{"id":3433,"date":"2020-05-15T20:20:11","date_gmt":"2020-05-15T18:20:11","guid":{"rendered":"http:\/\/www.nyje.al\/?p=3433"},"modified":"2024-09-09T16:10:45","modified_gmt":"2024-09-09T14:10:45","slug":"teatri-pershenjues-i-qytetit","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/teatri-pershenjues-i-qytetit\/","title":{"rendered":"Teatri, p\u00ebrshenjues i qytetit"},"content":{"rendered":"
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Nebi Bardhoshi | 15.05.2020 | nyje.al\u00a0<\/strong><\/span><\/p>

\"Nj\u00eb Nj\u00eb nga dyert e Teatrit Komb\u00ebtar, foto nga Elsa Paja<\/span><\/span><\/p>

Vite m\u00eb par\u00eb debatoja me nj\u00eb nga miqt\u00eb e mi q\u00eb mendonte se e njihte mir\u00eb pun\u00ebn e qeveris\u00eb s\u00eb asaj kohe.\u00a0 N\u00eb nj\u00eb moment, kur na kishte rr\u00ebmbyer debati, mu drejtua: \u201dhajde me jep prova, un\u00eb kam statistika, nd\u00ebrsa ti \u00e7far\u00eb ke si d\u00ebshmi\u201d? Nuk \u00ebsht\u00eb se u vura shum\u00eb n\u00eb siklet p\u00ebr t\u00eb th\u00ebn\u00eb se cila ishte metoda ime.\u00a0 Kjo loja me statistikat \u00ebsht\u00eb e kaher\u00ebshme. Ne dim\u00eb q\u00eb sipas statistikave shtet\u00ebrore kemi jetuar prej diku pes\u00eb dekadash n\u00eb lumturi socialiste, dhe n\u00eb demokraci kemi jetuar n\u00ebp\u00ebr faza lumturie. Por t\u00eb dy k\u00ebto \u201ckoh\u00eb lumturish\u201d, na kan\u00eb ftuar edhe n\u00eb sakrifica. Kjo e dyta \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb shum\u00eb realitet.<\/span><\/p>

N\u00ebse ka nj\u00eb form\u00eb p\u00ebr t\u00eb d\u00ebshmuar se n\u00eb \u00e7’regjim jeton, duhet t\u00eb mos ndalesh vet\u00ebm te ideologjia zyrtare. Praktika etnografike, pra jeta e regjimit si p\u00ebrvoj\u00eb e njer\u00ebzve na e tregon.<\/span><\/p>

T\u00eb pakt\u00ebn tri \u00e7\u00ebshtje na kan\u00eb provuar q\u00eb nuk kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb regjim demokratik n\u00eb koh\u00ebn q\u00eb jetojm\u00eb:<\/span>
E para \u00ebsht\u00eb rasti i Rrug\u00ebs Durr\u00ebs-Kuk\u00ebs, si nj\u00eb d\u00ebshmi e thyerjes s\u00eb kontrat\u00ebs komb\u00ebtare dhe ekonomike.<\/span>
E dyta \u00ebsht\u00eb rasti i nd\u00ebrtimit t\u00eb mbi 700 Hec-ve q\u00eb d\u00ebshmon se po thyhet kontrata me natyr\u00ebn, zotin e njeriun.<\/span>
Dhe e treta \u00ebsht\u00eb rasti i Teatrit Komb\u00ebtar q\u00eb tregon se \u00ebsht\u00eb thyer tashm\u00eb kontrata me qytetin.<\/span><\/p>

T\u00eb treja k\u00ebto thyerje kontratash nuk jan\u00eb t\u00eb dor\u00ebs s\u00eb dyt\u00eb pse ato n\u00eb thelb, p\u00ebrrethohen e shprehen me parimet baz\u00eb kushtetuese. Mir\u00ebpo sot do t\u00eb ndalem kryesisht te \u00e7\u00ebshtja e Teatrit, p\u00ebr shkak t\u00eb rrezikut q\u00eb po i kanoset dit\u00ebt e fundit.<\/span><\/p>

Teatri Komb\u00ebtar \u00ebsht\u00eb mbrojtur prej m\u00eb shum\u00eb se dy vitesh nga shum\u00eb njer\u00ebz t\u00eb angazhuar. Edhe sikur t\u00eb kishim t\u00eb b\u00ebnim me dy-tre veta t\u00eb angazhuar, nj\u00eb kryetar qeverie demokratike apo nj\u00eb kryetar qyteti demokratik, do t\u00eb duhej t\u00eb ndalonin e t\u00eb reflektonin. Edhe n\u00ebse \u201cpakica\u201d gabon, \u201cne\u201d, shumica e imagjinuar duhet t\u00eb ndalemi. Por n\u00eb fakt nuk \u00ebsht\u00eb k\u00ebshtu. Fakti \u00ebsht\u00eb se flukse t\u00eb ndryshme t\u00eb shoq\u00ebris\u00eb e kan\u00eb mbrojtur teatrin. E kan\u00eb mbrojtur me iden\u00eb se shkat\u00ebrrimi i tij bazohet mbi nj\u00eb prezumim t\u00eb gabuar p\u00ebr vlerat\u00a0 historike e kulturore.\u00a0 Dhe k\u00ebt\u00eb e faktuan shum\u00eb arkitekt\u00eb e specialist\u00eb t\u00eb trash\u00ebgimis\u00eb kulturore. Kund\u00ebr k\u00ebtyre argumentave u tha se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb arkitektur\u00eb t\u00eb sh\u00ebmtuar, nd\u00ebrsa nga ana inxhinierike me nj\u00eb godin\u00eb t\u00eb paq\u00ebndrueshme. Edhe p\u00ebr k\u00ebto pretendime shum\u00eb profesionist\u00eb t\u00eb fush\u00ebs- prej t\u00eb cil\u00ebve kam m\u00ebsuar shum\u00eb- parashtruan argumente q\u00eb v\u00ebrtetonin t\u00eb kund\u00ebrt\u00ebn. Por edhe sikur t\u00eb kishim t\u00eb b\u00ebnim me nj\u00eb arkitektur\u00eb t\u00eb sh\u00ebmtuar, koncepti i trash\u00ebgimis\u00eb, e njeh edhe mund\u00ebsin\u00eb e mbrotjes t\u00eb s\u00eb “sh\u00ebmtuar\u00ebs” kur ajo sjell shum\u00eb kujtime t\u00eb r\u00ebnd\u00ebsishme p\u00ebr qytetin, madje kur sjell kujtime t\u00eb r\u00ebnd\u00ebsishme qoft\u00eb dhe thjesht\u00eb p\u00ebr nj\u00eb komunitet t\u00eb vog\u00ebl.<\/span><\/p>

U dhan\u00eb prova q\u00eb aty jan\u00eb b\u00ebr\u00eb gjyqet e para politike ndaj t\u00eb persekutuar\u00ebve. N\u00eb k\u00ebt\u00eb rast, sikur nj\u00eb kompesat\u00eb t\u00eb ishte, ajo do duhej mbrojtur, p\u00ebr ta na d\u00ebshmuar me materialitetin e saj, \u00e7ka pan\u00eb syt\u00eb e atyre q\u00eb u d\u00ebnuan.<\/span>
M\u00eb von\u00eb u fol gjer\u00eb e gjat\u00eb dhe u dhan\u00eb argumenta t\u00eb plota se kjo nd\u00ebrtes\u00eb i p\u00ebrket nj\u00eb ansambli arkitekturor, i cili mbart n\u00eb vetvete vlera estetike, historike e kulturore. Nj\u00eb kryetar qeverie i nj\u00eb vendi demokratik, nj\u00eb kryetar qyteti i nj\u00eb vendi demokratik do t\u00eb ndihej mir\u00ebnjoh\u00ebs e krenar me gjith\u00eb k\u00ebto argumenta. U shtuan edhe argumenta rreth siguris\u00eb inxhinierike, por p\u00ebr k\u00ebt\u00eb nuk foli askush m\u00eb qart\u00eb se sa t\u00ebrmeti.<\/span><\/p>

\u00cbsht\u00eb th\u00ebn\u00eb se teatrin e mbrojn\u00eb njer\u00ebz nga parti e grupe krejt t\u00eb ndryshme politike. K\u00ebshtu mund t\u00eb jet\u00eb. Pyetja mund t\u00eb shtrohet gjithashtu se ku q\u00ebndron problemi n\u00eb k\u00ebt\u00eb mes? Qyteti k\u00ebshtu p\u00ebrb\u00ebhet, nga flukse t\u00eb ndryshme, nga njer\u00ebz shum\u00eb t\u00eb ndrysh\u00ebm. Pik\u00ebrisht kjo shum\u00ebsi fluksesh jan\u00eb shenja e qytetit dhe nj\u00ebkoh\u00ebsisht treguesi q\u00eb \u00ebsht\u00eb tejkaluar ideja e grupit homogjen q\u00eb komandohet nga partia-shtet.<\/span><\/p>

Le ta marrim sikur nj\u00eb parti \u00ebsht\u00eb duke e mbrojtur nj\u00eb teat\u00ebr. Ky do t\u00eb duhej t\u00eb ishte lajm i mir\u00eb, edhe p\u00ebr kryetarin e qeveris\u00eb, edhe p\u00ebr kryetarin e qytetit, n\u00ebse do t\u00eb ishim n\u00eb nj\u00eb shoq\u00ebri demokratike. Ka lajm m\u00eb t\u00eb mir\u00eb se sa kur nj\u00eb parti kujdeset p\u00ebr nj\u00eb teat\u00ebr? Por fakti \u00ebsht\u00eb se mbrojt\u00ebsit e teatrit jan\u00eb t\u00eb p\u00ebrb\u00ebr\u00eb prej shum\u00eb fluksesh, e shum\u00eb p\u00ebrtej asaj q\u00eb p\u00ebrfaq\u00ebsojn\u00eb t\u00eb gjith\u00eb partit\u00eb s\u00eb bashku.<\/span><\/p>

N\u00eb fakt, sikur e shoh un\u00eb profanisht, t\u00eb gjitha partit\u00eb q\u00eb kan\u00eb qen\u00eb apo jan\u00eb n\u00eb pushtet gjenden n\u00eb pikun e kriz\u00ebs morale p\u00ebrkundrejt kujtdo n\u00eb qytet. M\u00eb pak fjal\u00eb asnj\u00eb nuk mbron dot partin\u00eb e tij n\u00eb tavolina miqsh, dhe kjo \u00ebsht\u00eb kriza morale e nj\u00eb partie.\u00a0 As ai miku im q\u00eb zura n\u00eb goj\u00eb n\u00eb krye t\u00eb her\u00ebs nuk b\u00ebn z\u00eb m\u00eb p\u00ebr partin\u00eb. Se mbrohen n\u00eb ekrane, se n\u00eb facebook, kjo \u00ebsht\u00eb mbrojtje p\u00ebr arsye pune. Pra p\u00ebr t\u00eb mbrojtur nj\u00eb pun\u00eb, nj\u00eb biznes, ose nj\u00eb oligark.<\/span>
N\u00ebse do t\u00eb kishim nj\u00eb kryetar qeverie, nj\u00eb kryetar qyteti, q\u00eb e duan nj\u00eb qytet p\u00ebr nj\u00eb shoq\u00ebri me shum\u00eb flukse e shprehi t\u00eb liris\u00eb, nj\u00eb qytet q\u00eb s\u00eb paku p\u00ebrmallet p\u00ebr demokracin\u00eb at\u00ebher\u00eb teatri do t\u00eb duhej t\u00eb nd\u00ebrtohej diku larg qendr\u00ebs s\u00eb qytetit.\u00a0 Jo teat\u00ebr i ri duke shembur shum\u00eb teatro nj\u00ebherazi. Sepse t\u00eb shemb\u00ebsh Teatrin Komb\u00ebtar t\u00eb sot\u00ebm, shemb vendin e kujtes\u00ebs s\u00eb Teatrit t\u00eb par\u00eb t\u00eb kryeqytetit, shemb Teatrin \u00a0Komb\u00ebtar, shemb vendin e kujtes\u00ebs s\u00eb gjith\u00eb v\u00ebnies n\u00eb jet\u00eb t\u00eb veprave, d\u00ebshtimeve, dor\u00ebzimeve, g\u00ebzimeve, shemb nj\u00eb teat\u00ebr t\u00eb jet\u00ebs son\u00eb n\u00eb diktatur\u00eb, shemb nj\u00eb teat\u00ebr q\u00eb mbrohet nga qytetar\u00ebt e k\u00ebtij qyteti.<\/span><\/p>

Nj\u00eb kryetar qeverie e nj\u00eb vendi demokratik, nj\u00eb kryetar qyteti n\u00eb demokraci, do t\u00eb k\u00ebrkonte ta zgjeronte qytetin. Zgjerimi i qytetit b\u00ebhet duke p\u00ebrshenjuar territorin me teatro e vepra t\u00eb tjera publike q\u00eb i p\u00ebrkasin kultur\u00ebs. Nj\u00eb qytet demokratik nuk pushton shenjat e dikurshme duke shembur, por i ballafaqon ato me ep\u00ebrsin\u00eb e shenjave t\u00eb liris\u00eb. Qytetet e liris\u00eb nuk kan\u00eb vet\u00ebm nj\u00eb qend\u00ebr.<\/span><\/p>

Do t\u00eb kisha sugjeruar q\u00eb teatrin e ri ta kishin nd\u00ebrtuar diku n\u00eb \u00a0Paskuqan, Kombinat, Bathore, Babrru, Kashar.\u00a0 Ose m\u00eb mir\u00eb n\u00eb Astir! K\u00ebshtu mund t\u00eb vijonin me retorik\u00ebn kund\u00ebr t\u00eb ardhurit, por duke iu vendosur atyre, “vendasve” dhe atyre me pushtet,\u00a0 nj\u00eb pasqyr\u00eb. Teatri, \u00ebsht\u00eb nj\u00eb vend kur ti ballafaqohesh me veten e tjetrin. Nj\u00eb vend ku p\u00ebrballet qyteti. Nj\u00eb vend n\u00eb t\u00eb cilin nuk mund t\u00eb hysh pa nj\u00ebfar\u00eb ndroje se \u00e7do ndodh\u00eb me ty. Nj\u00eb vend, ku e l\u00ebshon veten t\u00eb befasohesh, t\u00eb matesh me tjetrin. Nj\u00eb teat\u00ebr n\u00eb zonat tabu, n\u00eb Bathore ose Babrru , Kombinat, Kashar, Astir, Paskuqan do t\u00eb ishte nj\u00eb hyrje e dyfisht\u00eb n\u00eb teat\u00ebr, n\u00eb at\u00eb t\u00eb tabuve nd\u00ebrtuar nga nj\u00eb etnografi politike mbi tjetrin, dhe nj\u00eb tjet\u00ebr q\u00eb vendos n\u00eb prov\u00eb loja n\u00eb teat\u00ebr, loja n\u00eb loj\u00eb.\u00a0 Nj\u00eb teat\u00ebr tjet\u00ebr, por jasht\u00eb Qendr\u00ebs, do t\u00eb ishte nj\u00eb shenj\u00eb e zgjerimit t\u00eb qytetit, t\u00eb qytetit q\u00eb p\u00ebrmallet s\u00eb paku nga mungesa e liris\u00eb.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Nebi Bardhoshi | 15.05.2020 | nyje.al\u00a0 Nj\u00eb nga dyert e Teatrit Komb\u00ebtar, foto nga Elsa Paja Vite m\u00eb par\u00eb debatoja me nj\u00eb nga miqt\u00eb e mi q\u00eb mendonte se e njihte mir\u00eb pun\u00ebn e qeveris\u00eb s\u00eb asaj kohe.\u00a0 N\u00eb nj\u00eb moment, kur na kishte rr\u00ebmbyer debati, mu drejtua: \u201dhajde me jep prova, un\u00eb kam statistika, nd\u00ebrsa ti \u00e7far\u00eb ke si d\u00ebshmi\u201d? Nuk \u00ebsht\u00eb se u vura shum\u00eb n\u00eb siklet p\u00ebr t\u00eb th\u00ebn\u00eb se cila ishte metoda ime.\u00a0 Kjo loja me statistikat \u00ebsht\u00eb e kaher\u00ebshme. Ne dim\u00eb q\u00eb sipas statistikave shtet\u00ebrore kemi jetuar prej diku pes\u00eb dekadash n\u00eb lumturi socialiste, dhe n\u00eb demokraci kemi jetuar n\u00ebp\u00ebr faza lumturie. Por t\u00eb dy k\u00ebto \u201ckoh\u00eb lumturish\u201d, na kan\u00eb ftuar edhe n\u00eb sakrifica. Kjo e dyta \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb shum\u00eb realitet. N\u00ebse ka nj\u00eb form\u00eb p\u00ebr t\u00eb d\u00ebshmuar se n\u00eb \u00e7’regjim jeton, duhet t\u00eb mos ndalesh vet\u00ebm te ideologjia zyrtare. Praktika etnografike, pra jeta e regjimit si p\u00ebrvoj\u00eb e njer\u00ebzve na e tregon. T\u00eb pakt\u00ebn tri \u00e7\u00ebshtje na kan\u00eb provuar q\u00eb nuk kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb regjim demokratik n\u00eb koh\u00ebn q\u00eb jetojm\u00eb:E para \u00ebsht\u00eb rasti i Rrug\u00ebs Durr\u00ebs-Kuk\u00ebs, si nj\u00eb d\u00ebshmi e thyerjes s\u00eb kontrat\u00ebs komb\u00ebtare dhe ekonomike.E dyta \u00ebsht\u00eb rasti i nd\u00ebrtimit t\u00eb mbi 700 Hec-ve q\u00eb d\u00ebshmon se po thyhet kontrata me natyr\u00ebn, zotin e njeriun.Dhe e treta \u00ebsht\u00eb rasti i Teatrit Komb\u00ebtar q\u00eb tregon se \u00ebsht\u00eb thyer tashm\u00eb kontrata me qytetin. T\u00eb treja k\u00ebto thyerje kontratash nuk jan\u00eb t\u00eb dor\u00ebs s\u00eb dyt\u00eb pse ato n\u00eb thelb, p\u00ebrrethohen e shprehen me parimet baz\u00eb kushtetuese. Mir\u00ebpo sot do t\u00eb ndalem kryesisht te \u00e7\u00ebshtja e Teatrit, p\u00ebr shkak t\u00eb rrezikut q\u00eb po i kanoset dit\u00ebt e fundit. Teatri Komb\u00ebtar \u00ebsht\u00eb mbrojtur prej m\u00eb shum\u00eb se dy vitesh nga shum\u00eb njer\u00ebz t\u00eb angazhuar. Edhe sikur t\u00eb kishim t\u00eb b\u00ebnim me dy-tre veta t\u00eb angazhuar, nj\u00eb kryetar qeverie demokratike apo nj\u00eb kryetar qyteti demokratik, do t\u00eb duhej t\u00eb ndalonin e t\u00eb reflektonin. Edhe n\u00ebse \u201cpakica\u201d gabon, \u201cne\u201d, shumica e imagjinuar duhet t\u00eb ndalemi. Por n\u00eb fakt nuk \u00ebsht\u00eb k\u00ebshtu. Fakti \u00ebsht\u00eb se flukse t\u00eb ndryshme t\u00eb shoq\u00ebris\u00eb e kan\u00eb mbrojtur teatrin. E kan\u00eb mbrojtur me iden\u00eb se shkat\u00ebrrimi i tij bazohet mbi nj\u00eb prezumim t\u00eb gabuar p\u00ebr vlerat\u00a0 historike e kulturore.\u00a0 Dhe k\u00ebt\u00eb e faktuan shum\u00eb arkitekt\u00eb e specialist\u00eb t\u00eb trash\u00ebgimis\u00eb kulturore. Kund\u00ebr k\u00ebtyre argumentave u tha se kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb arkitektur\u00eb t\u00eb sh\u00ebmtuar, nd\u00ebrsa nga ana inxhinierike me nj\u00eb godin\u00eb t\u00eb paq\u00ebndrueshme. Edhe p\u00ebr k\u00ebto pretendime shum\u00eb profesionist\u00eb t\u00eb fush\u00ebs- prej t\u00eb cil\u00ebve kam m\u00ebsuar shum\u00eb- parashtruan argumente q\u00eb v\u00ebrtetonin t\u00eb kund\u00ebrt\u00ebn. Por edhe sikur t\u00eb kishim t\u00eb b\u00ebnim me nj\u00eb arkitektur\u00eb t\u00eb sh\u00ebmtuar, koncepti i trash\u00ebgimis\u00eb, e njeh edhe mund\u00ebsin\u00eb e mbrotjes t\u00eb s\u00eb “sh\u00ebmtuar\u00ebs” kur ajo sjell shum\u00eb kujtime t\u00eb r\u00ebnd\u00ebsishme p\u00ebr qytetin, madje kur sjell kujtime t\u00eb r\u00ebnd\u00ebsishme qoft\u00eb dhe thjesht\u00eb p\u00ebr nj\u00eb komunitet t\u00eb vog\u00ebl. U dhan\u00eb prova q\u00eb aty jan\u00eb b\u00ebr\u00eb gjyqet e para politike ndaj t\u00eb persekutuar\u00ebve. N\u00eb k\u00ebt\u00eb rast, sikur nj\u00eb kompesat\u00eb t\u00eb ishte, ajo do duhej mbrojtur, p\u00ebr ta na d\u00ebshmuar me materialitetin e saj, \u00e7ka pan\u00eb syt\u00eb e atyre q\u00eb u d\u00ebnuan.M\u00eb von\u00eb u fol gjer\u00eb e gjat\u00eb dhe u dhan\u00eb argumenta t\u00eb plota se kjo nd\u00ebrtes\u00eb i p\u00ebrket nj\u00eb ansambli arkitekturor, i cili mbart n\u00eb vetvete vlera estetike, historike e kulturore. Nj\u00eb kryetar qeverie i nj\u00eb vendi demokratik, nj\u00eb kryetar qyteti i nj\u00eb vendi demokratik do t\u00eb ndihej mir\u00ebnjoh\u00ebs e krenar me gjith\u00eb k\u00ebto argumenta. U shtuan edhe argumenta rreth siguris\u00eb inxhinierike, por p\u00ebr k\u00ebt\u00eb nuk foli askush m\u00eb qart\u00eb se sa t\u00ebrmeti. \u00cbsht\u00eb th\u00ebn\u00eb se teatrin e mbrojn\u00eb njer\u00ebz nga parti e grupe krejt t\u00eb ndryshme politike. K\u00ebshtu mund t\u00eb jet\u00eb. Pyetja mund t\u00eb shtrohet gjithashtu se ku q\u00ebndron problemi n\u00eb k\u00ebt\u00eb mes? Qyteti k\u00ebshtu p\u00ebrb\u00ebhet, nga flukse t\u00eb ndryshme, nga njer\u00ebz shum\u00eb t\u00eb ndrysh\u00ebm. Pik\u00ebrisht kjo shum\u00ebsi fluksesh jan\u00eb shenja e qytetit dhe nj\u00ebkoh\u00ebsisht treguesi q\u00eb \u00ebsht\u00eb tejkaluar ideja e grupit homogjen q\u00eb komandohet nga partia-shtet. Le ta marrim sikur nj\u00eb parti \u00ebsht\u00eb duke e mbrojtur nj\u00eb teat\u00ebr. Ky do t\u00eb duhej t\u00eb ishte lajm i mir\u00eb, edhe p\u00ebr kryetarin e qeveris\u00eb, edhe p\u00ebr kryetarin e qytetit, n\u00ebse do t\u00eb ishim n\u00eb nj\u00eb shoq\u00ebri demokratike. Ka lajm m\u00eb t\u00eb mir\u00eb se sa kur nj\u00eb parti kujdeset p\u00ebr nj\u00eb teat\u00ebr? Por fakti \u00ebsht\u00eb se mbrojt\u00ebsit e teatrit jan\u00eb t\u00eb p\u00ebrb\u00ebr\u00eb prej shum\u00eb fluksesh, e shum\u00eb p\u00ebrtej asaj q\u00eb p\u00ebrfaq\u00ebsojn\u00eb t\u00eb gjith\u00eb partit\u00eb s\u00eb bashku. N\u00eb fakt, sikur e shoh un\u00eb profanisht, t\u00eb gjitha partit\u00eb q\u00eb kan\u00eb qen\u00eb apo jan\u00eb n\u00eb pushtet gjenden n\u00eb pikun e kriz\u00ebs morale p\u00ebrkundrejt kujtdo n\u00eb qytet. M\u00eb pak fjal\u00eb asnj\u00eb nuk mbron dot partin\u00eb e tij n\u00eb tavolina miqsh, dhe kjo \u00ebsht\u00eb kriza morale e nj\u00eb partie.\u00a0 As ai miku im q\u00eb zura n\u00eb goj\u00eb n\u00eb krye t\u00eb her\u00ebs nuk b\u00ebn z\u00eb m\u00eb p\u00ebr partin\u00eb. Se mbrohen n\u00eb ekrane, se n\u00eb facebook, kjo \u00ebsht\u00eb mbrojtje p\u00ebr arsye pune. Pra p\u00ebr t\u00eb mbrojtur nj\u00eb pun\u00eb, nj\u00eb biznes, ose nj\u00eb oligark.N\u00ebse do t\u00eb kishim nj\u00eb kryetar qeverie, nj\u00eb kryetar qyteti, q\u00eb e duan nj\u00eb qytet p\u00ebr nj\u00eb shoq\u00ebri me shum\u00eb flukse e shprehi t\u00eb liris\u00eb, nj\u00eb qytet q\u00eb s\u00eb paku p\u00ebrmallet p\u00ebr demokracin\u00eb at\u00ebher\u00eb teatri do t\u00eb duhej t\u00eb nd\u00ebrtohej diku larg qendr\u00ebs s\u00eb qytetit.\u00a0 Jo teat\u00ebr i ri duke shembur shum\u00eb teatro nj\u00ebherazi. Sepse t\u00eb shemb\u00ebsh Teatrin Komb\u00ebtar t\u00eb sot\u00ebm, shemb vendin e kujtes\u00ebs s\u00eb Teatrit t\u00eb par\u00eb t\u00eb kryeqytetit, shemb Teatrin \u00a0Komb\u00ebtar, shemb vendin e kujtes\u00ebs s\u00eb gjith\u00eb v\u00ebnies n\u00eb jet\u00eb t\u00eb veprave, d\u00ebshtimeve, dor\u00ebzimeve, g\u00ebzimeve, shemb nj\u00eb teat\u00ebr t\u00eb jet\u00ebs son\u00eb n\u00eb diktatur\u00eb, shemb nj\u00eb teat\u00ebr q\u00eb mbrohet nga qytetar\u00ebt e k\u00ebtij qyteti. Nj\u00eb kryetar qeverie e nj\u00eb vendi demokratik, nj\u00eb kryetar qyteti n\u00eb demokraci, do t\u00eb k\u00ebrkonte ta zgjeronte qytetin. Zgjerimi i qytetit b\u00ebhet duke p\u00ebrshenjuar territorin me teatro e vepra t\u00eb tjera publike q\u00eb i p\u00ebrkasin kultur\u00ebs. Nj\u00eb qytet demokratik nuk pushton shenjat e dikurshme duke shembur, por i ballafaqon ato me ep\u00ebrsin\u00eb e shenjave t\u00eb liris\u00eb. Qytetet e liris\u00eb nuk kan\u00eb vet\u00ebm nj\u00eb qend\u00ebr. Do t\u00eb kisha sugjeruar q\u00eb teatrin e ri ta kishin nd\u00ebrtuar diku n\u00eb \u00a0Paskuqan, Kombinat, Bathore, 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