{"id":7932,"date":"2020-12-08T18:17:32","date_gmt":"2020-12-08T16:17:32","guid":{"rendered":"http:\/\/nyje.al\/?p=7932"},"modified":"2024-09-12T14:25:14","modified_gmt":"2024-09-12T12:25:14","slug":"historia-e-teatrit-te-atyre","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/historia-e-teatrit-te-atyre\/","title":{"rendered":"Historia e Teatrit t\u00eb Atyre"},"content":{"rendered":"
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Diana Malaj| Pavjo Gjini| 08.12.2020| nyje.al<\/span><\/strong><\/p>

KAMZA DHE GRUPI ATA<\/span><\/h4>

N\u00eb qytetin si t\u00eb prer\u00eb me g\u00ebrsh\u00ebr\u00eb nga rruga komb\u00ebtare e cila t\u00eb plas drejt e n\u00eb kryeqytet, n\u00eb vendin me sht\u00ebpi t\u00eb shumta private t\u00eb zatetura sa m\u00eb pran\u00eb qendr\u00ebs q\u00eb mund\u00ebn \u2014 n\u00eb Kam\u00ebz \u2014 vepron grupi i aktivist\u00ebve Ata. Prej shtat\u00eb vitesh tashm\u00eb, ky grup vepron n\u00eb nj\u00eb seri praktikash: nga ligji te gazetaria, antropologjia, arti, let\u00ebrsia dhe teatri i t\u00eb shtypurve.<\/span><\/p>

N\u00eb Kamz\u00ebn si periferia e madhe, grupi ia ka dal\u00eb t\u00eb krijoj\u00eb qendr\u00ebn e vet. Qend\u00ebr q\u00eb nuk p\u00ebrjashton periferin\u00eb, por p\u00ebrbashkon \u201ct\u00eb tjer\u00ebt\u201d e p\u00ebrjashtuar rreth nj\u00eb biblioteke p\u00ebr nx\u00ebn\u00ebsit e student\u00ebt, rreth aktiviteteve t\u00eb leximit me autor\u00eb bashk\u00ebkohor\u00eb, kinemas\u00eb teknikisht t\u00eb improvizuar, akteve performative n\u00eb qytet, hulumtimeve gazetareske, aktivizmit ligjor n\u00eb p\u00ebrballje me ligjin dhe shtetin, dhe m\u00eb p\u00ebrzem\u00ebrti shfaqjeve teatrale. T\u00eb gjitha k\u00ebto nga nj\u00eb etje e pashtershme p\u00ebr qytetin.<\/span><\/p>

Kamza ka fituar statusin e bashkis\u00eb 24 vite m\u00eb par\u00eb dhe aktualisht num\u00ebron rreth 125,000 banor\u00eb. Burime jozyrtare e renditin si bashkin\u00eb e pest\u00eb m\u00eb t\u00eb madhe n\u00eb Shqip\u00ebri. Para viteve \u201990 \u00ebsht\u00eb karakterizuar nga puna n\u00eb ferm\u00eb dhe n\u00eb minier\u00eb, nd\u00ebrsa pas viteve \u201990 nga zhvendosja e nj\u00eb numri t\u00eb madh banor\u00ebsh nga i gjith\u00eb vendi, kryesisht prej zonave malore e fshatrave veriore si fillim, e pastaj nga kthimi i shum\u00eb familjeve emigrante.<\/span><\/p>

Nga perspektiva e kryeqytetit, Kamza \u00ebsht\u00eb periferia (p\u00ebr-t\u2019u-p\u00ebrjashtuar) e saj, e stigmatizuar shpesh si e mbushur me \u201cardhacak\u00eb, ilegal\u00eb e zaptues pronash, t\u00eb paqytet\u00ebruar e malok\u00eb\u201d. P\u00ebr nga vetvetja qyteti vuan munges\u00ebn e institucioneve lokale q\u00eb i sh\u00ebrbejn\u00eb atij dhe munges\u00ebn e investimeve nga pushteti qendror. Grupi Ata e ka marr\u00eb emrin nga kjo p\u00ebrballje mes \u201cunit\u201d dhe \u201ctjetrit\u201d t\u00eb huaj dhe inferior, i domosdosh\u00ebm p\u00ebr themelimin e vetvetes. N\u00eb vet\u00eb t\u00eb tret\u00eb, n\u00eb numrin shum\u00ebs,\u00a0Ata<\/i>\u00a0zihen n\u00eb goj\u00eb, por nuk jan\u00eb aty. Distanca mes \u201catyre\u201d dhe \u201cneve\u201d \u00ebsht\u00eb e domosdoshme q\u00eb t\u00eb shihet m\u00eb qart\u00eb e m\u00eb thell\u00eb tjetri q\u00eb \u00ebsht\u00eb p\u00ebrball\u00eb.\u00a0Ata\u00a0<\/i>vet\u00ebrr\u00ebfehen n\u00eb vet\u00eb t\u00eb tret\u00eb.<\/span><\/p>

\"N\u00eb<\/span> N\u00eb sheshin e Kamz\u00ebs, Fasada e Pallatit t\u00eb Kultur\u00ebs. Foto: Aurora Leka.<\/span><\/p>

Pallati i Kultur\u00ebs s\u00eb qytetit ka qen\u00eb q\u00eb prej themelimit t\u00eb Grupit Ata shembulli i domosdoshm\u00ebris\u00eb s\u00eb krijimit t\u00eb nj\u00eb kulture autonome, krejt t\u00eb pavarur nga institucionet. Kjo vjen si nevoj\u00eb p\u00ebr t\u00eb nd\u00ebrtuar kritik\u00ebn ndaj korrupsionit strukturor lokal dhe p\u00ebr t\u00eb d\u00ebshmuar fuqin\u00eb e organizimit politik dhe aktit krijues si akt rezistence nga qytetar\u00eb t\u00eb cil\u00ebve u mohohet qyteti dhe e p\u00ebrbashk\u00ebta.<\/span><\/p>

Pallati ka kat\u00ebr hyrje \u2014 t\u00eb kat\u00ebrta t\u00eb \u00e7ojn\u00eb gjetiu, ve\u00e7 jo n\u00eb hap\u00ebsirat kulturore q\u00eb mbart brenda tij. Nga dera e par\u00eb ballore nuk shkon te kinemaja, por te zyrat e \u201cUj\u00ebsjell\u00ebs-Kanalizimeve\u201d. Nga dera e dyt\u00eb nuk shkon te biblioteka, por fillimisht hyn n\u00eb nj\u00eb bar-lokal privat q\u00eb ka zaptuar hap\u00ebsir\u00ebn publike. Dera e tret\u00eb t\u00eb ngat\u00ebrron, nuk \u00ebsht\u00eb e qart\u00eb n\u00ebse do t\u00eb t\u00eb \u00e7oj\u00eb pran\u00eb nj\u00eb bankomati banke apo brenda nd\u00ebrtes\u00ebs. N\u00eb shkall\u00ebt e jashtme rrin\u00eb kryesisht banor\u00ebt e papun\u00eb t\u00eb qytetit dhe moshat e thyera q\u00eb presin p\u00ebr koh\u00eb t\u00eb gjata nj\u00eb nga urban\u00ebt e linj\u00ebs s\u00eb brendshme t\u00eb Kamz\u00ebs.<\/span>
Dera e fundit p\u00ebr pak t\u00eb jep p\u00ebrshtypjen se mund t\u00eb jet\u00eb dera e v\u00ebrtet\u00eb: mund t\u00eb t\u00eb kishte \u00e7uar te teatri i qytetit, por n\u00eb fakt t\u00eb drejton te nj\u00eb bank\u00eb private e cila ka marr\u00eb mbi 150 m2 t\u00eb hap\u00ebsir\u00ebs.<\/span><\/p>

\"Pallati Pallati i Kultur\u00ebs n\u00eb Kam\u00ebz, qershor 2020. Foto: Diana Malaj.<\/span><\/p>

Institucionet<\/span><\/a>\u00a0<\/span>e l\u00ebna\u00a0djerr\u00eb<\/a><\/span>\u00a0nga Partia Demokratike, Partia Socialiste po i konsideron \u201chap\u00ebsira amorfe\u201d q\u00eb po ua jep\u00a0bankave dhe lokaleve<\/a><\/span>. Qytetar\u00ebt kan\u00eb krijuar tashm\u00eb bindjen q\u00eb pushteti i s\u00eb \u201cmajt\u00ebs\u201d po likuidon hap\u00ebsirat kulturore, duke filluar nga shembja e Teatrit Komb\u00ebtar n\u00eb Tiran\u00eb te privatizimi i hap\u00ebsirave publike n\u00eb Kam\u00ebz. Kjo logjik\u00eb e dhunshme biznesore po i merr kund\u00ebrp\u00ebrgjigjet e saj \u2014 nj\u00eb nd\u00ebr to \u00ebsht\u00eb Teatri i Atyre.<\/span><\/article>
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P\u00ebrse \u201cTeat\u00ebr\u201d dhe si \u201ci Atyre\u201d?<\/b><\/span><\/article>
P\u00ebrball\u00eb uniformitetit t\u00eb forcave n\u00eb pushtet, veprimtaria e Grupit Ata \u00ebsht\u00eb tejet heterogjene dhe p\u00ebrfshin teatrin si pjes\u00eb thelb\u00ebsore t\u00eb saj, sepse teatri krijon nj\u00eb komunitet p\u00ebrmes inskenimit t\u00eb vetvetes. Ndryshe nga festivalet, festat popullore, karnevalet, sportet e loj\u00ebrat, t\u00eb cilat e mbledhin komunitetin n\u00eb form\u00ebn e ritualit, teatri tenton t\u00eb shkoj\u00eb edhe m\u00eb tutje, duke u b\u00ebr\u00eb momenti ku komuniteti reflekton kolektivisht mbi origjin\u00ebn, struktur\u00ebn dhe t\u00eb ardhmen e tij.<\/span><\/article>

TEATRI I ATYRE HER\u00cb P\u00cbRDORET P\u00cbR TA MBROJTUR T\u00cb P\u00cbRBASHK\u00cbT\u00cbN, HER\u00cb P\u00cbR TA KRIJUAR AT\u00cb NGA HI\u00c7I.<\/span><\/h3><\/blockquote><\/div><\/div><\/div>
Teatri ka p\u00ebr detyr\u00eb t\u2019i tensionoj\u00eb, tendos\u00eb e tjerr\u00eb n\u00eb sken\u00eb vet\u00eb marr\u00ebdh\u00ebniet shoq\u00ebrore, ku komuniteti i mbledhur kolektivisht t\u00eb shoh\u00eb sesa mbajn\u00eb ato dhe se \u00e7far\u00eb implikimesh mund t\u00eb ken\u00eb p\u00ebr t\u00eb n\u00eb t\u00ebr\u00ebsi. Augusto Boal, dramaturgu brazilian i njohur p\u00ebr\u00a0teatrin e tij eksperimental<\/a>\u00a0<\/span>ku spektator\u00ebt b\u00ebhen aktor\u00eb, metod\u00ebn e t\u00eb cilit ndjek Teatri i Atyre, thot\u00eb se \u201cnuk \u00ebsht\u00eb e vendit p\u00ebr teatrin t\u00eb tregoj\u00eb shtegun e duhur p\u00ebr t\u2019u ndjekur, por vet\u00ebm t\u00eb ofroj\u00eb mjetet p\u00ebrmes t\u00eb cilave mund t\u00eb hetohen t\u00eb gjitha shtigjet e mundshme\u201d.Prej vitesh Ata organizojn\u00eb shfaqje teatrale si praktika artistike p\u00ebr krijimin e kolektiviteteve dhe nd\u00ebrgjegj\u00ebsimin p\u00ebr r\u00ebnd\u00ebsin\u00eb e organizimit komunitar p\u00ebr problematizimin e \u00e7\u00ebshtjeve lokale: mungesa e politikave kulturore lokale,\u00a0\u201chermetizmi\u201d i pushtetit lokal,<\/span><\/a>\u00a0<\/span>afera korruptive n\u00eb urbanistik\u00eb dhe\u00a0infrastruktur\u00eb<\/a>,<\/span> d\u00ebmtimi dhe keqmenaxhimi i\u00a0pronave publike t\u00eb p\u00ebrbashk\u00ebta<\/a>,<\/span> deri te\u00a0ndotja e mjedisit<\/a>.<\/span> Teatri i Atyre her\u00eb p\u00ebrdoret p\u00ebr ta mbrojtur t\u00eb p\u00ebrbashk\u00ebt\u00ebn, her\u00eb p\u00ebr ta krijuar at\u00eb nga hi\u00e7i.Shfaqja e par\u00eb, \u201cFytyra e librit\u201d (\u201cFace of book\u201d, me regji t\u00eb Ergys Malsis\u00eb) u dha brenda Pallatit t\u00eb Kultur\u00ebs n\u00eb vitin 2015, biletat e s\u00eb cil\u00ebs shkuan p\u00ebr pajisjen me libra t\u00eb bibliotekave t\u00eb tri gjimnazeve t\u00eb Kamz\u00ebs.M\u00eb von\u00eb Teatri i Atyre ka lexuar\u00a0p\u00ebrvoj\u00ebn e grave n\u00eb fasoneri<\/span><\/a>\u00a0<\/span>p\u00ebrmes nj\u00eb pjese t\u00eb vet\u00ebkrijuar,\u00a0\u201cNgritja pa Krye\u201d<\/span><\/a>,<\/span> pastaj fenomenin goxha t\u00eb pranish\u00ebm t\u00eb mbles\u00ebris\u00eb p\u00ebrmes\u00a0\u201cPropozimit\u201d<\/a><\/span>\u00a0t\u00eb Anton\u00a0\u010cehov<\/a>–<\/span>it (me regji t\u00eb Anila Ball\u00ebs, ashtu si edhe t\u00eb tjerat n\u00eb vijim), mosmarr\u00ebdh\u00ebnien martesore e shoq\u00ebrore p\u00ebrmes\u00a0\u201cK\u00ebng\u00ebtares Tullace\u201d<\/a>\u00a0<\/span>t\u00eb Eug\u00e8ne Ionesco-s,\u00a0peripecit\u00eb<\/span><\/a>\u00a0e nj\u00eb aktivisti p\u00ebrball\u00eb pushtetit p\u00ebrmes\u00a0\u201cVdekjes Aksidentale t\u00eb nj\u00eb Anarkisti\u201d<\/a><\/span> t\u00eb Dario Fo-s , dhe m\u00eb s\u00eb fundi tjet\u00ebrsimin dhe grabitjen e pronave publike dhe raportin e k\u00ebsaj me pushtetin lokal p\u00ebrmes \u201cVidh nj\u00eb \u00c7ik\u00eb m\u00eb Pak\u201d, po p\u00ebrs\u00ebri t\u00eb dramaturgut Dario Fo dhe aktores Franca Rame.<\/span>

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\"Shfaqja Shfaqja \u201cPropozimi\u201d, e v\u00ebn\u00eb n\u00eb sken\u00eb m\u00eb 2017; n\u00eb role Ervis Biba dhe Xhesika Leka. Foto: Alban Tufa.<\/span><\/article>

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Teatri i Atyre b\u00ebhet n\u00eb nj\u00eb qytet ku Bashkia i ka v\u00ebn\u00eb drynin q\u00eb prej nd\u00ebrtimit m\u00eb 2011 teatrit brenda Pallatit t\u00eb Kultur\u00ebs. P\u00ebrkthen skenare nga kryeveprat bot\u00ebrore duke i p\u00ebrshtatur dhe duke i futur n\u00eb raport me Kamz\u00ebn. Mbledh n\u00eb audicione nx\u00ebn\u00ebs, student\u00eb, pun\u00ebtor\u00eb e t\u00eb papun\u00eb q\u00eb ia mb\u00ebrrijn\u00eb t\u00eb formojn\u00eb nj\u00eb kolektiv spontan p\u00ebr realizimin e nj\u00eb vepre kolektive artistike.<\/span><\/p>

Teatri i Atyre ngre skenat me zhele por me merak, n\u00eb fusha t\u00eb pand\u00ebrtuara ende, n\u00eb sht\u00ebpi t\u00eb nisura e t\u00eb pap\u00ebrfunduara, n\u00eb rrugica t\u00eb pashtruara, buz\u00eb lumenjve t\u00eb ndotur e n\u00eb sheshpushime lagjesh. Bashk\u00eb me sken\u00ebn, teatri mbledh rreth vetes si milingona edhe komunitetin q\u00eb e ndjek, t\u00eb cil\u00ebt si rrall\u00ebher\u00eb marrin pjes\u00eb si t\u00eb barabart\u00eb e me t\u00eb nj\u00ebjtin fat p\u00ebrball\u00eb shfaqjeve t\u00eb grupeve teatrore.<\/span><\/p>

K\u00ebshtu, Teatri i Atyre ia del t\u00eb inskenoj\u00eb jo vet\u00ebm shfaqje, por nj\u00eb komunitet t\u00eb t\u00ebr\u00eb me skenarin q\u00eb duket sikur e kan\u00eb shkruar ata vet\u00eb n\u00eb dialog me t\u00eb m\u00ebdhenjt\u00eb e teatrit bot\u00ebror, t\u00eb aktruar nga bijt\u00eb e bijat e tyre \u2013 jo t\u00eb nj\u00eb shkolle teatri \u2014 t\u00eb p\u00ebrkushtuar e t\u00eb gatsh\u00ebm p\u00ebr t\u2019u st\u00ebrvitur n\u00eb loj\u00ebrat e shpirtit aktorial.<\/span><\/p>

Teatri pas shembjes<\/b><\/span>
Ndoshta pik\u00ebrisht p\u00ebr shkak t\u00eb fuqis\u00eb s\u00eb madhe q\u00eb disponon si form\u00eb e inskenimit t\u00eb dramave dhe skajeve t\u00eb p\u00ebrvoj\u00ebs njer\u00ebzore n\u00eb shoq\u00ebri, p\u00ebrgjat\u00eb diktatur\u00ebs enveriste teatri ka patur nj\u00eb r\u00ebnd\u00ebsi aq ky\u00e7e sa ka mund\u00ebsuar dhe konfiguruar nj\u00eb pjes\u00eb t\u00eb mir\u00eb t\u00eb arteve t\u00eb tjera skenike. Edhe p\u00ebr aktor\u00ebt e kinemas\u00eb, teatri ka sh\u00ebrbyer si akademi p\u00ebrmes t\u00eb cil\u00ebs \u00ebsht\u00eb p\u00ebrgatitur \u201cushtria\u201d kulturore e imazhit t\u00eb regjimit. Kjo si p\u00ebr t\u00eb th\u00ebn\u00eb se fuqia e teatrit i \u00ebsht\u00eb nevojitur shum\u00eb nj\u00eb shoq\u00ebrie e cila tragji-komikisht tentoi t\u00eb inskenoj\u00eb parimin stalinist t\u00eb nd\u00ebrtimit t\u00eb socializmit n\u00eb nj\u00eb vend t\u00eb vet\u00ebm, pra t\u00eb vet\u00ebmjaftueshm\u00ebris\u00eb s\u00eb nj\u00eb komuniteti.<\/span><\/p>

Nisur prej k\u00ebsaj, mund t\u00eb rikapitullojm\u00eb duke th\u00ebn\u00eb se teatri mund t\u00eb rr\u00ebnohet vet\u00ebm aty ku shoq\u00ebria \u00ebsht\u00eb rr\u00ebnuar tashm\u00eb. Vet\u00ebm nj\u00eb shoq\u00ebri e rr\u00ebnuar nuk ka nevoj\u00eb p\u00ebr teat\u00ebr. Edhe ata\u00a0q\u00eb donin ta mbanin Teatrin Komb\u00ebtar n\u00eb k\u00ebmb\u00eb \u2014 Grupi Ata ka dh\u00ebn\u00eb dy shfaqje n\u00eb koh\u00ebn e zaptimit t\u00eb Teatrit Komb\u00ebtar\u00a0nga artist\u00eb e qytetar\u00eb<\/a><\/span>\u00a0\u2014\u00a0 ishin si ata q\u00eb duan t\u00eb mbajn\u00eb n\u00eb k\u00ebmb\u00eb rr\u00ebnojat e nj\u00eb shoq\u00ebrie t\u00eb zhdukur tashm\u00eb, shenj\u00ebn se ka ekzistuar nj\u00eb e till\u00eb dikur n\u00eb k\u00ebto troje.<\/span><\/p>

\"Shfaqja Shfaqja \u201cK\u00ebng\u00ebtarja Tullace\u201d n\u00eb Teatrin Komb\u00ebtar n\u00eb Tiran\u00eb; n\u00eb role Ervis Biba, Irena Ke\u00e7i, Desara Hyseni. Foto: Aurora Leka.<\/span><\/p><\/article>


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Mir\u00ebpo, nj\u00eb pyetje shum\u00eb m\u00eb dinamike sesa konstatimi melankolik i humbjes s\u00eb nj\u00eb shoq\u00ebrie q\u00eb duket sikur nuk na ka p\u00ebrkitur kurr\u00eb, \u00ebsht\u00eb pyetja se \u00e7far\u00eb mund t\u00eb b\u00ebj\u00eb teatri n\u00eb nj\u00eb vend ku \u201cshoq\u00ebria dhe teatri nuk ekzistojn\u00eb\u201d, ngjash\u00ebm me formul\u00ebn fam\u00ebkeqe t\u00eb shpallur 40 vite m\u00eb par\u00eb nga\u00a0kryeministria britanike Margaret Thatcher<\/a>.<\/span><\/span><\/p>

P\u00ebrmes dramatizimit t\u00eb problematikave shoq\u00ebrore, Teatri i Atyre ia del sadopak t\u2019i b\u00ebj\u00eb banor\u00ebt e Kamz\u00ebs t\u00eb ndihen komunitet q\u00eb kan\u00eb nevoj\u00eb t\u00eb mendojn\u00eb e vendosin bashk\u00ebrisht mbi problemet e p\u00ebrbashk\u00ebta. Teatri\u00a0 i Atyre i nxjerr nga indiferenca q\u00eb sjell mbyllja e jet\u00ebs n\u00eb sfer\u00ebn private. N\u00eb nj\u00eb qytet ku pasqyrat e vetme jan\u00eb xhamat e makinave dhe autobus\u00ebve q\u00eb rendin drejt Tiran\u00ebs, Teatri i Atyre i vendos komunitetit t\u00eb Kamz\u00ebs nj\u00eb pasqyr\u00eb m\u00eb t\u00eb q\u00ebndrueshme e gjithsesi m\u00eb dinamike, ku komuniteti e sheh veten p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb sy pa i ardhur ta p\u00ebshtyj\u00eb, e tek l\u00ebviz e p\u00ebrpjeket me problemet e zgjidhjet e veta.<\/span><\/p>

Skena t\u00eb ndryshme, shqet\u00ebsimi i nj\u00ebjt\u00eb
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Pas p\u00ebrballjes me armiq\u00ebsin\u00eb e institucioneve lokale q\u00eb mbajn\u00eb peng pallatin e kultur\u00ebs, teatri \u00ebsht\u00eb zhvendosur jasht\u00eb ligjit. Rrug\u00ebt, sheshet e lagjeve, sht\u00ebpit\u00eb e l\u00ebna p\u00ebrgjysm\u00eb, rrugicat e fshehura dhe cepet e periferis\u00eb s\u00eb njer\u00ebzve q\u00eb s\u2019u \u00ebsht\u00eb dh\u00ebn\u00eb kurr\u00eb mund\u00ebsia p\u00ebr t\u00eb par\u00eb teat\u00ebr \u2014 ku teatri s\u2019ka qen\u00eb kurr\u00eb \u2014 jan\u00eb b\u00ebr\u00eb skenat e Teatrit t\u00eb Atyre.
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N\u00eb muajin gusht t\u00eb k\u00ebtij viti, grupi vuri sken\u00ebn e par\u00eb n\u00eb sheshin qendror t\u00eb zon\u00ebs s\u00eb Valiasit n\u00eb Kam\u00ebz, dhe n\u00eb t\u00eb premier\u00ebn e shfaqjes \u2018Vidh Nj\u00eb \u00c7ik\u00eb m\u00eb Pak\u2019. Dario Fo ishte p\u00ebrshtatur p\u00ebr t\u2019u dukur se ishte i lindur n\u00eb Valiasin e minier\u00ebs fashiste, ish-pun\u00ebtor i minier\u00ebs socialiste dhe i pensionuar n\u00eb nj\u00eb Valias t\u00eb shpun\u00ebsuar prej t\u00eb cilit po duan t\u2019ia prishin sht\u00ebpin\u00eb e ta d\u00ebbojn\u00eb.<\/span>
Shfaqja e k\u00ebsaj komedie \u2014 mbi tjet\u00ebrsimin e tok\u00ebs s\u00eb varrezave nga nj\u00eb investitor dhe nga nj\u00eb drejtor varreze, i cili korrupsionin e k\u00ebrkimfaljen p\u00ebr t\u00eb e shfryt\u00ebzon si mund\u00ebsi p\u00ebr t\u00eb kandiduar p\u00ebr Kryetar Bashkie \u2014 vinte pas nj\u00eb pune sa etnografike po aq edhe organizative n\u00eb terren, ku grupi zbulonte edhe historin\u00eb e zon\u00ebs edhe vendoste kontakte me banor\u00ebt.<\/span><\/p>

Mir\u00ebpo, shfaqja u nd\u00ebrpre dhunsh\u00ebm n\u00eb mes nga disa banor\u00eb t\u00eb cil\u00ebt nuk e duronin dot m\u00eb vazhdimin e saj aq shum\u00eb sa nuk duronin dot as t\u00eb largoheshin indiferent\u00eb ndaj saj, por donin \u2014 ose ishin t\u00eb detyruar \u2014 q\u00eb me k\u00ebmb\u00ebngulje dhe dhun\u00eb ta prishnin at\u00eb. Edhe pas k\u00ebtij incidenti t\u00eb dhunsh\u00ebm shfaqja ka vazhduar t\u00eb inskenohet bashk\u00eb me sken\u00ebn pes\u00eb her\u00eb t\u00eb tjera.<\/span><\/p>\"Shfaqja Shfaqja \u201cVidh nj\u00eb \u00e7ik\u00eb m\u00eb pak\u201d n\u00eb Kam\u00ebz, shtator 2020. Foto: Aurora Leka.<\/span>


Ata<\/i>\u00a0shkojn\u00eb te \u201ct\u00eb tjer\u00ebt\u201d e tyre t\u00eb ngjash\u00ebm: n\u00eb lagjet Valias, Bathore, Frutikultur\u00eb, n\u00eb qend\u00ebr, pastaj n\u00eb Tiran\u00eb, n\u00eb Lezh\u00eb. Loja e aktor\u00ebve \u2014 e Anis\u00ebs, Emilianos, Iren\u00ebs, Klodjanit, Mir\u00ebs, Marinel\u00ebs, Mariusit, Ronaldit dhe Redit \u2014 e realizuar mjesht\u00ebrisht me regji t\u00eb regjisores Anila Balla, ka b\u00ebr\u00eb bashk\u00eb mbi 600 spektator\u00eb t\u00eb gjasht\u00eb vendeve t\u00eb ndryshme, me q\u00ebllimin q\u00eb t\u2019i kthej\u00eb nga spektator\u00eb n\u00eb spekt-aktor\u00eb<\/i>\u00a0\u2014 si\u00e7 sugjeron Augusto Boal me teorin\u00eb e tij t\u00eb teatrit t\u00eb t\u00eb shtypurve \u2014 t\u00eb jet\u00ebs son\u00eb publike e t\u00eb p\u00ebrbashk\u00ebt.<\/span><\/p>

Grupi Ata me aktivitetin e vet luan ngaz\u00ebllyesh\u00ebm bastin se teatri dhe organizimi qytetar nuk b\u00ebjn\u00eb pa nj\u00ebri-tjetrin. Teatri \u00ebsht\u00eb ushtrimi m\u00eb i mir\u00eb p\u00ebr demokracin\u00eb, sepse t\u00eb b\u00ebn t\u00eb futesh n\u00eb l\u00ebkur\u00ebn e tjetrit. Nuk ka demokraci pa e njohur tjetrin si t\u00eb barabartin t\u00ebnd, sepse pa barazin\u00eb dhe raportimin me tjetrin demokracia \u00ebsht\u00eb kaos. Kush nuk e duron teatrin nuk \u00ebsht\u00eb gati p\u00ebr demokracin\u00eb.
<\/span>Teatri i Atyre e b\u00ebn m\u00eb shum\u00eb qytet Kamz\u00ebn dhe si shp\u00ebrblim p\u00ebr rikrijimin e tij, teatri na mban bashk\u00eb duke na st\u00ebrvitur me nj\u00ebri-tjetrin.<\/span><\/p>


Ky artikull \u00a0\u00ebsht\u00eb prodhuar p\u00ebr Kosovo 2.0, ku edhe \u00ebsht\u00eb publikuar fillimisht. Ripublikimi i k\u00ebtij artikulli \u00ebsht\u00eb b\u00ebr\u00eb me lejen e Kosovo 2.0.<\/i><\/span>
Imazhi i ballin\u00ebs: Trupi teatror i shfaqjes \u201cVidh nj\u00eb \u00e7ik\u00eb m\u00eb pak\u201d, fotografoi Ervis Biba.\u00a0<\/b><\/span><\/p><\/article><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Diana Malaj| Pavjo Gjini| 08.12.2020| nyje.al KAMZA DHE GRUPI ATA N\u00eb qytetin si t\u00eb prer\u00eb me g\u00ebrsh\u00ebr\u00eb nga rruga komb\u00ebtare e cila t\u00eb plas drejt e n\u00eb kryeqytet, n\u00eb vendin me sht\u00ebpi t\u00eb shumta private t\u00eb zatetura sa m\u00eb pran\u00eb qendr\u00ebs q\u00eb mund\u00ebn \u2014 n\u00eb Kam\u00ebz \u2014 vepron grupi i aktivist\u00ebve Ata. Prej shtat\u00eb vitesh tashm\u00eb, ky grup vepron n\u00eb nj\u00eb seri praktikash: nga ligji te gazetaria, antropologjia, arti, let\u00ebrsia dhe teatri i t\u00eb shtypurve. N\u00eb Kamz\u00ebn si periferia e madhe, grupi ia ka dal\u00eb t\u00eb krijoj\u00eb qendr\u00ebn e vet. Qend\u00ebr q\u00eb nuk p\u00ebrjashton periferin\u00eb, por p\u00ebrbashkon \u201ct\u00eb tjer\u00ebt\u201d e p\u00ebrjashtuar rreth nj\u00eb biblioteke p\u00ebr nx\u00ebn\u00ebsit e student\u00ebt, rreth aktiviteteve t\u00eb leximit me autor\u00eb bashk\u00ebkohor\u00eb, kinemas\u00eb teknikisht t\u00eb improvizuar, akteve performative n\u00eb qytet, hulumtimeve gazetareske, aktivizmit ligjor n\u00eb p\u00ebrballje me ligjin dhe shtetin, dhe m\u00eb p\u00ebrzem\u00ebrti shfaqjeve teatrale. T\u00eb gjitha k\u00ebto nga nj\u00eb etje e pashtershme p\u00ebr qytetin. Kamza ka fituar statusin e bashkis\u00eb 24 vite m\u00eb par\u00eb dhe aktualisht num\u00ebron rreth 125,000 banor\u00eb. Burime jozyrtare e renditin si bashkin\u00eb e pest\u00eb m\u00eb t\u00eb madhe n\u00eb Shqip\u00ebri. Para viteve \u201990 \u00ebsht\u00eb karakterizuar nga puna n\u00eb ferm\u00eb dhe n\u00eb minier\u00eb, nd\u00ebrsa pas viteve \u201990 nga zhvendosja e nj\u00eb numri t\u00eb madh banor\u00ebsh nga i gjith\u00eb vendi, kryesisht prej zonave malore e fshatrave veriore si fillim, e pastaj nga kthimi i shum\u00eb familjeve emigrante. Nga perspektiva e kryeqytetit, Kamza \u00ebsht\u00eb periferia (p\u00ebr-t\u2019u-p\u00ebrjashtuar) e saj, e stigmatizuar shpesh si e mbushur me \u201cardhacak\u00eb, ilegal\u00eb e zaptues pronash, t\u00eb paqytet\u00ebruar e malok\u00eb\u201d. P\u00ebr nga vetvetja qyteti vuan munges\u00ebn e institucioneve lokale q\u00eb i sh\u00ebrbejn\u00eb atij dhe munges\u00ebn e investimeve nga pushteti qendror. Grupi Ata e ka marr\u00eb emrin nga kjo p\u00ebrballje mes \u201cunit\u201d dhe \u201ctjetrit\u201d t\u00eb huaj dhe inferior, i domosdosh\u00ebm p\u00ebr themelimin e vetvetes. N\u00eb vet\u00eb t\u00eb tret\u00eb, n\u00eb numrin shum\u00ebs,\u00a0Ata\u00a0zihen n\u00eb goj\u00eb, por nuk jan\u00eb aty. Distanca mes \u201catyre\u201d dhe \u201cneve\u201d \u00ebsht\u00eb e domosdoshme q\u00eb t\u00eb shihet m\u00eb qart\u00eb e m\u00eb thell\u00eb tjetri q\u00eb \u00ebsht\u00eb p\u00ebrball\u00eb.\u00a0Ata\u00a0vet\u00ebrr\u00ebfehen n\u00eb vet\u00eb t\u00eb tret\u00eb. N\u00eb sheshin e Kamz\u00ebs, Fasada e Pallatit t\u00eb Kultur\u00ebs. Foto: Aurora Leka. Pallati i Kultur\u00ebs s\u00eb qytetit ka qen\u00eb q\u00eb prej themelimit t\u00eb Grupit Ata shembulli i domosdoshm\u00ebris\u00eb s\u00eb krijimit t\u00eb nj\u00eb kulture autonome, krejt t\u00eb pavarur nga institucionet. Kjo vjen si nevoj\u00eb p\u00ebr t\u00eb nd\u00ebrtuar kritik\u00ebn ndaj korrupsionit strukturor lokal dhe p\u00ebr t\u00eb d\u00ebshmuar fuqin\u00eb e organizimit politik dhe aktit krijues si akt rezistence nga qytetar\u00eb t\u00eb cil\u00ebve u mohohet qyteti dhe e p\u00ebrbashk\u00ebta. Pallati ka kat\u00ebr hyrje \u2014 t\u00eb kat\u00ebrta t\u00eb \u00e7ojn\u00eb gjetiu, ve\u00e7 jo n\u00eb hap\u00ebsirat kulturore q\u00eb mbart brenda tij. Nga dera e par\u00eb ballore nuk shkon te kinemaja, por te zyrat e \u201cUj\u00ebsjell\u00ebs-Kanalizimeve\u201d. Nga dera e dyt\u00eb nuk shkon te biblioteka, por fillimisht hyn n\u00eb nj\u00eb bar-lokal privat q\u00eb ka zaptuar hap\u00ebsir\u00ebn publike. Dera e tret\u00eb t\u00eb ngat\u00ebrron, nuk \u00ebsht\u00eb e qart\u00eb n\u00ebse do t\u00eb t\u00eb \u00e7oj\u00eb pran\u00eb nj\u00eb bankomati banke apo brenda nd\u00ebrtes\u00ebs. N\u00eb shkall\u00ebt e jashtme rrin\u00eb kryesisht banor\u00ebt e papun\u00eb t\u00eb qytetit dhe moshat e thyera q\u00eb presin p\u00ebr koh\u00eb t\u00eb gjata nj\u00eb nga urban\u00ebt e linj\u00ebs s\u00eb brendshme t\u00eb Kamz\u00ebs.Dera e fundit p\u00ebr pak t\u00eb jep p\u00ebrshtypjen se mund t\u00eb jet\u00eb dera e v\u00ebrtet\u00eb: mund t\u00eb t\u00eb kishte \u00e7uar te teatri i qytetit, por n\u00eb fakt t\u00eb drejton te nj\u00eb bank\u00eb private e cila ka marr\u00eb mbi 150 m2 t\u00eb hap\u00ebsir\u00ebs. Pallati i Kultur\u00ebs n\u00eb Kam\u00ebz, qershor 2020. Foto: Diana Malaj. Institucionet\u00a0e l\u00ebna\u00a0djerr\u00eb\u00a0nga Partia Demokratike, Partia Socialiste po i konsideron \u201chap\u00ebsira amorfe\u201d q\u00eb po ua jep\u00a0bankave dhe lokaleve. Qytetar\u00ebt kan\u00eb krijuar tashm\u00eb bindjen q\u00eb pushteti i s\u00eb \u201cmajt\u00ebs\u201d po likuidon hap\u00ebsirat kulturore, duke filluar nga shembja e Teatrit Komb\u00ebtar n\u00eb Tiran\u00eb te privatizimi i hap\u00ebsirave publike n\u00eb Kam\u00ebz. Kjo logjik\u00eb e dhunshme biznesore po i merr kund\u00ebrp\u00ebrgjigjet e saj \u2014 nj\u00eb nd\u00ebr to \u00ebsht\u00eb Teatri i Atyre. P\u00ebrse \u201cTeat\u00ebr\u201d dhe si \u201ci Atyre\u201d? P\u00ebrball\u00eb uniformitetit t\u00eb forcave n\u00eb pushtet, veprimtaria e Grupit Ata \u00ebsht\u00eb tejet heterogjene dhe p\u00ebrfshin teatrin si pjes\u00eb thelb\u00ebsore t\u00eb saj, sepse teatri krijon nj\u00eb komunitet p\u00ebrmes inskenimit t\u00eb vetvetes. Ndryshe nga festivalet, festat popullore, karnevalet, sportet e loj\u00ebrat, t\u00eb cilat e mbledhin komunitetin n\u00eb form\u00ebn e ritualit, teatri tenton t\u00eb shkoj\u00eb edhe m\u00eb tutje, duke u b\u00ebr\u00eb momenti ku komuniteti reflekton kolektivisht mbi origjin\u00ebn, struktur\u00ebn dhe t\u00eb ardhmen e tij. TEATRI I ATYRE HER\u00cb P\u00cbRDORET P\u00cbR TA MBROJTUR T\u00cb P\u00cbRBASHK\u00cbT\u00cbN, HER\u00cb P\u00cbR TA KRIJUAR AT\u00cb NGA HI\u00c7I. Teatri ka p\u00ebr detyr\u00eb t\u2019i tensionoj\u00eb, tendos\u00eb e tjerr\u00eb n\u00eb sken\u00eb vet\u00eb marr\u00ebdh\u00ebniet shoq\u00ebrore, ku komuniteti i mbledhur kolektivisht t\u00eb shoh\u00eb sesa mbajn\u00eb ato dhe se \u00e7far\u00eb implikimesh mund t\u00eb ken\u00eb p\u00ebr t\u00eb n\u00eb t\u00ebr\u00ebsi. Augusto Boal, dramaturgu brazilian i njohur p\u00ebr\u00a0teatrin e tij eksperimental\u00a0ku spektator\u00ebt b\u00ebhen aktor\u00eb, metod\u00ebn e t\u00eb cilit ndjek Teatri i Atyre, thot\u00eb se \u201cnuk \u00ebsht\u00eb e vendit p\u00ebr teatrin t\u00eb tregoj\u00eb shtegun e duhur p\u00ebr t\u2019u ndjekur, por vet\u00ebm t\u00eb ofroj\u00eb mjetet p\u00ebrmes t\u00eb cilave mund t\u00eb hetohen t\u00eb gjitha shtigjet e mundshme\u201d.Prej vitesh Ata organizojn\u00eb shfaqje teatrale si praktika artistike p\u00ebr krijimin e kolektiviteteve dhe nd\u00ebrgjegj\u00ebsimin p\u00ebr r\u00ebnd\u00ebsin\u00eb e organizimit komunitar p\u00ebr problematizimin e \u00e7\u00ebshtjeve lokale: mungesa e politikave kulturore lokale,\u00a0\u201chermetizmi\u201d i pushtetit lokal,\u00a0afera korruptive n\u00eb urbanistik\u00eb dhe\u00a0infrastruktur\u00eb, d\u00ebmtimi dhe keqmenaxhimi i\u00a0pronave publike t\u00eb p\u00ebrbashk\u00ebta, deri te\u00a0ndotja e mjedisit. Teatri i Atyre her\u00eb p\u00ebrdoret p\u00ebr ta mbrojtur t\u00eb p\u00ebrbashk\u00ebt\u00ebn, her\u00eb p\u00ebr ta krijuar at\u00eb nga hi\u00e7i.Shfaqja e par\u00eb, \u201cFytyra e librit\u201d (\u201cFace of book\u201d, me regji t\u00eb Ergys Malsis\u00eb) u dha brenda Pallatit t\u00eb Kultur\u00ebs n\u00eb vitin 2015, biletat e s\u00eb cil\u00ebs shkuan p\u00ebr pajisjen me libra t\u00eb bibliotekave t\u00eb tri gjimnazeve t\u00eb Kamz\u00ebs.M\u00eb von\u00eb Teatri i Atyre ka lexuar\u00a0p\u00ebrvoj\u00ebn e grave n\u00eb fasoneri\u00a0p\u00ebrmes nj\u00eb pjese t\u00eb vet\u00ebkrijuar,\u00a0\u201cNgritja pa Krye\u201d, pastaj fenomenin goxha t\u00eb pranish\u00ebm t\u00eb mbles\u00ebris\u00eb p\u00ebrmes\u00a0\u201cPropozimit\u201d\u00a0t\u00eb Anton\u00a0\u010cehov-it (me regji t\u00eb Anila Ball\u00ebs, ashtu si edhe t\u00eb tjerat n\u00eb vijim), mosmarr\u00ebdh\u00ebnien martesore e shoq\u00ebrore p\u00ebrmes\u00a0\u201cK\u00ebng\u00ebtares Tullace\u201d\u00a0t\u00eb Eug\u00e8ne Ionesco-s,\u00a0peripecit\u00eb\u00a0e nj\u00eb aktivisti p\u00ebrball\u00eb pushtetit p\u00ebrmes\u00a0\u201cVdekjes Aksidentale t\u00eb nj\u00eb Anarkisti\u201d t\u00eb Dario Fo-s , dhe m\u00eb s\u00eb fundi tjet\u00ebrsimin dhe grabitjen e pronave publike dhe raportin e k\u00ebsaj me pushtetin lokal p\u00ebrmes \u201cVidh nj\u00eb \u00c7ik\u00eb m\u00eb Pak\u201d, po p\u00ebrs\u00ebri t\u00eb dramaturgut Dario Fo dhe aktores Franca 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