{"id":23659,"date":"2024-07-22T10:24:10","date_gmt":"2024-07-22T08:24:10","guid":{"rendered":"https:\/\/nyje.al\/?p=23659"},"modified":"2024-08-19T17:36:31","modified_gmt":"2024-08-19T15:36:31","slug":"altari-i-dashurise-se-gjadrit-per-librin-letra-gruas-seme-te-vdekun-gjovalin-gjadri","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/altari-i-dashurise-se-gjadrit-per-librin-letra-gruas-seme-te-vdekun-gjovalin-gjadri\/","title":{"rendered":"Altari i dashuris\u00eb s\u00eb Gjadrit ( P\u00ebr librin “Letra gruas seme t\u00eb vdekun” \u2013 Gjovalin Gjadri )"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Dorian Berisha | 22.07.2024 | nyje.al<\/strong><\/span><\/p>

Antipodet jet\u00eb-vdekje apo dashuri-vdekje jan\u00eb lajtmotive universale t\u00eb secil\u00ebs fush\u00eb arti, t\u00eb cil\u00ebsdo epoke qysh nga fillet e ekzistenc\u00ebs njer\u00ebzore e gjer n\u00eb bashk\u00ebkoh\u00ebsi. Madje, motivi i vdekjes dhe k\u00ebrkesa e d\u00ebshp\u00ebruar e individit p\u00ebr p\u00ebrjet\u00ebsi ka lindur n\u00eb let\u00ebrsi qysh n\u00eb Mesopotamin\u00eb antike, n\u00eb gjurm\u00ebt e para letrare, tek Epi i Gilgameshit, nd\u00ebr veprat e para letrare q\u00eb bota njeh. Autor\u00eb t\u00eb shumt\u00eb e shfryt\u00ebzojn\u00eb k\u00ebt\u00eb l\u00ebnd\u00eb duke e b\u00ebr\u00eb pjes\u00eb t\u00eb laboratorit krijues ku dhimbjen nga vdekja e dashuris\u00eb e sublimojn\u00eb n\u00eb nj\u00eb vep\u00ebr arti. Pa dyshim q\u00eb edhe Gjovalin Gjadri \u00ebsht\u00eb pjes\u00eb e k\u00ebtij grupi. Duke u ndier\u00eb i mallkuar nga vdekja e gruas, e b\u00ebn t\u00eb pavdekshme figur\u00ebn e saj, i ngre kult p\u00ebrmes artit. Dostojevski thoshte <\/span>\u201cM\u00eb jepni nj\u00eb dhimbje t\u00eb madhe, t\u2019jua jap nj\u00eb kryevep\u00ebr\u201d<\/span><\/i>, duke krijuar k\u00ebshtu lidhjen e pashk\u00ebputshme n\u00eb mes t\u00eb dhimbjes njer\u00ebzore dhe artit sublim. Nekrologjia e Gjadrit p\u00ebr Zejnepen ka baz\u00eb historike, me fakte t\u00eb dukshme biografike, pa tendenc\u00ebn q\u00eb k\u00ebto fakte t\u00eb fshihen mes rreshtash. Receptuesi informohet qysh n\u00eb filles\u00eb p\u00ebr ngjarjen tragjike t\u00eb gruas, ku pjesa tjet\u00ebr duket t\u00eb jet\u00eb si nj\u00eb homazh, por krejt i ve\u00e7ant\u00eb p\u00ebr nga struktura e narracioni. Edhe pse gruaja ve\u00e7se ka nd\u00ebrruar jet\u00eb, Gjadri nd\u00ebrton nj\u00eb narracion epistolar, p\u00ebrmes kat\u00ebr letrash (\u201c<\/span>T\u00eb parat fjal\u00eb pik\u00ebllimi<\/span><\/i>\u201d, \u201c<\/span>Sht\u00ebpia e braktisun<\/span><\/i>\u201d, \u201c<\/span>Fat dhe letra dashunie<\/span><\/i>\u201d, \u201c<\/span>S\u00ebmundja dhe vdekja<\/span><\/i>\u201d), t\u00eb cilat i drejtohen gruas, me plot ndjenj\u00eb e mall. Figura e gruas p\u00ebrshkruhet p\u00ebrmes cil\u00ebsish t\u00eb nxjerra n\u00eb pah p\u00ebr gruan shqiptare nd\u00ebr shekuj:<\/span><\/span><\/p>

\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>\u201cT\u00eb gjitha cil\u00ebsinat e mir\u00eb q\u00eb populli yn\u00eb i thjesht\u00eb dhe i rrept\u00eb kishte shp\u00ebtue n\u00eb rrjedh\u00eb t\u00eb shekujve ishin mishnue plotnisht tek ti. Fjala yte e urt\u00eb, t\u00eb ndamit n\u00eb shenj, primja me kursye, ndjenja e mikpritjes, drejt\u00ebsia dhe besnikia jote, ishin tiparet e tua dalluese q\u00eb do t\u00eb nderonin \u00e7do zonj\u00eb t\u2019ni familjes s\u00eb mir\u00eb kudo n\u00ebp\u00ebr bot\u00eb.\u201d (Letra gruas seme t\u00eb vdekun, f.2).<\/span><\/i><\/span><\/p>

Megjithat\u00eb, si jo rrall\u00eb, p\u00ebr periudh\u00ebn kohore t\u00eb cil\u00ebn romani rrok, mes dy t\u00eb rinjve jan\u00eb vendosur barriera sociale konvencionale si besimi fetar e klasa shoq\u00ebrore. Pengesa t\u00eb cilat i neutralizon dashuria. N\u00eb pamje t\u00eb par\u00eb nj\u00eb fund i lumtur, por pik\u00ebrisht k\u00ebtu fillon tragjizmi. Fundi i jet\u00ebs s\u00eb gruas \u00ebsht\u00eb fillimi i ngjarjes. Rr\u00ebfimi autobiografik i Gjadrit p\u00ebrpos p\u00ebrshkrimit t\u00eb pik\u00ebllimit, dhimbjes e zbraztis\u00eb s\u00eb madhe q\u00eb i sjell mungesa, \u00ebsht\u00eb i mbushur edhe me kujtime personale dashurie, reflektime filozofike mbi jet\u00ebn dhe vdekjen, mbi marr\u00ebdh\u00ebniet e individit me bot\u00ebn etj. Edhe pse n\u00eb thelb kemi t\u00eb b\u00ebjm\u00eb me nj\u00eb roman q\u00eb si tem\u00eb strumbullar ka nj\u00eb dashuri jo t\u00eb zakonshme dhe m\u00ebton t\u00eb jet\u00eb historia tragjike e nj\u00eb dashurie q\u00eb pavar\u00ebsisht fatit, nuk mbaron kurr\u00eb, teksti na jep m\u00eb shum\u00eb se kaq. Vdekja e shpirtit binjak, Gjadrit, i jep shum\u00eb shkas q\u00eb t\u00eb ket\u00eb ide hakmarr\u00ebse e suicidale, por nj\u00eb fuqi mistike \u00ebsht\u00eb ajo q\u00eb e ndal.\u00a0<\/span><\/p>

\u201cJeta jeme asht bjerr\u00eb. Kam arsye t\u00eb mjaftueshme me vra veten,<\/span><\/i> por ngurroj, <\/span><\/i><\/span><\/p>

pse nji dor\u00eb, nji fuqi mistike m\u00eb ndal\u00eb.\u201d (Po aty, f.4)<\/span><\/i><\/span><\/p>

Por sidoqoft\u00eb, s\u00ebrish e lakmon vdekjen dhe e lut gruan e vdekjen q\u00eb ta marr\u00eb \u2013 <\/span><\/span><\/p>

\u201cT\u00eb lutem e dashun, me merr me vete! S\u2019mund t\u00eb rrnoj pa ty! M\u00eb libr\u00f3! <\/span><\/i><\/span><\/p>

Due me vdek e me u varros\u00eb s\u00eb bashkut me ty.\u201d (Po aty, f.4)<\/span><\/i><\/span><\/p>

Fenomeni i d\u00ebshir\u00ebs p\u00ebr vdekje shihet vet\u00ebm si mund\u00ebsi bashkimi me dashurin\u00eb dhe p\u00ebrjet\u00ebsin\u00eb. Rr\u00ebfimi merr tone t\u00eb ndryshme, var\u00ebsisht nga ndjenjat e rr\u00ebfimtarit. Her\u00eb tone sentimentale, e her\u00eb akuzuese, t\u00eb rrepta e revoltuese, p\u00ebr t\u2019u rikthyer te urt\u00ebsia stoike, dhe m\u00ebnyra krejt e ve\u00e7ant\u00eb e t\u00eb parit t\u00eb bot\u00ebs. Kjo l\u00ebvizje q\u00eb t\u00eb ngjan me nd\u00ebrrimin e stin\u00ebve, na shfaqet edhe p\u00ebrmes p\u00ebrshkrimeve t\u00eb natyr\u00ebs, q\u00eb n\u00eb pamje t\u00eb par\u00eb mund t\u00eb ngjajn\u00eb t\u00eb nj\u00eb r\u00ebnd\u00ebsie t\u00eb ve\u00e7ant\u00eb, por jan\u00eb pik\u00ebrisht ato q\u00eb e p\u00ebrplot\u00ebsojn\u00eb narracionin, duke na dh\u00ebn\u00eb nj\u00eb pasqyr\u00eb t\u00eb brendshme t\u00eb ndjenjave t\u00eb p\u00ebrziera t\u00eb Gjadrit. Fati tragjik, familja e Zejnepes (e sidomos v\u00ebllau), pakujdesia e joprofesionalizmi njer\u00ebzor e ndoshta edhe kok\u00ebfort\u00ebsia e saj, jan\u00eb disa nga arsyet q\u00eb i num\u00ebron nj\u00eb shpirt i tendosur, duke u munduar t\u00eb gjej\u00eb fajtorin e prishjes s\u00eb parajs\u00ebs s\u00eb tij. Trazimi shpirt\u00ebror arrin deri aty sa individit i duhet q\u00eb t\u00eb b\u00ebj\u00eb nj\u00eb zgjedhje tejet t\u00eb v\u00ebshtir\u00eb, sepse kur njeriu \u00ebsht\u00eb fatkeq, i vijn\u00eb n\u00eb kok\u00eb gjithfar\u00eb idesh duke b\u00ebr\u00eb q\u00eb t\u00eb ket\u00eb edhe vagulli mendimi:\u00a0<\/span><\/p>

Tash q\u00eb ke vdek\u00eb, n\u00eb k\u00ebt\u00eb pik\u00eb e kam mendjen shum\u00eb ma t\u00eb qart\u00eb, e di se do ta kisha sakrifikue f\u00ebmij\u00ebn p\u00ebr ty, <\/span><\/i><\/span><\/p>

pse f\u00ebmij\u00ebn mund ta kishim z\u00ebvend\u00ebsue. (Po aty, f.10).<\/span><\/i><\/span><\/p>

Poezia \u201cVaje\u201d e\u00a0 \u00c7ajupit, \u00ebsht\u00eb nd\u00ebr t\u00eb rrallat poezi t\u00eb tradit\u00ebs letrare shqipe q\u00eb ka nota t\u00eb thella vaji p\u00ebr vdekjen e gruas, duke e b\u00ebr\u00eb autorin t\u00eb njihet si nj\u00eb z\u00eb i ve\u00e7ant\u00eb i poezis\u00eb shqipe. Duket sikur at\u00eb q\u00eb \u00c7ajupi e b\u00ebn n\u00eb poezi, e shtyn n\u00eb nj\u00eb stad tjet\u00ebr Gjadri, p\u00ebrmes proz\u00ebs. Edhe pse shkruhet n\u00eb gjuh\u00eb tjet\u00ebr (<\/span>gjermanisht dhe vjen n\u00eb shqip e p\u00ebrkthyer nga Ardian Ndreca<\/span><\/i>), l\u00ebnda q\u00eb e brumos poetik\u00ebn e Gjadrit, vjen pik\u00ebrisht nga trualli shqiptar, duke e b\u00ebr\u00eb mjaft t\u00eb p\u00ebraf\u00ebrt. K\u00ebt\u00eb na e thon\u00eb edhe vargjet mjaft t\u00eb bukura t\u00eb elegjis\u00eb s\u00eb \u00c7ajupit:<\/span><\/span><\/p>

Doje drit\u00eb o qiell more drit\u00ebn time<\/span><\/i><\/span><\/p>

dhe ma mbushe jet\u00ebn plot me hidh\u00ebrime<\/span><\/i><\/span><\/p>

Tani rroj pa shpres\u00eb ndaj s’dua t\u00eb rroj<\/span><\/i><\/span><\/p>

Se dhe per\u00ebndin\u00eb tani s’e besoj.<\/span><\/i><\/span><\/p>

Ajo q\u00eb e \u00e7on n\u00eb nj\u00eb nivel tjetr\u00ebr thell\u00ebsie romanin e Gjadrit \u00ebsht\u00eb se p\u00ebrve\u00e7 ndjenj\u00ebs fatkeqe t\u00eb bashk\u00ebshortit, teksti t\u00eb jep dilema filozofike si ekzistenca e Zotit, jet\u00ebs dhe vdekjes, konceptit t\u00eb lumturis\u00eb, jet\u00ebs pas vdekjes, balancin mes t\u00eb keq\u00ebs dhe t\u00eb mir\u00ebs, raporti mes ides\u00eb dhe ndjenj\u00ebs, e shum\u00eb risi t\u00eb tjera. T\u00eb gjitha k\u00ebto i v\u00eb n\u00eb dyshim, vet\u00ebm nga shkaku fatkeq\u00ebsis\u00eb q\u00eb i servon jeta. Rr\u00ebfimi \u00ebsht\u00eb i mbushur me figura dhe me p\u00ebrsiatjet e autorit, q\u00eb e b\u00ebjn\u00eb romanin mjaft t\u00ebrheq\u00ebs si p\u00ebr lexuesin empirik, ashtu edhe p\u00ebr at\u00eb model (Koncepte t\u00eb U. Ekoderiss). Gjadri ka nj\u00eb k\u00ebrkes\u00eb t\u00eb vetme, bashkimin me dashurin\u00eb e tij, nuk ka r\u00ebnd\u00ebsi m\u00ebnyra se si, q\u00eb ai vdes apo gruaja t\u2019i ngjallet, e p\u00ebr zgjidhjen i lutet <\/span>Dhuruesit t\u00eb madh.<\/span><\/i> N\u00eb roman shfaqet edhe koncepti i metempsikoz\u00ebs, doktrin\u00eb filozofike kjo q\u00eb njihet edhe si \u201cshp\u00ebrngulja e shpirtit\u201d, q\u00eb sugjeron se shpirti i individit kalon nga nj\u00eb trup te tjetri, derisa t\u00eb b\u00ebhet purifikimi i tij, p\u00ebr ta arritur Nirvan\u00ebn. Koncept ky q\u00eb gjendet n\u00eb tradita t\u00eb ndryshme fetare dhe shpirt\u00ebrore kudo n\u00eb bot\u00eb.\u00a0<\/span><\/span><\/p>

\u201cN\u00ebse t\u00eb vjen me mendue se m\u00eb ke njoht\u00eb ma p\u00ebrpara, ti edhe n\u00eb k\u00ebt\u00eb kandv\u00ebshtrim je e ngjashme me mue, por mos kujto se jemi t\u00eb vetmit q\u00eb kemi k\u00ebt\u00eb bindje. Edhe njer\u00ebz t\u00eb tjer\u00eb e besojm\u00ebme se kan\u00eb jetue ma p\u00ebrpara dhe pik\u00ebrisht kjo asht pika ky\u00e7e q\u00eb duhet me na ba me mendue. Ndoshta kam ra n\u00eb luft\u00eb ose jam vra n\u00eb duel pa t\u00eb pas dashurue sa duhej.\u201d<\/span><\/i><\/span><\/p>

Gjadri beson se \u00ebsht\u00eb kthyer n\u00eb trupin q\u00eb sot ka, p\u00ebr ta vazhduar nj\u00eb dashuri t\u00eb pap\u00ebrmbushur m\u00eb par\u00eb, por q\u00eb s\u00ebrish nuk mjaftoi, duke e b\u00ebr\u00eb t\u00eb lutet p\u00ebr nj\u00eb ribashkim t\u00eb ri.<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Imazhi i ballin\u00ebs: <\/span><\/em><\/strong>Kopertina e librit “Letra <\/span><\/span><\/em><\/span><\/span>gruas seme t\u00eb vdekun”<\/span><\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Antipodet jet\u00eb-vdekje apo dashuri-vdekje jan\u00eb lajtmotive universale t\u00eb secil\u00ebs fush\u00eb arti, t\u00eb cil\u00ebsdo epoke qysh nga fillet e ekzistenc\u00ebs njer\u00ebzore e gjer n\u00eb bashk\u00ebkoh\u00ebsi. Madje, motivi i vdekjes dhe k\u00ebrkesa e d\u00ebshp\u00ebruar e individit p\u00ebr p\u00ebrjet\u00ebsi ka lindur n\u00eb let\u00ebrsi qysh n\u00eb Mesopotamin\u00eb antike, n\u00eb gjurm\u00ebt e para letrare, tek Epi i Gilgameshit, nd\u00ebr veprat e para letrare q\u00eb bota njeh. Autor\u00eb t\u00eb shumt\u00eb e shfryt\u00ebzojn\u00eb k\u00ebt\u00eb l\u00ebnd\u00eb duke e b\u00ebr\u00eb pjes\u00eb t\u00eb laboratorit krijues ku dhimbjen nga vdekja e dashuris\u00eb e sublimojn\u00eb n\u00eb nj\u00eb vep\u00ebr arti….<\/p>","protected":false},"author":2,"featured_media":23660,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","ocean_post_layout":"full-width","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"enable","ocean_disable_heading":"enable","ocean_post_title":"Altari i dashuris\u00eb s\u00eb Gjadrit ","ocean_post_subheading":"( P\u00ebr librin \"Letra gruas seme t\u00eb vdekun\" \u2013 Gjovalin Gjadri )","ocean_post_title_style":"background-image","ocean_post_title_background_color":"","ocean_post_title_background":23660,"ocean_post_title_bg_image_position":"center center","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":600,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[830,5,4],"tags":[812,641,810,473,811],"class_list":["post-23659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike-letrare","category-kulture","category-kryenyje","tag-altari-i-dashurise","tag-dorian-berisha","tag-gjovalin-gjadri","tag-kritike-letrare","tag-letra-grues-seme-tvdekun","entry","has-media"],"_links":{"self":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/23659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/comments?post=23659"}],"version-history":[{"count":13,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/23659\/revisions"}],"predecessor-version":[{"id":24409,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/posts\/23659\/revisions\/24409"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/media\/23660"}],"wp:attachment":[{"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/media?parent=23659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/categories?post=23659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nyje.al\/sq\/wp-json\/wp\/v2\/tags?post=23659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}