{"id":26773,"date":"2024-12-30T13:52:04","date_gmt":"2024-12-30T12:52:04","guid":{"rendered":"https:\/\/nyje.al\/?p=26773"},"modified":"2024-12-30T14:38:04","modified_gmt":"2024-12-30T13:38:04","slug":"enciklopedia-e-mergimit","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/enciklopedia-e-mergimit\/","title":{"rendered":"\u201cEnciklopedia e M\u00ebrgimit\u201d"},"content":{"rendered":"
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Erion Tufa | 30.12.2024 | nyje.al<\/strong><\/span><\/p>

\u00cbsht\u00eb mbjell\u00eb, tashm\u00eb gjer\u00ebsisht, n\u00eb vet\u00ebdijen kolektive konstrukti emotiv i dukuris\u00eb s\u00eb m\u00ebrgimit: silueta t\u00eb k\u00ebrrusura mbi bastun, projektime beb\u00ebzash t\u00eb lagura dhe aj\u00ebr i jonizuar me trishtim. Por p\u00ebrtej keqardhjes, hidh\u00ebrimit, mbase edhe d\u00ebshp\u00ebrimit, ky fenomen ka si valvul\u00eb presioni plot e p\u00ebrplot shprehje artistike. Nj\u00eb e till\u00eb jan\u00eb edhe poezit\u00eb e k\u00ebndshme t\u00eb Shqiptar Osekut dhe Entela Tabakut. Poezit\u00eb e tyre t\u00eb botuara n\u00eb nj\u00eb v\u00ebllim t\u00eb quajtur \u201cEnciklopedia e m\u00ebrgimit\u201d, ku t\u00eb dy jan\u00eb bashkautor\u00eb, jan\u00eb konstatime t\u00eb holla mbi natyr\u00ebn, sensacionet dhe p\u00ebrvoj\u00ebn e t\u00eb qenit emigrant, pra – i huaj. E gjith\u00eb p\u00ebrvoja e m\u00ebrgimtarit p\u00ebrshkruhet n\u00eb gjuh\u00eb lakonike t\u00eb pambingarkuar stilistikisht, q\u00eb t\u00eb tej\u00e7on nj\u00eb ndjesi zbraz\u00ebtie emocionale, gj\u00eb q\u00eb i jep poezive nj\u00eb sens kobi apokaliptik (nganj\u00ebher\u00eb, mbase edhe t\u00eb tepruar). Autor\u00ebt i sh\u00ebtisin tematikat e ndryshme t\u00eb migrimit n\u00eb ndarje sipas fenomenit.<\/span><\/p>

N\u00eb poezin\u00eb e titulluar \u201calien\u201d, autor\u00ebt e kan\u00eb estetizuar mjaft bukur p\u00ebrvoj\u00ebn e hidhur t\u00eb dyzimit t\u00eb nacionalitetit. P\u00ebrtej konstatimit t\u00eb natyr\u00ebs s\u00eb gj\u00ebs\u00eb, mund t\u00eb lexohet n\u00ebp\u00ebr rreshta edhe nj\u00ebfar\u00eb note proteste, nj\u00eb \u201cpse\u201d ambivalente, e path\u00ebn\u00eb, por e n\u00ebnkuptuar. Na shfaqet edhe uni poetik fem\u00ebror, duke i shtuar k\u00ebsisoj vepr\u00ebs edhe vler\u00ebn e polifonis\u00eb s\u00eb z\u00ebrave dhe identiteteve.<\/span><\/p>

un\u00eb nuk jam si grat\u00eb e k\u00ebtij vendi<\/span><\/i>
<\/span><\/i>por un\u00eb nuk jam ma as si grat\u00eb e vendit tem<\/span><\/i>
<\/span><\/i>un\u00eb jam ai akrobati q\u00eb pa rrjet\u00eb mbrojt\u00ebse<\/span><\/i>
<\/span><\/i>me nj\u00eb shkop t\u00eb gjat\u00eb balancon mbi tel<\/span><\/i>
<\/span><\/i>mbahem p\u00ebr vedi e p\u00ebr \u00e7far\u00eb kam n\u00eb duer<\/span><\/i>
<\/span><\/i>si grat\u00eb n\u00eb m\u00ebrgim<\/span><\/i>
<\/span><\/i>gjithmon\u00eb n\u00eb kap\u00ebrcyell<\/span><\/i>
<\/span><\/i>gjithkund e huej<\/span><\/i><\/span><\/p>

Kjo poezi trajton ndjesin\u00eb e t\u00ebhuajsimit n\u00eb p\u00ebrdorimin e gjuh\u00ebs dhe lidhjen e saj me identitetin personal. Stampimi i emrit n\u00eb let\u00ebr t\u00eb stampon si t\u00eb huaj, gjithsesi, motivi i revolt\u00ebs shfaqet s\u00ebrish. Duke na paralajm\u00ebruar se situata do t\u00eb ishte ndryshe n\u00ebp\u00ebrmjet alegorive dhe metaforave midis fjal\u00ebve dhe plumbave.<\/span><\/p>

fjala jeme<\/span><\/i>
<\/span><\/i>ka tingull t\u00eb huej<\/span><\/i>
<\/span><\/i>edhe n\u00eb shkrim<\/span><\/i>
<\/span><\/i>shkon e lidhun p\u00ebr em\u00ebn<\/span><\/i>
<\/span><\/i>tem<\/span><\/i>
<\/span><\/i>si theks i paduksh\u00ebm<\/span><\/i>
<\/span><\/i>q\u00eb thirret nd\u00ebr germa<\/span><\/i>
<\/span><\/i>mbush arm\u00eb mosbesimi<\/span><\/i>
<\/span><\/i>q\u00eb presin me iu shtraz\u00eb n\u00eb rastin ma t\u00eb par\u00eb<\/span><\/i>
<\/span><\/i>dhe fjal\u00ebs teme<\/span><\/i>
<\/span><\/i>i duhet me buz\u00ebqesh\u00eb<\/span><\/i>
<\/span><\/i>paqtuesh\u00ebm<\/span><\/i>
<\/span><\/i>edhe me shkrim<\/span><\/i><\/span><\/p>

Kur mendojm\u00eb p\u00ebr diskriminimin \u2013 nisur mbase nga p\u00ebrvoja historike \u2013 e mendojm\u00eb vet\u00ebm veten si viktima dhe nuk na shkon kurr\u00eb n\u00eb mendje q\u00eb edhe ne mund t\u00eb b\u00ebhemi dhunuesi. Di\u00e7ka e till\u00eb nuk ka pse imagjinohet, pasi kjo ka ndodhur, edhe ata q\u00eb kan\u00eb qen\u00eb vet\u00eb viktimat, q\u00eb kur jan\u00eb gjetur n\u00eb pozicione fuqie, jan\u00eb b\u00ebr\u00eb dhunues. Topik\u00eb t\u00eb till\u00eb trajton edhe poezia \u201crefugee\u201d, q\u00eb na kujton predispozit\u00ebn njer\u00ebzore p\u00ebr ta n\u00ebn\u00e7muar m\u00eb t\u00eb voglin dhe m\u00eb t\u00eb dob\u00ebtin. Fjal\u00ebt e Ismailit plak, nyj\u00ebtojn\u00eb me brutalitet thelbin ndjesor t\u00eb dob\u00ebsis\u00eb, p\u00ebrbuzjes dhe mospranimit. Ligj\u00ebrimi i urrejtjes dhe mospranimit \u00ebsht\u00eb \u00e7udit\u00ebrisht komparativ mes \u201cjush\u201d dhe \u201catyre\u201d, vendos shenja barazie e mosbarazie, dhe \u00ebsht\u00eb diskriminues e dhunues <\/span>par nature<\/span><\/i>.<\/span><\/span><\/p>

Ne mbiemrin e kishim muti<\/span><\/i>
<\/span><\/i>M\u00eb tha Ismaili \u00e7ami plak<\/span><\/i>
<\/span><\/i>Ik or \u00e7am muti k\u00ebtej<\/span><\/i>
<\/span><\/i>Ik or \u00e7am muti andej<\/span><\/i>
<\/span><\/i>Edhe tash na thon\u00eb nj\u00ebsoj<\/span><\/i>
<\/span><\/i>Ja kosovar\u00ebt e nxuar\u00ebn me luft\u00eb<\/span><\/i>
<\/span><\/i>Pse s\u2019shkoni edhe ju t\u00eb luftoni<\/span><\/i>
<\/span><\/i>Po k\u00ebrkoni t\u00eb na vini flak\u00ebn neve<\/span><\/i>
<\/span><\/i>K\u00ebshtu or bir na ndajn\u00eb<\/span><\/i>
<\/span><\/i>N\u00eb Ne dhe Ju<\/span><\/i>
<\/span><\/i>Edhe f\u00ebmij\u00ebt q\u00eb na lind\u00ebn k\u00ebtu n\u00eb Shqip\u00ebri<\/span><\/i>
<\/span><\/i>Pale m\u00eb neve pleqve t\u00eb fishkur<\/span><\/i>
<\/span><\/i>Kur na rripnin ato pak q\u00eb kishim<\/span><\/i>
<\/span><\/i>Na quanin budallenj<\/span><\/i>
<\/span><\/i>Tash kur rrim\u00eb m\u00ebnjan\u00eb na quajn\u00eb t\u00eb pabes\u00eb<\/span><\/i>
<\/span><\/i>Askush s\u2019na e shtrin nj\u00eb dor\u00eb<\/span><\/i>
<\/span><\/i>E kur ndihmojm\u00eb nj\u00ebri-tjetrin egoist\u00eb na thon\u00eb<\/span><\/i>
<\/span><\/i>Ne kurr\u00eb t\u00eb mir\u00eb nuk b\u00ebnemi<\/span><\/i>
<\/span><\/i>\u00c7am\u00eb muti qem\u00eb e \u00e7am\u00eb muti mbetemi<\/span><\/i>
<\/span><\/i>P\u00ebr jet\u00eb e mot<\/span><\/i>
<\/span><\/i>P\u00ebr t\u00eb mbijetuar mpihemi<\/span><\/i>
<\/span><\/i>Shnd\u00ebrrohemi n\u00eb gur\u00eb<\/span><\/i>
<\/span><\/i>Un\u00eb ka dy vjet q\u00eb nuk shoh<\/span><\/i>
<\/span><\/i>Ka tre vjet q\u00eb nuk d\u00ebgjoj<\/span><\/i>
<\/span><\/i>Mbaj mend ve\u00e7 tre or\u00eb<\/span><\/i>
<\/span><\/i>Shyqyr ju o bir q\u00eb pat\u00ebt fat<\/span><\/i>
<\/span><\/i>e u kthyet n\u00eb trojet e lashta<\/span><\/i>
<\/span><\/i>Guri r\u00ebnd\u00eb peshon vet\u00ebm n\u00eb vend t\u00eb vet<\/span><\/i>
<\/span><\/i>K\u00ebshtu m\u00eb tha Ismaili \u00e7ami plak<\/span><\/i>
<\/span><\/i>Vajza ime e lindur n\u00eb ekzil q\u00eb d\u00ebgjoi Ismailin<\/span><\/i>
<\/span><\/i>fshehu fytyr\u00ebn<\/span><\/i>
<\/span><\/i>n\u00eb kraharorin tim<\/span><\/i><\/span><\/p>

Vargjet e autor\u00ebve Entela Tabaku dhe Shqiptar Oseku, reflektojn\u00eb mbi topika t\u00eb identitetit, emigrimit, asimilimit, integrimit e diskriminimit. Vargjet e tyre evokojn\u00eb me forc\u00eb t\u00eb pamohueshme poetike pafuqin\u00eb e qenies njer\u00ebzore, q\u00eb e shkulur zgupthi nga fabrika shoq\u00ebrore dhe e flakur qindra kilometra larg, e gjen veten pa nacionalitet, pa komunitet, pa mb\u00ebshtetje dhe pa asnj\u00eb form\u00eb mbrojtjeje. Nyj\u00ebton, gjithashtu edhe revolt\u00ebn ndaj k\u00ebtij fakti (a fati). Nj\u00eb vend t\u00eb ve\u00e7ant\u00eb n\u00eb poezin\u00eb e tyre z\u00eb edhe integrimi \u2013 asimilimi e m\u00eb the e t\u00eb thash\u00eb \u2013 n\u00eb Atdheun e ri. N\u00eb fund t\u00eb fundit t\u00eb mirat, ashtu si t\u00eb k\u00ebqijat, kur vijn\u00eb, vijn\u00eb n\u00eb turma. Do t\u00eb ishte sip\u00ebrfaq\u00ebsore dhe e pahijshme q\u00eb nj\u00eb enciklopedi m\u00ebrgimi t\u00eb kishte vet\u00ebm an\u00eb t\u00eb err\u00ebta, tortur\u00eb e dhimbje. N\u00eb jet\u00eb fati her\u00ebdokur u buz\u00ebqesh edhe t\u00eb mjer\u00ebve.<\/span><\/p>

Estetizimi i nj\u00eb pik\u00ebpamjeje holistike mbi eksperienc\u00ebn e m\u00ebrgimtarit \u00ebsht\u00eb i mir\u00ebpritur, i bukur etj., etj., por nuk \u00ebsht\u00eb q\u00ebllimi primar i v\u00ebllimit poetik (n\u00eb mendimin tim). Q\u00ebllimi i k\u00ebtij v\u00ebllimi \u00ebsht\u00eb p\u00ebrshkrimi i t\u00eb gjith\u00eb procesit emocional dhe i proceseve t\u00eb tjera t\u00eb lidhura me eksperienc\u00ebn dhe ndjesit\u00eb n\u00eb nj\u00eb subjekt, n\u00eb k\u00ebt\u00eb rast vet\u00eb autor\u00ebt. Gjat\u00eb leximit t\u00eb poezive, lexova shpesh mes rreshtash revolt\u00ebn, indinjat\u00ebn dhe ankes\u00ebn e autorit p\u00ebr secil\u00ebn topik\u00eb. \u00c7do her\u00eb m\u2019u kujtua nj\u00eb njeri i men\u00e7ur q\u00eb pat th\u00ebn\u00eb: \u201cKush sheh padrejt\u00ebsi le t\u2019i zhb\u00ebj\u00eb me dor\u00eb, n\u00eb mos me dor\u00eb, at\u00ebher\u00eb me goj\u00eb, n\u00eb mos me goj\u00eb at\u00ebher\u00eb me zem\u00ebr\u201d.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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P\u00ebr autorin:<\/b><\/span><\/em> <\/span><\/p>

Erion Tufa, leu n\u00eb Sohodoll, Dib\u00ebr. Kreu studimet bachelor dhe master n\u00eb Universitetin e Tiran\u00ebs, n\u00eb profilin Teori dhe kritik\u00eb letrare.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Imazhi i ballin\u00ebs: <\/span><\/em><\/strong>Sht\u00ebpia Botuese Onufri<\/span><\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u00cbsht\u00eb mbjell\u00eb, tashm\u00eb gjer\u00ebsisht, n\u00eb vet\u00ebdijen kolektive konstrukti emotiv i dukuris\u00eb s\u00eb m\u00ebrgimit: silueta t\u00eb k\u00ebrrusura mbi bastun, projektime beb\u00ebzash t\u00eb lagura dhe aj\u00ebr i jonizuar me trishtim. Por p\u00ebrtej keqardhjes, hidh\u00ebrimit, mbase edhe d\u00ebshp\u00ebrimit, ky fenomen ka si valvul\u00eb presioni plot e p\u00ebrplot shprehje artistike. Nj\u00eb e till\u00eb jan\u00eb edhe poezit\u00eb e k\u00ebndshme t\u00eb Shqiptar Osekut dhe Entela Tabakut. Poezit\u00eb e tyre t\u00eb botuara n\u00eb nj\u00eb v\u00ebllim t\u00eb quajtur \u201cEnciklopedia e m\u00ebrgimit\u201d, ku t\u00eb dy jan\u00eb bashkautor\u00eb, jan\u00eb konstatime t\u00eb holla mbi natyr\u00ebn, sensacionet dhe p\u00ebrvoj\u00ebn e t\u00eb qenit emigrant, pra – i huaj. E gjith\u00eb p\u00ebrvoja e m\u00ebrgimtarit p\u00ebrshkruhet n\u00eb gjuh\u00eb lakonike t\u00eb pambingarkuar stilistikisht, q\u00eb t\u00eb tej\u00e7on nj\u00eb ndjesi zbraz\u00ebtie emocionale, gj\u00eb q\u00eb i jep poezive nj\u00eb sens kobi apokaliptik (nganj\u00ebher\u00eb, mbase edhe t\u00eb tepruar)…<\/p>","protected":false},"author":2,"featured_media":26774,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","ocean_post_layout":"full-width","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"enable","ocean_disable_heading":"enable","ocean_post_title":"\u201cEnciklopedia 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