{"id":24445,"date":"2024-08-22T18:08:50","date_gmt":"2024-08-22T16:08:50","guid":{"rendered":"https:\/\/nyje.al\/?p=24445"},"modified":"2024-08-22T23:33:27","modified_gmt":"2024-08-22T21:33:27","slug":"psallme-murgu-asdreni","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/psallme-murgu-asdreni\/","title":{"rendered":"\u201cPsallme murgu\u201d – Asdreni"},"content":{"rendered":"
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Antonela Pepkolaj | 22.08.2024 | nyje.al<\/strong><\/span><\/p>

Nga rrug\u00ebtimi i Asdrenit si autor, v\u00ebrejm\u00eb nj\u00eb linj\u00eb e cila ndryshon dhe p\u00ebson luhatje n\u00eb raport t\u00eb drejt\u00eb me \u00e7\u00ebshtjen komb\u00ebtare. K\u00ebshtu, me dy botimet e tij t\u00eb para, p\u00ebrkat\u00ebsisht m\u00eb 1904 dhe n\u00eb 1912, poezia e tij \u00ebsht\u00eb me motive atdhetare dhe kushtruese, ende n\u00ebn ndikimin e modelit romantik t\u00eb Rilindjes Komb\u00ebtare Shqiptare.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0M\u00eb 1930, publikohet v\u00ebllimi <\/span>Psallme Murgu<\/span><\/i>, n\u00eb t\u00eb cilin na paraqitet nj\u00eb Asdren ndryshe nga dy v\u00ebllimet e para, me nota t\u00eb pesimizmit dhe t\u00eb ironis\u00eb, si pasoj\u00eb e q\u00ebndrimit t\u00eb tij ndaj regjimit t\u00eb Zogut. Por ky q\u00ebndrim mund t\u00eb vij\u00eb edhe nga m\u00ebrgimi i tij n\u00eb Rumani, duke qen\u00eb larg Shqip\u00ebris\u00eb, vuan dhe idealizon me nota idilike peizazhin si dhe historin\u00eb e lavdishme t\u00eb Shqip\u00ebris\u00eb. Por ndoshta edhe, si\u00e7 shprehet J. Bulo, kur e pa (Asdreni) se <\/span>vegj\u00eblia<\/span><\/i> p\u00ebrkundrejt klas\u00ebs s\u00eb privilegjuar t\u00eb feudal\u00ebve \u201c… mbeti p\u00ebrs\u00ebri e mjeruar, e shp\u00ebrfillur dhe e p\u00ebrbuzur, mund t\u00eb p\u00ebsonte vet\u00ebm nj\u00eb zhg\u00ebnjim t\u00eb thell\u00eb… Kjo shpjegon at\u00eb atmosfer\u00eb d\u00ebshp\u00ebrimi, fataliteti e misticizmi q\u00eb e mb\u00ebshtolli poezin\u00eb e faz\u00ebs s\u00eb fundit t\u00eb krijimtaris\u00eb s\u00eb Asdrenit\u201d1<\/sup><\/span>, duke e identifikuar k\u00ebsisoj edhe nj\u00eb her\u00eb poezin\u00eb me shqet\u00ebsimet e Asdrenit si veprimtar.\u00a0<\/span><\/span><\/p>

Megjith\u00ebse, n\u00eb rastin e Asdrenit mund t\u00eb gjykojm\u00eb se vepra p\u00ebrfton vlera plus prej dometh\u00ebnies s\u00eb autorit n\u00eb qarqet intelektuale t\u00eb koh\u00ebs, s\u00ebrish, duke marr\u00eb parasysh se n\u00eb Shqip\u00ebri asokohe, rrymat letrare u l\u00ebvruan kryesisht nga nj\u00eb autor dhe jo nga grupe autor\u00ebsh, me k\u00ebt\u00eb faz\u00eb t\u00eb dyt\u00eb t\u00eb krijimtaris\u00eb s\u00eb vet, prej ekskluzivitetit t\u00eb risis\u00eb letrare, ai q\u00ebndron n\u00eb kap\u00ebrcyell t\u00eb kalimit nga romantizmi n\u00eb morin\u00eb e poetikave moderniste q\u00eb shenjuan let\u00ebrsin\u00eb shqiptare t\u00eb gjysm\u00ebs s\u00eb par\u00eb t\u00eb shek. XX. M\u00eb tipikisht, te kalimi te realizmi prej paraqitjes s\u00eb luft\u00ebs klasore, demaskimit t\u00eb politikave pseudoliberale dhe trajtimit t\u00eb tematik\u00ebs shoq\u00ebrore.2<\/sup><\/span><\/span><\/p>

\u00a0 \u00a0 N.Jorgaqi, n\u00eb esen\u00eb e tij, Skic\u00eb p\u00ebr historin\u00eb e mendimit historik shqiptar (1504-1944),<\/i> bie dakord me E. \u00c7abej dhe klasifikimin e tij t\u00eb Asdrenit si autor t\u00eb diaspor\u00ebs q\u00eb l\u00ebvron m\u00eb tej romantizmin shqiptar. Nga ana tjet\u00ebr, e vendos n\u00eb nj\u00eb linj\u00eb me Poradecin, p\u00ebr \u201ckalimin e saj (poezis\u00eb) nga idea komb\u00ebtare, te idea njer\u00ebzore\u201d3<\/sup>. Pra e vendos n\u00eb linj\u00ebn romantike dhe simboliste.<\/span><\/p>

\u00a0 \u00a0 \u00a0 A.Xhiku, n\u00eb studimin e vet, Let\u00ebrsia shqipe si polifoni<\/i>, n\u00eb gjysm\u00ebn e par\u00eb t\u00eb shek. XX dallon dy prirje kryesore: prirjet romantike dhe prirjet realiste, p\u00ebr t\u00eb cilat shprehet se \u201ce para vler\u00ebsonte antikitetin, klasicizmin, neoklasicizmin e poezin\u00eb popullore; e dyta iluminizmin dhe let\u00ebrsin\u00eb realiste.\u201d4<\/sup> N\u00eb k\u00ebt\u00eb ndarje, ai vendos Asdrenin n\u00eb grupin e romantik\u00ebve, si l\u00ebvrues i nj\u00eb tradite tashm\u00eb t\u00eb afirmuar nga De Rada dhe Naimi, por q\u00eb e \u00e7on m\u00eb tej me notat kushtruese t\u00eb poezis\u00eb s\u00eb tij, si nj\u00eb poezi romantike me finalitet t\u00eb qart\u00eb dhe t\u00eb hapur. Thekson gjithashtu notat e thella t\u00eb pesimizmit q\u00eb shfaq poeti p\u00ebr gjendjen shoq\u00ebrore t\u00eb shqiptar\u00ebve, e cila shprehet s\u00ebrish p\u00ebrmes teknikave klasiciste t\u00eb romantizmit shqiptar. <\/span><\/p>

\u00a0 \u00a0 \u00a0 R.Qosja, te Shkrimtar\u00eb dhe periudha<\/i>, e pozicionon Asdrenin (s\u00eb bashku me autor\u00eb t\u00eb tjer\u00eb t\u00eb gjysm\u00ebs s\u00eb par\u00eb t\u00eb shek. XX), mes romantizmit, realizmit dhe simbolizmit. Romantizmin ai e ndan n\u00eb dy tipash: i pari romantiz\u00ebm folklorik, dhe i dyti romantiz\u00ebm q\u00eb sintetizon elementet iluministe dhe publicistike. M\u00eb shum\u00eb sesa romantik, R. Qosja e vendos n\u00eb linj\u00ebn e realist\u00ebve dhe t\u00eb simbolizmit, duke ve\u00e7uar si kusht p\u00ebr k\u00ebt\u00eb ndarje kritik\u00ebn sociale q\u00eb na shfaqet n\u00eb poezin\u00eb e Asdrenit, s\u00eb bashku me estetizmin dhe kultivimin e vargut.\u00a0 Ndaj e afron m\u00eb shum\u00eb me Mjedjen dhe me neoklasicizmin, sesa me Poradecin. K\u00ebt\u00eb prirje t\u00eb nj\u00eb \u201carti p\u00ebr art\u201d, e sheh si nj\u00eb form\u00eb t\u00eb tejskajshme t\u00eb romantizmit, por q\u00eb duke qen\u00eb se tejkalon utilitarizmin tipik t\u00eb romantizmit shqiptar, merr forma t\u00eb modernizmit.\u00a0<\/span><\/p>

P\u00ebr vepr\u00ebn <\/span>Psallme Murgu<\/span><\/i>, L. Ndoja n\u00eb parath\u00ebnien e botimit, e vendos poezin\u00eb e Asdrenit gjithashtu mes romantizmit dhe modernizmit, duke e \u00e7uar k\u00ebt\u00eb t\u00eb fundit n\u00eb ekstrem, n\u00eb hermetiz\u00ebm si dhe, duke e vendosur n\u00eb nj\u00eb linj\u00eb me Mjedjen dhe neoklasicizmin p\u00ebr kultivimin e vargut, dhe Poradecin p\u00ebr simbolizmin.\u00a0\u00a0<\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Pra, gjejm\u00eb nd\u00ebrthurje t\u00eb romantizmit, klasicizmit, neoklasicizmit, realizmit dhe simbolizmit n\u00eb poezin\u00eb e Asdrenit, di\u00e7ka e cila do t\u00eb shqyrtohet se si aktualizohet n\u00eb vepr\u00ebn <\/span>Psallme Murgu<\/span><\/i>.<\/span><\/span><\/p>

Kemi t\u00eb b\u00ebjm\u00eb me zhvillime letrare q\u00eb ndodhen n\u00eb zgrip t\u00eb nj\u00ebra-tjetr\u00ebs, p\u00ebr pasoj\u00eb, lexuesi e ka luksin e identifikimit t\u00eb aksh tipari letrar me aksh poetik\u00eb letrare, pa e kufizuar stilin apo d\u00ebmtuar procesin e receptimit, pasi n\u00eb \u00e7do rast, ndodhemi brenda kufijve t\u00eb romantizmit, realizmit dhe rrymave dekadente.<\/span><\/p>

V\u00ebrejm\u00eb q\u00eb, duke folur p\u00ebr romantizmin, shpesh kritika zgjerohet m\u00eb tej duke e quajtur vepr\u00ebn e Asdrenit, nd\u00ebr t\u00eb tjera edhe klasiciste dhe neoklasiciste. Por ky nuk mund t\u00eb jet\u00eb rasti, sepse kund\u00ebrv\u00ebnia ndaj klasicizmit \u00ebsht\u00eb premisa kryesore e lindjes s\u00eb romantizmit dhe, pa\u00e7ka se ngjajn\u00eb n\u00eb iden\u00eb e p\u00ebrbashk\u00ebt t\u00eb kultit t\u00eb natyr\u00ebs, klasicizmi ka edhe kultin e arsyes si dhe racionalitetin q\u00eb i vendos n\u00eb dy pole t\u00eb kund\u00ebrta k\u00ebto dy rryma. Ndaj nuk mund t\u00eb sillet si argument klasicizmi, p\u00ebr romantizmin duke qen\u00eb n\u00eb kund\u00ebrshti me nj\u00ebra-tjetr\u00ebn. Nj\u00ebjt\u00eb mund t\u00eb themi edhe p\u00ebr neoklasicizmin, ku mungon lirizmi dhe idealizmi, t\u00eb cilat i kemi prezent\u00eb n\u00eb poezin\u00eb e Asdrenit.<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Gjithashtu kemi dhe vendosjen n\u00eb dy kahe t\u00eb kund\u00ebrta t\u00eb sentimentalizmit n\u00eb nj\u00ebr\u00ebn an\u00eb, me romantizmin n\u00eb an\u00ebn tjet\u00ebr, gj\u00eb e cila gjithashtu nuk mund t\u00eb jet\u00eb rasti, sepse sentimentalizmi \u00ebsht\u00eb nj\u00eb pararomantiz\u00ebm, ndaj edhe vendosja e autorit n\u00eb nj\u00ebrin kamp, n\u00ebnkupton logjikisht edhe vendosjen e k\u00ebtij t\u00eb fundit n\u00eb kampin tjet\u00ebr.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0P\u00ebr m\u00eb tep\u00ebr, v\u00ebrejm\u00eb edhe identifikimin e tipareve qart\u00ebsisht realiste me ato romantike, n\u00ebn premis\u00ebn e angazhimit komb\u00ebtar, utilitarizmit dhe didaktik\u00ebs, kur n\u00eb fakt k\u00ebto tipare mund t\u00eb merren si romantike vet\u00ebm n\u00eb rastin kur sillen n\u00ebp\u00ebrmjet elementit t\u00eb folklorit dhe procesit t\u00eb mitizimit t\u00eb s\u00eb shkuar\u00ebs (motit t\u00eb madh shqiptar); p\u00ebrndryshe, jan\u00eb elemente shenjuese t\u00eb realizmit.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Si pasoj\u00eb, \u00ebsht\u00eb logjike q\u00eb Asdreni t\u00eb vendoset mes romantizmit, realizmit dhe parnasizmit si parasimboliz\u00ebm; duke qen\u00eb se jan\u00eb dhe poetika q\u00eb pasuan nj\u00ebra-tjetr\u00ebn n\u00eb m\u00ebnyr\u00eb dialektike, n\u00eb Shqip\u00ebri dhe n\u00eb Europ\u00eb.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Te <\/span>Psallme Murgu<\/span><\/i> gjejm\u00eb poezi idilike t\u00eb peizazhit, poezi me motive komb\u00ebtare, poezi me tematik\u00eb filozofike, poezi lirike erotike shum\u00eb t\u00eb ngjashme me poezin\u00eb e Naimit p\u00ebr dashurin\u00eb, poezi me motive biblike, si dhe poezi\u00a0 me motive popullore.\u00a0<\/span><\/span><\/p>

Strukturat e rregullta metrike dhe kulti i s\u00eb bukur\u00ebs, afrohen me parnasizmin s\u00eb bashku me tematik\u00ebn q\u00eb nuk prek subjektiven dhe personalen, por t\u00eb mir\u00ebn dhe t\u00eb keqen, Zotin, si dhe mitet e ndryshme q\u00eb portretizohen poetikisht n\u00eb narrativ\u00ebn e tyre origjinale, pa u (ri)funksionalizuar.<\/span><\/p>

Ta shijojm\u00eb bukurin\u00eb<\/span><\/i><\/span><\/p>

Jasht t\u00eb dalim mu si turm\u00eb<\/span><\/i><\/span><\/p>

Se gje tjater ne s\u2019kuptojm\u00eb<\/span><\/i><\/span> 5<\/span><\/sup><\/p>

\u00a0\u00a0\u00a0\u00a0<\/span> V\u00ebllimi hapet me poezi romantike, t\u00eb Rilindjes Komb\u00ebtare, vijon me idilin natyror dhe zhvillohet n\u00eb poezi sa didaktike dhe optimiste duke lart\u00ebsuar virtytet, aq edhe pesimiste, deri edhe t\u00eb err\u00ebta, p\u00ebrmendim k\u00ebtu dy poezit\u00eb \u201cHija e keqe\u201d dhe \u201cFytyr\u00eb\u201d.\u00a0<\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0N\u00eb k\u00ebt\u00eb kuptim, gjejm\u00eb nd\u00ebrthurjen e m\u00eb s\u00eb shumti romantizmit dhe parnasizmit n\u00eb k\u00ebt\u00eb v\u00ebllim. Prirjet kah metafizika, mitikja, pesimizmi, bukuria etj., e b\u00ebjn\u00eb poezin\u00eb e Asdrenit moderniste. Nd\u00ebrkaq tematika komb\u00ebtare, kthimet pas te ilir\u00ebt, pellazg\u00ebt, Aleksandri i madh, si dhe referencat p\u00ebr ngjarje reale historike, e b\u00ebjn\u00eb poezi romantike.<\/span><\/p>

Gj. Zheji n\u00eb analiz\u00ebn e tij metrike ndaj vepr\u00ebs s\u00eb Asdrenit, dallon ndikimet nga Naimi dhe \u00c7ajupi, n\u00eb metrik\u00ebn e vargut, duke shp\u00ebrfaqur edhe d\u00ebshir\u00ebn e autorit q\u00eb t\u00eb shk\u00ebputet nga tradita, p\u00ebr t\u00eb kultivuar vargun dhe p\u00ebr t\u2019iu larguar sidomos klasicizmit. P\u00ebr k\u00ebt\u00eb ai citon nj\u00eb let\u00ebr t\u00eb Asdrenit. Mandej, sh\u00ebnon se Asdreni \u00ebsht\u00eb i pari n\u00eb let\u00ebrsin\u00eb shqipe q\u00eb p\u00ebrdor vargun e lir\u00eb, n\u00eb poezit\u00eb \u201cJuda i ri\u201d, \u201cPamje\u201d, \u201cRruzullimi\u201d dhe \u201cD\u00ebshir\u00eb pagane\u201d, me dominante vargjet teke, n\u00ebnt\u00eb dhe nj\u00ebmb\u00ebdhjet\u00ebrrok\u00ebshe.6<\/sup><\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Gjejm\u00eb n\u00eb k\u00ebt\u00eb k\u00ebndv\u00ebshtrim t\u00eb autorit gjegj\u00ebsen e premis\u00ebs <\/span>arti p\u00ebr art<\/span><\/i>,\u00a0 dhe kulti i form\u00ebs q\u00eb u b\u00eb baza e parnasizmit. K\u00ebto orvatje mund t\u2019i dallojm\u00eb s\u00eb pari n\u00eb eksperimentin q\u00eb b\u00ebn autori me strof\u00ebn. Thyen vargun n\u00eb adaptimin \u201cShi po bie\u201d, p\u00ebrdor reti\u00e7enc\u00ebn n\u00eb vend t\u00eb vargjeve n\u00eb poezin\u00eb \u201cShqip\u00ebria m\u00eb 1914\u201d si dhe, nd\u00ebrtimi i poezis\u00eb n\u00eb vargje kat\u00ebrrok\u00ebshe, poezia \u201cStinat\u201d. Gjithsesi, n\u00eb raport me romantizmin, kritika dallon te parnasizmi sidomos dhe elementin e <\/span>send\u00ebrtimit<\/span><\/i>, pra tematika e poezis\u00eb \u00ebsht\u00eb \u00e7ka m\u00eb realiste dhe jo aq idealiste, idilike apo metafizike sa \u00e7\u2019mund t\u00eb ket\u00eb qen\u00eb gjat\u00eb romantizmit. Poezis\u00eb i b\u00ebhet nj\u00eb rishikim objektiv, q\u00eb korrespondon edhe me procesin e industrializimit.7<\/sup><\/span> K\u00ebtyre t\u00eb fundit, u shton edhe sidomos prirjen p\u00ebr nihiliz\u00ebm dhe pesimiz\u00ebm n\u00eb rrafshin tematik, si dhe parashtrimin e shqet\u00ebsimeve thell\u00ebsisht personale8<\/sup><\/span>\u00a0di\u00e7ka t\u00eb cil\u00ebn kritika e ka evidentuar nj\u00ebz\u00ebri n\u00eb v\u00ebllimin <\/span>Psallme Murgu<\/span><\/i>.\u00a0<\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Disa nga poezit\u00eb m\u00eb t\u00eb njohura nga parnasizmi, kan\u00eb nj\u00eb struktur\u00eb t\u00eb organizuar n\u00eb katrena, me rim\u00eb ABAB, me thyerje vargu, e cila b\u00ebhet p\u00ebrmes kat\u00ebrrok\u00ebshit si dhe, me vargje t\u00eb shkruara me reti\u00e7enc\u00eb, elemente t\u00eb cilat i kemi dominante n\u00eb poezin\u00eb e Asdrenit. Poezia\u00a0 ndoshta m\u00eb pik\u00ebtakuese me estetik\u00ebn parnasiste (e cila nuk p\u00ebrb\u00ebn nj\u00eb shkoll\u00eb m\u00eb vete letrare, por nj\u00eb <\/span>intermexio<\/span><\/i> p\u00ebr te simbolizmi), \u00ebsht\u00eb poezia \u201cHija e keqe\u201d. Tematikisht i q\u00ebndron linj\u00ebs s\u00eb parnasizmit, pse send\u00ebrton iden\u00eb e ankthit dhe gradualisht t\u00eb s\u00eb keqes, si dhe hyn te poezit\u00eb me p\u00ebrmbajtje pesimiste (si shembull mund t\u00eb sjellim faktin q\u00eb tema m\u00eb e p\u00ebrhapur nd\u00ebr poezit\u00eb parnasiste ishte tema e vdekjes).\u00a0<\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0\u201cHija e keqe\u201d \u00ebsht\u00eb nj\u00eb poezi me 384 vargje, e organizuar me rim\u00eb ABAB.\u00a0 Hapet me frik\u00ebn e unit lirik kur v\u00ebren nj\u00eb hije, zhvillohet me ankthin dhe simptomat e tij fizike t\u00eb frik\u00ebs karshi hijes dhe, mbyllet me iden\u00eb se hija \u00ebsht\u00eb origjina e gjith\u00eb s\u00eb keqes dhe se, e ka ndjekur q\u00eb n\u00eb fillim t\u00eb jet\u00ebs. P\u00ebrshkrimi i hijes \u00ebsht\u00eb tipik biblik:\u00a0<\/span><\/p>

Nj\u00eb zjar si nxjer nga syt\u00eb!<\/span><\/i><\/span><\/p>

Dy sy t\u00eb zinj, si vrima pellgut t\u00eb thell\u00eb<\/span><\/i><\/span><\/p>

Levisnin plot me tmerr,<\/span><\/i><\/span><\/p>

Dhe prej nj\u00ebj goj\u00ebs hapur si nj\u00eb shpell\u00eb<\/span><\/i><\/span><\/p>

Nj\u00eb gjuh\u00eb flage nxjerr.<\/span><\/i><\/span><\/p>

Dhe flokt\u2019 e kres\u00eb i kishte p\u00ebrpjet\u00eb ngritur,<\/span><\/i><\/span><\/p>

Dy brir\u00eb si gj\u00ebrprinj,<\/span><\/i><\/span><\/p>

Turinjt\u2019 e kok\u00ebn shtrige s\u00eb m\u00ebrzitur<\/span><\/i><\/span><\/p>

Me dhembet si k\u00ebrminj.<\/span><\/i><\/span><\/p>

…<\/span><\/i><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Njihen si p\u00ebrshkrime t\u00eb stilit t\u00eb librave apokaliptik\u00eb biblik\u00eb, mund t\u00eb sjellim si shembull librin e Zbules\u00ebs, n\u00eb t\u00eb cilin po ashtu b\u00ebhen krahasime t\u00eb nj\u00eb natyre hiperbolike me kafsh\u00ebt apo me situata t\u00eb jasht\u00ebzakonshme.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0V\u00ebrejm\u00eb gjithashtu nd\u00ebrthurje t\u00eb strukturave tipike popullore, jo n\u00eb funksionin e tyre origjinal por t\u00eb rifunksionalizuara, si p.sh.:<\/span><\/p>

Kush je ti, kush! Q\u00eb m\u00eb rri me goj\u00ebn heshtur<\/span><\/i><\/span><\/p>

\u00c7do \u00e7ap q\u00eb ma v\u00eb\u2019 re,<\/span><\/i><\/span><\/p>

Kush je pra ti, q\u00eb pas m\u00eb ndjek pa reshtur<\/span><\/i><\/span><\/p>

Q\u00eb prehjen vjen ma ngreh?<\/span><\/i><\/span><\/p>

Kush je ti thuaj! Mos gje per te mar\u00eb<\/span><\/i><\/span><\/p>

Ke meje kur s\u2019t\u00eb njoh,<\/span><\/i><\/span><\/p>

…<\/span><\/i><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0P\u00ebrve\u00e7 k\u00ebsaj, \u201cHija e keqe\u201d mund t\u00eb krahasohet edhe me figur\u00ebn popullore mitologjike t\u00eb Or\u00ebs, e cila \u00ebsht\u00eb e lidhur me nj\u00eb subjekt duke i diktuar fatin dhe q\u00eb manifeston tiparet e subjektit. K\u00ebshtu, n\u00eb besimin popullor, ora e nj\u00eb njeriu q\u00eb m\u00ebkaton \u00ebsht\u00eb e zez\u00eb. Edhe hija \u00ebsht\u00eb e zez\u00eb dhe e keqe (m\u00ebkatare). Gjithashtu, n\u00eb poezi, hija \u00ebsht\u00eb ajo q\u00eb e ndjek unin lirik kudo dhe \u00ebsht\u00eb fati, di\u00e7ka q\u00eb mund ta themi edhe p\u00ebr figur\u00ebn e or\u00ebs.\u00a0<\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0Nga nj\u00eb element psikologjik dhe personal i unit lirik n\u00eb pjes\u00ebn hyr\u00ebse t\u00eb poezis\u00eb, <\/span>hija <\/span><\/i>b\u00ebhet nj\u00eb diktues universal i fatit njer\u00ebzor, duke e mbyllur poezin\u00eb me iden\u00eb e fatalitetit, e cila gjithashtu \u00ebsht\u00eb motiv i rrahur dendur n\u00eb poezin\u00eb parnasiste. Ideja e fatalitetit mund t\u00eb lidhet edhe me iden\u00eb biblike se bot\u00ebn e komandon djalli deri n\u00eb ardhjen e dyt\u00eb t\u00eb Krishtit.\u00a0<\/span><\/span><\/p>

K\u00ebto shtres\u00ebzime tematike apo metrike p\u00ebrb\u00ebjn\u00eb vler\u00ebn letrare, e cila manifestohet k\u00ebndsh\u00ebm n\u00eb k\u00ebt\u00eb v\u00ebllim t\u00eb ve\u00e7ant\u00eb n\u00eb korpusin e krijimtaris\u00eb s\u00eb Asdrenit, dhe q\u00eb e ruan relevanc\u00ebn e vet pavar\u00ebsisht etiketimeve letrare.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1. Jorgo Bulo: Asdreni \u2013 poet i shqet\u00ebsimeve t\u00eb vegj\u00eblis\u00eb, Drita, 26 mars 1972, f. 10.<\/span>
2. Ali Xhiku: Poezia e Asdrenit n\u00eb procesin e lindjes s\u00eb realizmit n\u00eb let\u00ebrsin\u00eb shqipe, Drita, 9 prill 1972, f. 14.<\/span>
3. Nasho Jorgaqi: Profile dhe probleme letrare (studime, gjurmime, ese), Botimet DUDAJ, Tiran\u00eb, 2008, f. 337.<\/span>
4. Ali Xhiku: Let\u00ebrsia shqipe si polifoni, Ditura, Tiran\u00eb, 2004, f. 31.<\/span>
5. Asdren: Psallme Murgu, PAKTI, Tiran\u00eb, 2009, f. 73.<\/span>
6. Gjergj Zheji: V\u00ebzhgime metrike, Naim Frash\u00ebri, Tiran\u00eb, 1980, f. 118-129.<\/span>
7. Robert T. Denomm\u00e9: The French Parnassian Poets, Southern Illinois University Press, 1972, f. 15-16.<\/span>
8. Po aty, f. 39-40<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Imazhi i ballin\u00ebs: <\/span><\/em><\/strong>F<\/span>otografi e piktur\u00ebs “Y”, <\/span><\/span><\/span><\/span>Zdzislaw\u00a0<\/span>Beksinski<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Nga rrug\u00ebtimi i Asdrenit si autor, v\u00ebrejm\u00eb nj\u00eb linj\u00eb e cila ndryshon dhe p\u00ebson luhatje n\u00eb raport t\u00eb drejt\u00eb me \u00e7\u00ebshtjen komb\u00ebtare. K\u00ebshtu, me dy botimet e tij t\u00eb para, p\u00ebrkat\u00ebsisht m\u00eb 1904 dhe n\u00eb 1912, poezia e tij \u00ebsht\u00eb me motive atdhetare dhe kushtruese, ende n\u00ebn ndikimin e modelit romantik t\u00eb Rilindjes Komb\u00ebtare Shqiptare. M\u00eb 1930, publikohet v\u00ebllimi Psallme Murgu, n\u00eb t\u00eb cilin na paraqitet nj\u00eb Asdren ndryshe nga dy v\u00ebllimet e para, me nota t\u00eb pesimizmit dhe t\u00eb ironis\u00eb, si pasoj\u00eb e q\u00ebndrimit t\u00eb tij ndaj regjimit t\u00eb Zogut…<\/p>","protected":false},"author":2,"featured_media":24446,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","ocean_post_layout":"full-width","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"enable","ocean_disable_heading":"enable","ocean_post_title":"\u201cPsallme murgu\u201d - 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