{"id":23444,"date":"2024-07-06T09:35:25","date_gmt":"2024-07-06T07:35:25","guid":{"rendered":"https:\/\/nyje.al\/?p=23444"},"modified":"2024-08-12T13:46:59","modified_gmt":"2024-08-12T11:46:59","slug":"qe-kur-zuri-fill-koha","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/qe-kur-zuri-fill-koha\/","title":{"rendered":"Q\u00eb kur zuri fill koha"},"content":{"rendered":"\t\t
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Nebi Bardhoshi | 06.07.2024 | nyje.al<\/strong><\/span><\/p>

Prej koh\u00ebsh ekzistojn\u00eb rryma t\u00eb ndryshme n\u00eb art, t\u00eb cilat k\u00ebrkojn\u00eb t\u00eb nxjerrin n\u00eb drit\u00eb lidhjet e njeriut me natyr\u00ebn. N\u00eb shoq\u00ebrin\u00eb ton\u00eb t\u00eb vog\u00ebl, t\u00eb z\u00ebn\u00eb me halle ekzistenciale, moderniste e modernizuese, l\u00ebshuar shpeshher\u00eb n\u00eb mohe e kot\u00ebsime,\u00a0 raporti me natyr\u00ebn u pa her\u00eb si tepri e her\u00eb si munges\u00eb.\u00a0<\/span><\/p>

“Trivet” vjen me nj\u00eb ftes\u00eb p\u00ebr t\u00eb kthyer shikimin estetik dhe etik kah nj\u00eb lidhnie mes njeriut e bot\u00ebs p\u00ebrreth, asaj q\u00eb r\u00ebndom e quajm\u00eb natyr\u00eb. K\u00ebto dit\u00eb n\u00eb Kamz\u00eb, n\u00eb sht\u00ebpin\u00eb e grupit ATA, q\u00ebndron e hapur ekspozita \u201cQ\u00eb prej motmotit”. Vet\u00eb titulli t\u00eb fton n\u00eb nj\u00eb koh\u00eb t\u00eb pakoh\u00ebzuar dhe t\u00ebr\u00ebsisht t\u00eb koh\u00ebzuar, apo prej kur nisi koh\u00ebzimi. Shfaqet vet\u00eb koha mitike, e cila mundet t\u00eb jet\u00eb e shtrir\u00eb n\u00eb fillesa t\u00eb krijimit t\u00eb bot\u00ebs a qenies, por kjo koh\u00ebsi mund t\u00eb jet\u00eb edhe porta e par\u00eb q\u00eb hapet. E, n\u00eb fakt, porta e sht\u00ebpis\u00eb, ku \u00ebsht\u00eb strehuar ekspozita,\u00a0 rri gjysm\u00eb e hapur dhe, aty n\u00eb t\u00eb kuqe, shpalosur n\u00eb mur, syri\u00a0 kap\u00a0 titullin e ekspozit\u00ebs\u00a0 – Q\u00cb PREJ MOTMOTIT!<\/span><\/p>

\u00c7elja e ekspozit\u00ebs n\u00eb Kamz\u00eb dhe n\u00eb sht\u00ebpin\u00eb e Grupit ATA duket se \u00ebsht\u00eb e q\u00ebllimshme. Vendi i ekspozimit sh\u00ebrben edhe si nj\u00eb mjet n\u00eb procesin e rikthimit tek njer\u00ebzit t\u00eb mesazhit mitik, tashm\u00eb nd\u00ebrmjet\u00ebsuar prej pamjeve e trajtave estetike q\u00eb Motrat Paja [kupto Trivet] kan\u00eb vendosur, ve\u00e7 e ve\u00e7 dhe s\u00eb bashku, t\u00eb konceptojn\u00eb dhe sugjerojn\u00eb. Nj\u00eb rikthim dhurate a nj\u00eb rikthim borxhi, pa droj\u00ebn se si e se kush do ta shoh\u00eb.\u00a0<\/span><\/p>

Nj\u00eb fill i kuq t\u00eb tregon rrug\u00ebn q\u00eb duhet ndjekur p\u00ebr t\u00eb kuptuar e vij\u00ebzuar brenda teje ekspozit\u00ebn. Gradualisht shfaqen imazhet e rikthyera q\u00eb k\u00ebrkojn\u00eb t\u00eb rikthehen diku tjet\u00ebr. S\u2019do mend q\u00eb termi rikthim k\u00ebrkon shpjegim. Udh\u00ebtimi i autoreve, pra secil\u00ebs autore ve\u00e7 e ve\u00e7 dhe s\u00eb bashku, duket se ka qen\u00eb njohja me mitin e rr\u00ebfimet, d\u00ebgjuar nga vet\u00eb banor\u00ebt e, po ashtu, takuar n\u00eb lexime t\u00eb ndryshme. M\u00eb pas ka ardhur imazhi dhe gjith\u00eb procesi krijues. Ndoshta imazhi ka bashk\u00eblindur me fjal\u00ebn, me rr\u00ebfimin. Ndoshta jo. E tash, \u00e7do gj\u00eb \u00ebsht\u00eb rithkthyer para syve t\u00eb njer\u00ebzis\u00eb p\u00ebr t’u matur me imagjinat\u00ebn e kujtdo. P\u00ebr dik\u00eb q\u00eb ka jetuar n\u00eb kopshtin humanist pa qenie mistike, apo jeton n\u00eb nj\u00eb bot\u00eb n\u00eb mes teknologjis\u00eb e mitit, shum\u00eb prej qenieve mitike t\u00eb propozuara mund t\u00eb jen\u00eb nj\u00eb rrug\u00eb p\u00ebr t\u00eb d\u00ebgjuar m\u00eb shum\u00eb p\u00ebr mitin. Dikujt i kthehet imazhi i vet, teksa kthen n\u00eb mendje rr\u00ebfimet, ndoshta t\u00eb ndrojtura, prind\u00ebrore a gjyshore. Ndrojtje prej besimeve e miteve, ndrojtje prej n\u00ebnqeshjes apo p\u00ebr\u00e7mimit t\u00eb d\u00ebgjuesit, qoft\u00eb ky dhe f\u00ebmija yt.\u00a0<\/span><\/p>

Ndaj, \u201crikthimi\u201d n\u00eb hap\u00ebsir\u00eb publike, nd\u00ebrmjet\u00ebsuar me procesin estetik dhe shoq\u00ebruar me ftes\u00ebn etike t\u00eb kujdesit p\u00ebr tjetrin si rr\u00ebfimtar dhe tjetrin si qe\u00ebnie mitike apo e eg\u00ebr dhe mitike, p\u00ebrb\u00ebn nj\u00eb tjet\u00ebr mund\u00ebsi takimi apo ritakimi me z\u00ebrin prind\u00ebror, me heshtjet e kushtuara nga modernitete holokaustike, apo qasje moderniste kot\u00ebsimi e inferiorizimi t\u00eb tjetrit, qoft\u00eb si tradit\u00eb, qoft\u00eb si e eg\u00ebr. Fundja nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u00eb rid\u00ebgjuar tjetrin, duke nisur prej shikimit q\u00eb mund\u00ebsojn\u00eb pamjet n\u00eb ekspozit\u00eb.\u00a0<\/span><\/p>

Nuselala \u00ebsht\u00eb nj\u00eb prej figurave kryesore t\u00eb ekspozit\u00ebs. Filli i kuq lidhet me nj\u00eb variant t\u00eb rr\u00ebfimeve mitike mbi nuselal\u00ebn. Nuselala, ose bukla, \u00ebsht\u00eb nj\u00eb prej kafsh\u00ebve q\u00eb ngjall ndroje e respekt. Nj\u00eb raport thurjeje e shthurjeje e raportit me nuselal\u00ebn, por edhe me veten. Nj\u00eb rr\u00ebfim me f\u00ebmij\u00ebn si me shfaq respekt p\u00ebr t\u00eb egr\u00ebn, frik\u00ebn ndaj saj, besimin n\u00eb forc\u00ebn e aktit t\u00eb thurjes si nj\u00eb endje marr\u00ebdh\u00ebniejeje. Jo rrall\u00eb na shfaqet gjarp\u00ebri. Pak gjallesa krijojn\u00eb aq shum\u00eb fobi a krup\u00eb se sa zvarranik\u00ebt. Ndokush mund ta gjurmoj\u00eb k\u00ebt\u00eb raport si nj\u00eb p\u00ebrplasje miliona vje\u00e7are n\u00eb mes reptil\u00ebve e gjitar\u00ebve, dikush si nj\u00eb nd\u00ebr luft\u00ebrat m\u00eb t\u00eb gjata t\u00eb njeriut. Sidoqoft\u00eb, fusha e mitologjis\u00eb shqiptare \u00ebsht\u00eb plot adhurim e droje t\u00eb skajshme, fizike e kulturore, prej gjarp\u00ebrit. N\u00eb ekspozit\u00eb na shfaqet nj\u00eb raport bes\u00eblidhjeje mes njeriut kosar [me plot pushtet n\u00eb dor\u00eb] dhe gjarp\u00ebrit. Mua m\u00eb duket se ai kufi q\u00eb vendos kosa \u00ebsht\u00eb si nj\u00eb kufi\u00a0 n\u00eb mes natyr\u00ebs dhe kultur\u00ebs.<\/span><\/p>

Kulti i malit, aq dendur ndeshur n\u00eb kultur\u00ebn shqiptare, rikthehet n\u00eb ekspozit\u00eb me p\u00ebrfshfaqjen e \u201crritjes\u201d s\u00eb malit Rumie, q\u00eb ndodhet n\u00eb Malin e Zi. Dikur, q\u00eb prej motmotit, ka qen\u00eb besuar se njeriu shkon n\u00eb maj\u00eb t\u00eb malit e aty takon qiellin, aty takon diellin, aty gjen kufirin n\u00eb mes dy bot\u00ebve \u2013 tok\u00ebsores dhe hyjnores. Udh\u00ebtari nuk shkon duarbosh drejt maj\u00ebs s\u00eb malit, as pa q\u00ebllim e as pa besim te vetja dhe tek e shenjta. Udh\u00ebton me nj\u00eb gur me vete q\u00eb ia b\u00ebn dhurat\u00eb rrit\u00ebs s\u00eb malit. Rrita e malit \u00ebsht\u00eb rritja e shtatit t\u00eb tok\u00ebsores drejt s\u00eb shenjt\u00ebs. Kufijt\u00eb n\u00eb mes dy bot\u00ebve nd\u00ebrthuren, e rrita prej dor\u00ebs s\u00eb njeriut p\u00ebrshfaqet qart\u00eb n\u00eb nj\u00eb prej pun\u00ebve.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ilustrimi: Trivet<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nj\u00eb video shpaloset n\u00eb mur. Mbi videon \u00ebsh\u00eb hedhur nj\u00eb perde e bardh\u00eb. M\u00eb duket si nj\u00eb ftes\u00eb me pa me syt\u00eb e nj\u00eb vajze, s\u00eb cil\u00ebs dikush i ka hedhur nj\u00eb perde syve. Si hedhja e shamis\u00eb kur vajz\u00ebs i tregohet se do shkoj\u00eb nuse. Ndoshta \u00ebsht\u00eb lexim i ngutur. Por k\u00ebt\u00eb lexim e p\u00ebrforcon p\u00ebrmbajtja e videos. N\u00eb qend\u00ebr t\u00eb videos \u00ebsht\u00eb tregimi i nj\u00eb antropologeje p\u00ebr ritet e martes\u00ebs n\u00eb krahin\u00ebn e Hasit. Antropologia Arlinda Shatri rr\u00ebfen praktik\u00ebn e ngjyrosjes s\u00eb fytyr\u00ebs s\u00eb vajzave q\u00eb shkojn\u00eb nuse dhe jep mendimet e veta mbi dometh\u00ebnien e simbolikave, ngjyrave, historin\u00eb e v\u00ebshtir\u00eb p\u00ebr t’u vijuar kjo tradit\u00eb. Nj\u00eb fjali ky\u00e7e shfaqet n\u00eb tregim \u2013 k\u00ebshtu na ka met\u00eb- ka qen\u00eb shprehja e pleqve, teksa shuajn\u00eb tregimin se pse na ka met\u00eb!<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ekspozita ka dhe plot figura e qenie t\u00eb tjera mitike dhe nuk \u00ebsht\u00eb q\u00ebllimi q\u00eb k\u00ebtu t\u00eb rr\u00ebfehen e as nd\u00ebrmjet\u00ebsohen t\u00eb gjitha. Ve\u00e7se proceset \u201crikthyese\u201d t\u00eb k\u00ebtyre q\u00ebnieve, realizuar me an\u00eb t\u00eb artit, jan\u00eb d\u00ebshmi, s\u00eb paku m\u00eb duket mua, e nj\u00eb vullneti p\u00ebr t\u00eb krijuar e ofruar mund\u00ebsi reflektimi p\u00ebr \u00e7ka na duhet t\u00eb kujdesemi. Nj\u00eb ftes\u00eb p\u00ebr t’u kujdesur q\u00eb t\u00eb rikthehemi apo t\u00eb zhvillojm\u00eb m\u00eb tej lidhjen ton\u00eb me vetveten e t\u00eb tjer\u00ebt q\u00eb rrin\u00eb krah nesh, diku me respekt, diku me droje. Fundja nj\u00eb kujdes p\u00ebr rr\u00ebfimet e ndrojtura t\u00eb s\u00eb shkuar\u00ebs.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Imazhi n<\/em>\u00eb ballin\u00eb: <\/em><\/span>Trivet<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Kan\u00eb ekzistuar rryma t\u00eb ndryshme n\u00eb art, t\u00eb cilat k\u00ebrkojn\u00eb t\u00eb nxjerrin n\u00eb drit\u00eb lidhjet e njeriut me natyr\u00ebn. N\u00eb shoq\u00ebrin\u00eb ton\u00eb t\u00eb vog\u00ebl, t\u00eb z\u00ebn\u00eb me halle ekzistenciale, moderniste e modernizuese, l\u00ebshuar shpeshher\u00eb n\u00eb mohe e kot\u00ebsime, raporti me natyr\u00ebn u pa her\u00eb si tepri e her\u00eb si munges\u00eb. “Trivet” vjen me nj\u00eb ftes\u00eb p\u00ebr t\u00eb kthyer shikimin estetik dhe etik kah nj\u00eb lidhnie mes njeriut e bot\u00ebs p\u00ebrreth…<\/p>","protected":false},"author":2,"featured_media":23445,"comment_status":"open","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"enable","ocean_disable_heading":"enable","ocean_post_title":"Q\u00eb 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