u00eb duhen shitur menj\u00ebher\u00eb brenda pak dit\u00ebsh p\u00ebr t\u00eb mbuluar shpenzimet e librave t\u00eb tjer\u00eb dhe mosp\u00ebrfillja ndaj atyre autor\u00ebve q\u00eb jan\u00eb n\u00eb fakt baza e komunikimit letrar shqip.<\/span><\/p>

Pyetje: A e v\u00eb kjo autorin n\u00eb nj\u00eb pozit\u00eb inferiore?<\/span>
P\u00ebrgjigje: E b\u00ebn autorin nervoz, pasi p\u00ebr \u00e7do autor libri \u00ebsht\u00eb i dhimbsh\u00ebm, \u00ebsht\u00eb sakrific\u00eb.<\/span>
Pyetje: Po flasim si p\u00ebr nj\u00eb profesion n\u00eb t\u00eb zez\u00eb. Autor\u00eb q\u00eb nuk kan\u00eb kontrata\u2026<\/span>
P\u00ebrgjigje: Pretendimi m\u00eb minimal \u00ebsht\u00eb: libri t\u00eb shkoj\u00eb n\u00eb librari, te lexuesi. Nd\u00ebrkoh\u00eb q\u00eb m\u00eb pyesin miqt\u00eb e mi n\u00eb rrjetet sociale \u201cku ta gjejm\u00eb librin\u201d? Ai q\u00eb pyet mund t\u00eb jet\u00eb n\u00eb Pej\u00eb. Ti pyet botuesin tend \u201cpo ja \u00ebsht\u00eb tek Adrioni\u201d. Ky \u00ebsht\u00eb realiteti. Nj\u00eb librari n\u00eb pes\u00eb milion. Procesi i kalimit t\u00eb librit nga autori tek lexuesi transformohet n\u00eb nj\u00eb hob.<\/span><\/p>

Pyetje: Pastaj transformohet n\u00eb legjenda televizive. Marrin nj\u00eb m\u00ebsuese nga Lezha dhe e b\u00ebjn\u00eb heroine, sepse me kamion\u00e7in\u00ebn e saj shp\u00ebrndan libra n\u00ebp\u00ebr shkollat e fshatrave\u2026<\/span>
P\u00ebrgjigje: Po dhe pastaj k\u00ebrkon at\u00eb sh\u00ebrbimin n\u00ebp\u00ebrmjet nj\u00eb gjesti spektakolar t\u00eb dikujt, q\u00eb n\u00eb fakt ai gjest vet\u00ebm sa tregon ekzistenc\u00ebn e nj\u00eb problemi dhe nuk zgjidh asnj\u00eb gj\u00eb.<\/span><\/p>

Pyetje: Di\u00e7ka q\u00eb ka t\u00eb b\u00ebj\u00eb drejtp\u00ebrdrejt\u00eb me procesin, m\u00ebnyr\u00ebn sesi e nd\u00ebrton ti nj\u00eb personazh. N\u00ebse te Maks Gjerazi ne kemi gjuh\u00ebn personazh p\u00ebr t\u00eb zb\u00ebrthyer nj\u00eb sistem diktatorial, te Zoti Shyti kemi nj\u00eb personazh, misioni i t\u00eb cilit \u00ebsht\u00eb nd\u00ebrtimi i nj\u00eb vet\u00ebdije dhe nj\u00eb dialogu. Dalim s\u00ebrish tek ajo q\u00eb ti ke krijuar si nj\u00eb mision t\u00ebndin.<\/span>
P\u00ebrgjigje: N\u00eb rastin e Maks Gjerazit kjo \u00ebsht\u00eb e v\u00ebrtet\u00eb. Aty ka shum\u00eb histori t\u00eb shkurtra personazhesh q\u00eb hyjn\u00eb e dalin dhe rishfaqen nga nj\u00eb rr\u00ebfim n\u00eb tjetrin, por r\u00ebnd\u00ebsi ka q\u00eb k\u00ebta jan\u00eb t\u00eb kapur n\u00eb gjuh\u00eb. Jan\u00eb si ato mizat q\u00eb ngjiten tek letra, \u2013 mbase s\u2019keni par\u00eb ndonj\u00ebher\u00eb letra mizash t\u00eb tilla, \u2013 por dikur n\u00ebp\u00ebr gjelltore t\u00eb vjetra ka pasur letra q\u00eb vareshin nga tavani dhe aty ngjiteshin mizat. Ose do themi si mizat n\u00eb mjalt\u00eb. Dometh\u00ebn\u00eb ti ngjitesh n\u00eb gjuh\u00eb, si n\u00eb rastin e Maks Gjerazit. Gjuha aty \u00ebsht\u00eb personazhi apo motori q\u00eb v\u00eb n\u00eb l\u00ebvizje narrativ\u00ebn.<\/span>
Nd\u00ebrsa te Zoti Shyti, q\u00eb nj\u00ebfar\u00ebsoj rimerr historin\u00eb e Maks Gjerazit, q\u00ebllimi ka qen\u00eb tjet\u00ebr. Shyti \u00ebsht\u00eb nj\u00eb shfaqje teatrale e shkruar n\u00eb proz\u00eb, ashtu si\u00e7 di un\u00eb ta shkruaj, por po t\u00eb kisha qen\u00eb dramaturg ndoshta do t\u2019i kisha dh\u00ebn\u00eb tjet\u00ebr struktur\u00eb. Te librat \u201cKusuret e Zotit Shyti\u201d dhe \u201cNd\u00ebrhyrjet e Zotit Shyti\u201d struktura e gjuh\u00ebs \u00ebsht\u00eb orale. Zoti Shyti p\u00ebrpiqet ta nd\u00ebrtoj\u00eb bot\u00ebn rreth vetes n\u00ebp\u00ebrmjet fjal\u00ebs s\u00eb folur, oralitetit. K\u00ebt\u00eb bot\u00eb e shikon t\u00eb nd\u00ebrmjet\u00ebsuar nga mediat, sepse jan\u00eb mediat q\u00eb ia sjellin realitetin, edhe kur nuk i hedh posht\u00eb, nuk i denoncon, edhe indinjata q\u00eb ka ndaj tyre \u00ebsht\u00eb si nj\u00eb motor q\u00eb i jep energji n\u00eb sken\u00ebn e kafenes\u00eb, dhe kjo vjen ngaq\u00eb hutohet me mediat. Jan\u00eb mediat ato q\u00eb e v\u00ebn\u00eb n\u00eb l\u00ebvizje.<\/span><\/p>

Pyetje: Thuhet q\u00eb krijimi i nj\u00eb raporti empatie mes lexuesit dhe historis\u00eb q\u00eb ai lexon \u00ebsht\u00eb e r\u00ebnd\u00ebsishme, sepse n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb lexuesi do t\u00eb ket\u00eb mund\u00ebsin\u00eb p\u00ebr t\u2019u identifikuar me personazhet dhe p\u00ebr t\u00eb gjetur n\u00ebp\u00ebrmjet tyre zgjidhjen e dilemave n\u00eb jet\u00ebn reale. Cila \u00ebsht\u00eb marr\u00ebdh\u00ebnia ideale mes lexuesit dhe autorit?<\/span>
P\u00ebrgjigje: P\u00ebr Shytin ka pasur dhe ka akoma simpati ndaj tij, \u00ebsht\u00eb si nj\u00eb figur\u00eb q\u00eb ua ka plot\u00ebsuar di\u00e7ka n\u00eb jet\u00eb si figur\u00eb. \u00cbsht\u00eb nj\u00eb figur\u00eb q\u00eb e presin me nj\u00eb lloj interesi emocional, q\u00eb e kap\u00ebrcen kuriozitetin. Nd\u00ebrsa Maks Gjerazi ishte projekt i tjet\u00ebr lloji, duke qen\u00eb se ai ishte fillimisht personazh n\u00eb forumin e internetit, njer\u00ebzit e njihnin si nj\u00eb dadaist q\u00eb b\u00ebnte shakara, dhe jo si kritik t\u00eb totalitarizmit.<\/span><\/p>

Sjellim n\u00eb v\u00ebmendje nj\u00eb pasazh nga \u201cKusuret e Zotit Shyti\u201di cili ka t\u00eb b\u00ebj\u00eb me at\u00eb \u00e7ka krijon media. \u00cbsht\u00eb nj\u00eb skic\u00eb e cila duket se i paraprin nj\u00eb realiteti sepse edhe riciklohet kaq shpesh realiteti yn\u00eb sa duket sikur na tregon gjithmon\u00eb t\u00eb nj\u00ebjt\u00ebn faqe. Skica titullohet \u201cZoti Shyti shpjegon ndryshimin mes trupit dhe turpit\u201d:<\/span>
\u201cKa qen\u00eb nj\u00eb koh\u00eb, tha z. Shyti, q\u00eb e mbaj mend edhe un\u00eb se e kam jetuar, kur njer\u00ebzit kishin \ufb01lluar ta l\u00ebviznin bishtin n\u00eb privat, burrat shkonin me gra t\u00eb tjera nga e tyrja, grat\u00eb shkonin me burra t\u00eb tjer\u00eb nga i tyri dhe vice-versa (dhe vice-versa!), por n\u00eb publik ishin t\u00eb detyruar t\u00eb shpallnin besnik\u00ebrin\u00eb e tyre ndaj parimeve, rregullave dhe tabuve t\u00eb moralit tradicional, sepse ashtu e k\u00ebrkonte puna, vendi dhe kuvendi. K\u00ebshtu, burri q\u00eb kthehej nga nj\u00eb takim me t\u00eb dashur\u00ebn, i b\u00ebrtiste pastaj s\u00eb bij\u00ebs, se kjo rrinte shum\u00eb n\u00eb telefon \u201cme at\u00eb tipin\u201d, nd\u00ebrsa gruaja, menj\u00ebher\u00eb pasi kish provuar n\u00eb banj\u00eb dhurat\u00ebn intime t\u00eb dashnorit, i shpjegonte t\u00eb birit pse nuk u duhej zgjatur vajzave t\u00eb klas\u00ebs. Ky ka qen\u00eb realiteti at\u00ebher\u00eb, tha z. Shyti, dhe t\u00eb gjith\u00eb b\u00ebnim si b\u00ebnim dhe p\u00ebrshtateshim. Por tani koh\u00ebt kan\u00eb nd\u00ebrruar, vazhdoi z. Shyti; sepse tani t\u00eb gjith\u00eb n\u00eb publik jan\u00eb ultra-liberal\u00eb dhe deklarohen p\u00ebr lirin\u00eb e plot\u00eb seksuale, promiskuitetin dhe erotizmin publik, si shenja t\u00eb demokratizimit t\u00eb marr\u00ebdh\u00ebnieve midis sekseve; sepse ashtu edhe i afrohemi Europ\u00ebs, s\u00eb paku Europ\u00ebs s\u00eb trotuareve, ose, edhe m\u00eb s\u00eb paku akoma, Europ\u00ebs s\u00eb nj\u00eb tak\u00ebmi trotuaresh; mir\u00ebpo n\u00eb privat po tregohemi gjithnj\u00eb e m\u00eb t\u00eb rrept\u00eb me nj\u00ebri-tjetrin, aq sa dashurin\u00eb e p\u00ebrdorim e shumta si mjet, por jo si q\u00ebllim. Prandaj edhe ndodh q\u00eb nj\u00eb grua e hijshme t\u00eb shqiptohet n\u00eb televizion p\u00ebr nevoj\u00ebn q\u00eb t\u00eb rinjt\u00eb t\u00eb p\u00ebrjetojn\u00eb trupin, jo turpin; dhe t\u00eb sqaroj\u00eb, p\u00ebr shembull n\u00eb nj\u00eb emision f\u00ebmij\u00ebsh, se ndrydhjet seksuale p\u00ebrftojn\u00eb perversione \ufb01nanciare sikurse e kund\u00ebrta, ndrydhjet \ufb01nanciare p\u00ebrftojn\u00eb perversione seksuale; por po kjo grua pastaj t\u00eb mund t\u00eb ket\u00eb edhe vite pa fjetur me nj\u00eb burr\u00eb a me nj\u00eb grua, p\u00ebr t\u00eb mos p\u00ebrmendur alternativa t\u00eb tjera; dhe erotizmin t\u00eb ket\u00eb s\u00ebrish vite q\u00eb ta ket\u00eb shijuar ekskluzivisht n\u00eb sallonin e \ufb02ok\u00ebve. Sot liria seksuale \u00ebsht\u00eb di\u00e7ka q\u00eb deklarohet, jo q\u00eb shijohet, sqaroi z. Shyti; ose t\u00eb pakt\u00ebn di\u00e7ka q\u00eb nuk shijohet kur deklarohet, nj\u00eblloj sikurse ka qen\u00eb dikur di\u00e7ka q\u00eb nuk deklarohej kur shijohej. Un\u00eb jam rritur, vazhdoi m\u00ebrzitsh\u00ebm z. Shyti, n\u00eb nj\u00eb koh\u00eb kur femrat druheshin mos mbeteshin shtatz\u00ebna edhe pas nj\u00eb tangoje konvulsive me m\u00ebsuesin e pun\u00ebs me dru; por sot mund t\u00eb gjesh femra q\u00eb refuzojn\u00eb t\u00eb mbeten shtatz\u00ebna edhe pasi martohen, ngaq\u00eb kan\u00eb frik\u00eb se kjo do t\u2019u rrezikoj\u00eb performanc\u00ebn e tyre n\u00eb tango, p\u00ebr ta th\u00ebn\u00eb \ufb01gurativisht. Nj\u00eblloj, burrat e djesh\u00ebm b\u00ebnin k\u00ebrdin\u00eb n\u00eb krevatet e grave t\u00eb bot\u00ebs, por n\u00eb publik hiqeshin sikur druheshin prej tyre, aq sa edhe radh\u00ebt i mbanin ve\u00e7 e ve\u00e7; nd\u00ebrsa sot, e mbylli m\u00eb n\u00eb fund z. Shyti, suksesi seksual i burrit \u00ebsht\u00eb di\u00e7ka me t\u00eb cil\u00ebn ai mburret me koleg\u00ebt e vet n\u00eb publik, nd\u00ebrsa frustracionin e konsumon n\u00eb heshtje, para ekranit t\u00eb laptop-it, i shtrir\u00eb n\u00eb krevat.\u201d<\/span><\/p>

Pyetje: Liberalizimi i vlerave, pse abuzohet kaq shum\u00eb dhe \u00e7far\u00eb nevoje kan\u00eb p\u00ebr ta ekspozuar k\u00ebt\u00eb q\u00ebndrim n\u00eb publik?<\/span>
P\u00ebrgjigje: Kan\u00eb qejf t\u00eb p\u00ebrdorin shprehje \u201cpa komplekse\u201d n\u00eb \u00e7do kontekst, \u201ct\u00eb jemi pa komplekse\u201d, \u201cai \u00ebsht\u00eb pa komplekse\u201d. Po, \u00ebsht\u00eb e nevojshme t\u00eb prezantohet n\u00eb publik pa komplekse sidomos n\u00ebse k\u00ebrkon t\u00eb b\u00ebj\u00eb p\u00ebrpara n\u00eb shoq\u00ebri, n\u00eb jet\u00eb, n\u00eb pun\u00eb etj. Nuk di t\u00eb them sesa jan\u00eb liberalizuar vlerat, por mund t\u00eb them q\u00eb shpesh nuk ka asnj\u00eb lidhje mes asaj q\u00eb themi dhe asaj q\u00eb b\u00ebjm\u00eb, dhe atyre q\u00eb themi se b\u00ebjm\u00eb. Ato q\u00eb themi jan\u00eb d\u00ebshira p\u00ebr t\u2019i pasur si narrativat tona. Ky antikonformiz\u00ebm n\u00eb raport me vlerat tradicionale, qoft\u00eb dhe me ato patriarkale ka krijuar konformizmin e vet sepse \u00ebsht\u00eb nj\u00eb trysni q\u00eb vepron mbi personat publik duke ua imponuar nj\u00eb sjellje t\u00eb caktuar. T\u00eb mbajn\u00eb rolin q\u00eb e kan\u00eb t\u00eb pamundur q\u00eb ta mbajn\u00eb. Kjo i b\u00ebn njer\u00ebzit hipokrit\u00eb, idiot\u00eb.<\/span><\/p>

Pyetje: Pra \u201cliberalizimi i vlerave\u201d qenka si nj\u00eb lloj censori q\u00eb njer\u00ebzit e p\u00ebrdorin n\u00eb publik p\u00ebr t\u00eb fshehur problemet vetjake. Po p\u00ebr autorin a ekziston censura sot? A ka pasur raste q\u00eb e ke par\u00eb se tek ty vepron censura?<\/span>
P\u00ebrgjigje: Natyrisht, madje m\u00eb vjen zor ta pranoj, se m\u00eb duket pak e turpshme. P\u00ebr mua preokupimi kryesor \u00ebsht\u00eb forma. Censura \u00ebsht\u00eb formale, nuk ka t\u00eb b\u00ebj\u00eb me p\u00ebrmbajtjen. Un\u00eb e censuroj veten dhe fort madje. \u00cbsht\u00eb qesharake ta thuash, por ndonj\u00ebher\u00eb edhe nj\u00eb paragraf duhet t\u00eb jet\u00eb \u201caq\u201d i gjat\u00eb dhe jo m\u00eb shum\u00eb. Mundimi im m\u00eb i madh \u00ebsht\u00eb nga ana formale, tek ritmi i fjalis\u00eb, tek raporti midis paragraf\u00ebve, n\u00ebse \u00ebsht\u00eb i gjat\u00eb, pasuesi nuk mund t\u00eb jet\u00eb shum\u00eb i shkurt\u00ebr sepse e thyen, p\u00ebrve\u00e7se n\u00ebse un\u00eb dua vet\u00eb q\u00eb t\u00eb thyhet. P\u00ebr mua, teksti q\u00eb kur kam filluar t\u00eb shkruaj, ka nj\u00eb struktur\u00eb muzikore.<\/span><\/p>

Pyetje: P\u00ebr \u00e7far\u00eb e ka fjal\u00ebn nj\u00eb personazh t\u00eb Zoti Shyti, kur thot\u00eb q\u00eb \u201cankthi e b\u00ebn shkrimtarin, shkrimtar\u201d?<\/span>
P\u00ebrgjigje: M\u00eb kujtove Frojdin, i cili shpesh i referohej Kierkegardit duke e p\u00ebrkufizuar ankthin si \u201csimpati antipatizante, ose antipati simpatizante\u201d. Duket si loj\u00eb fjal\u00ebsh, por besoj ka nj\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb thell\u00eb aty. \u00cbsht\u00eb kjo ambivalenc\u00eb, ose pamund\u00ebsia p\u00ebr t\u00eb reaguar n\u00eb m\u00ebnyr\u00eb koherente ndaj realitetit q\u00eb t\u00eb detyron t\u00eb shkruash n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb gjesh nj\u00eb balanc\u00eb. T\u00eb detyron t\u00eb gjesh nj\u00eb ekuilib\u00ebr m\u00eb t\u00eb q\u00ebndruesh\u00ebm. Nabokovi ka nj\u00eb vend ku thot\u00eb q\u00eb \u201ce vetmja let\u00ebrsi \u00ebsht\u00eb ajo q\u00eb shkruhet n\u00eb m\u00ebnyr\u00eb ekstatike\u201d. Edhe n\u00eb fakt po t\u2019i lexosh veprat m\u00eb t\u00eb mira t\u00eb Nabokovit, e kupton m\u00ebnyr\u00ebn e t\u00eb shkruarit ekstatik. E lexon dhe thua \u201cObobo! Po un\u00eb!\u201d Ankthi \u00ebsht\u00eb ai q\u00eb i paraprin ekstaz\u00ebs, fillimisht akumulohet pastaj shp\u00ebrthen dhe k\u00ebto jan\u00eb kushtet ideale t\u00eb shkrimit. Un\u00eb shum\u00eb rrall\u00eb e arrij at\u00eb. Mendoj se vet\u00ebm te libri \u201cKulla e sahatit\u201d e kam arritur at\u00eb gjendje.<\/span><\/p>

Intervist\u00eb e shk\u00ebputur nga takimi me autorin dhe gjuh\u00ebtarin Ardian Vehbiu.<\/span>
Kam\u00ebz, maj 2018<\/span>
\u00a9nyje.al<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

11.07.2018 | nyje.al Takimet letrare n\u00eb qendr\u00ebn rinore \u201cAta\u201d rifillojn\u00eb me autorin dhe gjuh\u00ebtarin Ardian Vehbiu. Interesat e k\u00ebtij autori dhe e platform\u00ebs s\u00eb komunikimit \u201cPeizazhet e Fjal\u00ebs\u201d q\u00eb ai drejton prej shum\u00eb vitesh, duket se p\u00ebrputhen shum\u00eb me interesat e k\u00ebtij grupi p\u00ebr nd\u00ebrtimin e nj\u00eb dialogu kulturor i k\u00ebrc\u00ebnuar nga mass media dhe format e tjera t\u00eb komunikimit t\u00eb komercializuara. Pyetje: N\u00eb k\u00ebt\u00eb udh\u00ebtimin e fundit n\u00eb Shqip\u00ebri do t\u00eb keni disa takime si autor, merrni pjes\u00eb n\u00eb Festivalin e Prishtin\u00ebs POLIP, nd\u00ebrkoh\u00eb q\u00eb botohet n\u00eb gjuh\u00ebn greke dhe prezantohet n\u00eb Panairin e Librit n\u00eb Selanik nj\u00eb p\u00ebrmbledhje skicash t\u00eb \u201cZotit Shyti\u201d. Pra duket p\u00ebr pak se po b\u00ebni nj\u00eb jet\u00eb t\u00eb v\u00ebrtet\u00eb autori. N\u00eb fakt a ka nj\u00eb status t\u00eb qart\u00eb autori shqiptar?P\u00ebrgjigje: Tani p\u00ebr t\u00eb ardhur te pyetja juaj, po nisem m\u00eb shum\u00eb nga p\u00ebrvoja ime personale si autor dhe si publicist. Jan\u00eb dy faktorw q\u00eb e kan\u00eb kusht\u00ebzuar t\u00eb sotmen time: e para \u00ebsht\u00eb distanca nga Shqip\u00ebria, fakti q\u00eb kam qen\u00eb larg q\u00eb n\u00eb vitin 1990. Kjo nuk m\u00eb ka b\u00ebr\u00eb m\u00eb t\u00eb mir\u00eb as m\u00eb t\u00eb keq se t\u00eb tjer\u00ebt q\u00eb jan\u00eb k\u00ebtu, por ofroj nj\u00eb k\u00ebndv\u00ebshtrim t\u00eb ve\u00e7ant\u00eb. Dhe s\u00eb dyti \u00ebsht\u00eb interneti pa t\u00eb cilin nuk e di se \u00e7far\u00eb do t\u00eb kishte ndodhur me d\u00ebshir\u00ebn time p\u00ebr t\u00eb shkruar, pasi kontakti me Shqip\u00ebrin\u00eb do t\u00eb kishte q\u00ebn\u00eb shum\u00eb i limituar, i v\u00ebshtir\u00eb dhe me siguri edhe n\u00ebse do t\u00eb kisha filluar t\u00eb shkruaja di\u00e7ka do t\u00eb isha futur n\u00eb klishen\u00eb e autorit t\u00eb diaspor\u00ebs q\u00eb flet p\u00ebr m\u00ebm\u00ebdheun. \u00a0 \u00a0 Kurse interneti m\u00eb dha mund\u00ebsin\u00eb p\u00ebr t\u00eb qen\u00eb n\u00eb kontakt me njer\u00ebzit, n\u00eb komunitete virtuale arrita t\u00eb identifikoja interesin tim p\u00ebr t\u00eb ndar\u00eb mendime p\u00ebr politik\u00ebn, pastaj p\u00ebr kultur\u00ebn, fillimisht n\u00eb gjuh\u00ebn angleze pastaj n\u00eb shqip. Mund\u00ebsia p\u00ebr t\u00eb folur p\u00ebr \u00e7\u00ebshtje historike, gjuh\u00ebsore dhe kulturore m\u00eb ndihmoi t\u00eb gjeja ritmin me t\u00eb tjer\u00ebt. Kjo gj\u00eb vazhdoi p\u00ebr disa vjet, derisa s\u00eb bashku me nj\u00eb grup miqsh vendos\u00ebm t\u00eb krijonim blogun ton\u00eb \u201cPeizazhe t\u00eb fjal\u00ebs\u201d n\u00eb vitin 2007. Prej 11 vitesh ky blog i shnd\u00ebrruar n\u00eb revist\u00eb ekziston, \u00ebsht\u00eb zgjeruar, transforumar, ka fituar lexues dhe autor\u00eb. Distancat vet\u00ebm n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb arrita t\u2019i kap\u00ebrceja. Pyetje:Shpeshher\u00eb keni zgjedhur t\u00eb shkruani n\u00ebn nj\u00eb pseudonim\u2026P\u00ebrgjigje: Pseudonimi t\u00eb ndihmon p\u00ebr t\u00eb shkarkuar pesh\u00ebn q\u00eb t\u00eb ka dh\u00ebn\u00eb emri apo pseudonimi i m\u00ebparsh\u00ebm. Shembull klasik q\u00eb sjellin n\u00eb k\u00ebto raste \u00ebsht\u00eb Fernando Pessoa, i cili shkruante ditarin n\u00eb alter ego me emra t\u00eb ndrysh\u00ebm. Kjo nuk ishte nj\u00eb artific\u00eb, as p\u00ebrpjekje p\u00ebr t\u00eb fshehur identitetin, por sipas autorit k\u00ebshtu ishte natyra e pjes\u00ebs s\u00eb shkruar. Autori ishte personazhi q\u00eb ky kishte brenda vetes nj\u00ebfar\u00ebsoj. K\u00ebshtuq\u00eb edhe kjo ka r\u00ebnd\u00ebsi, sepse n\u00eb fund t\u00eb fundit nj\u00eb pseudonim ose nj\u00eb em\u00ebr letrar ose emri i nj\u00eb autori t\u00eb cilin ti nuk e ke takuar ndonj\u00ebher\u00eb, nuk \u00ebsht\u00eb gj\u00eb tjet\u00ebr vet\u00ebm t\u00ebr\u00ebsia e tekstit q\u00eb ke lexuar prej tij. Pyetje: Maks Gjerazi fillimisht ka q\u00ebn\u00eb pseudonimi juaj n\u00eb rrjetet sociale, m\u00eb pas e kthyet n\u00eb personazh dhe autor i cili rr\u00ebfen histori tek \u201c66 rr\u00ebfimet e Maks Gjerazit\u201d. \u00c7far\u00eb mund\u00ebsish i jep autorit real t\u00eb vepr\u00ebs nj\u00eb personazh q\u00eb \u00ebsht\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb dhe autor i rr\u00ebfimit?P\u00ebrgjigje: I jep distanc\u00eb. N\u00ebse un\u00eb do t\u00eb thoja gj\u00ebrat n\u00eb vet\u00eb t\u00eb par\u00eb, lexuesi gjithmon\u00eb ka prirjen, me t\u00eb drejt\u00eb, t\u2019i shikoj\u00eb si autobiografi, dometh\u00ebn\u00eb q\u00eb shkrimtari po flet p\u00ebr jet\u00ebn e vet ose p\u00ebr gj\u00ebra q\u00eb ka jetuar ose mund t\u2019i kishte jetuar. Nd\u00ebrsa n\u00ebp\u00ebrmjet nj\u00eb personazhi q\u00eb flet n\u00eb vet\u00ebn e par\u00eb, ke krijuar nj\u00eb distanc\u00eb. Disa gj\u00ebra mund t\u2019i faturohen atij personazhi dhe autori b\u00ebn nj\u00eb hap prapa, duke u larguar nuk \u00ebsht\u00eb m\u00eb personazh n\u00eb sken\u00eb, dometh\u00ebn\u00eb \u00ebsht\u00eb m\u00eb mbrapa, megjith\u00ebse ai \u00ebsht\u00eb n\u00eb nj\u00eb deviz\u00eb tjet\u00ebr. Nuk \u00ebsht\u00eb se e kam shpikur un\u00eb k\u00ebt\u00eb. Kur nj\u00eb autor krijon nj\u00eb personazh ose nj\u00eb autor t\u00eb dyt\u00eb t\u00eb cilin e sjell sikur e ka gjetur n\u00eb nj\u00eb arkiv ose n\u00eb nj\u00eb bodrum, apo dor\u00ebshkrim, \u00ebsht\u00eb nj\u00eb artific\u00eb q\u00eb nuk \u00ebsht\u00eb thjesht manieriz\u00ebm, ndihmon p\u00ebr t\u00eb krijuar distanc\u00ebn e nevojshme t\u00eb narrativ\u00ebs. Mua m\u00eb ka ndihmuar n\u00eb m\u00ebnyr\u00eb t\u00eb t\u00ebrthort\u00eb edhe p\u00ebr rastin e personazhit t\u00eb Zotit Shyti. Pyetje: Pyetja pak m\u00eb lart p\u00ebr statusin e autorit, kishte parasysh marr\u00ebdh\u00ebnien apo marr\u00ebveshjen q\u00eb ky autor ka me sht\u00ebpit\u00eb botuese dhe me tregun. Pra flasim tani p\u00ebr autorin e librit jo thjesht autorin e revist\u00ebs apo autorin e eses\u00eb. \u00a0 P\u00ebrgjigje: Formati i t\u00eb shkruarit rregullisht n\u00eb nj\u00eb faqe online m\u00eb ka ndihmuar t\u00eb krijoj nj\u00eb raport t\u00eb leht\u00eb me lexuesin. Pa e menduar si personin q\u00eb do t\u00eb blej\u00eb, por thjesht si njeriun q\u00eb po komunikoj me t\u00eb sepse vet\u00eb formati i internetit e p\u00ebrjashton iden\u00eb e blerjes s\u00eb objektit. Si \u00ebsht\u00eb t\u00eb jesh autor online e t\u00eb jesh edhe autor librash q\u00eb shiten n\u00eb treg? Un\u00eb m\u00eb p\u00ebrpara kam provuar t\u00eb parin, pastaj kam kaluar tek e dyta me d\u00ebshir\u00ebn gjithnj\u00eb t\u00eb kem nj\u00eb lib\u00ebr (nuk ka shkrimtar t\u00eb mos \u00ebnd\u00ebrroj\u00eb t\u00eb ket\u00eb nj\u00eb lib\u00ebr, qoft\u00eb edhe nj\u00eb). Mbaj mend q\u00eb kur kam marr\u00eb \u201cKull\u00ebn e Sahatit\u201d, u preka. Nuk ishte libri i par\u00eb, por ishte libri im i par\u00eb shqip. Botuesi Ardian Klosi e pat kuruar me shum\u00eb kujdes. Dhe sa p\u00ebr kuriozitet ky \u00ebsht\u00eb libri im i par\u00eb dhe i fundit q\u00eb \u00ebsht\u00eb shkruar me dor\u00eb, me stilolaps, se t\u00eb tjer\u00ebt jan\u00eb t\u00eb gjith\u00eb t\u00eb shkruar me kompjuter. Pyetje: Sapo u mbyll n\u00eb Tiran\u00eb panairi i librit nga Klik Ekspo Group dhe s\u00ebrish ne nd\u00ebrtuam nj\u00eb pazar t\u00eb librit. Pati disa aktivitete me autor\u00eb t\u00eb ftuar por ishin t\u00eb mjerueshme. Stendat dhe arkitektura e panairit dukeshin si qeli burgu. Pra aty mungonte ky ajri q\u00eb krijon autori, q\u00eb krijon v\u00ebrtet marr\u00ebdh\u00ebnie, komunikim me lexuesin. P\u00ebrse e kemi ne kaq t\u00eb v\u00ebshtir\u00eb ta vendosim autorin n\u00eb qend\u00ebr?P\u00ebrgjigje: Nuk kam pasur eksperienca t\u00eb mira me panairet, megjith\u00ebse kam marr\u00eb pjes\u00eb disa her\u00eb me librat e mi, madje nganj\u00ebher\u00eb i kam programuar t\u00eb dalin pak p\u00ebrpara panairit q\u00eb t\u00eb b\u00ebhen prezantimet dhe nuk e di sa e m\u00ebn\u00e7ur<\/p>","protected":false},"author":2,"featured_media":3958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","ocean_post_layout":"right-sidebar","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"ocs-kulture-category-post-sidebar","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"on","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[5],"tags":[],"class_list":["post-936","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture","entry","has-media"],"_links":{"self":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/comments?post=936"}],"version-history":[{"count":5,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/936\/revisions"}],"predecessor-version":[{"id":24476,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/936\/revisions\/24476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/media\/3958"}],"wp:attachment":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/media?parent=936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/categories?post=936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/tags?post=936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}