{"id":1838,"date":"2019-10-01T09:45:23","date_gmt":"2019-10-01T07:45:23","guid":{"rendered":"http:\/\/www.nyje.al\/?p=1838"},"modified":"2024-09-04T11:42:47","modified_gmt":"2024-09-04T09:42:47","slug":"disa-botime-me-vlere-per-gazetarine-2","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/disa-botime-me-vlere-per-gazetarine-2\/","title":{"rendered":"Disa botime me vler\u00eb p\u00ebr gazetarin\u00eb"},"content":{"rendered":"
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N\u00ebp\u00ebrmjet kolan\u00ebs \u201cMeduza\u201d, projekt i konceptuar dhe realizuar nga \u201cInstituti Politik i Studimeve Humane\u201d me mb\u00ebshtetjen e Autoritetit t\u00eb Medias Audiovizive, u arrit q\u00eb t\u00eb sillen n\u00eb shqip 4 libra q\u00eb trajtojn\u00eb sociologjin\u00eb dhe statusin e televizionit. B\u00ebhet fjal\u00eb p\u00ebr \u201cSociologjia e televizionit\u201d nga Brigitte LE Grignou dhe \u00c9rik Neveu dhe \u201cShp\u00ebrthimi i gazetaris\u00eb\u201d i autorit Ignacio Ramonet (p\u00ebrkthyer nga Elvis Hoxha), \u201cTelevizioni dhe kultura rinore\u201d nga Jan Jagodzinski (p\u00ebrkthyer nga Genci Shehu) dhe \u201cHistoria e programeve televizive amerikane\u201d nga James Roman (p\u00ebrkthyer nga Evi Veliu dhe Pavjo Gjini). Jan\u00eb titujt e kat\u00ebr copave t\u00eb nj\u00eb mozaiku, shum\u00eb t\u00eb pasur me bibliografi q\u00eb u ofrojn\u00eb student\u00ebve t\u00eb gazetaris\u00eb mund\u00ebsin\u00eb p\u00ebr t\u00eb njohur se \u00e7far\u00eb fshihet mbrapa edukimit t\u00eb nj\u00eb gazetari n\u00eb Per\u00ebndim.<\/span><\/p>

Kolana u promovua prej botuesit dhe p\u00ebrkthyesve t\u00eb cil\u00ebt p\u00ebrmend\u00ebn nd\u00ebr t\u00eb tjera r\u00ebnd\u00ebsin\u00eb e k\u00ebtyre p\u00ebrkthimeve sidomos nisur prej \u00e7oroditjes s\u00eb gazetaris\u00eb edhe n\u00eb Shqip\u00ebri. Disa nga temat q\u00eb u cek\u00ebn p\u00ebrgjat\u00eb k\u00ebtij takimi ishin gazetaria q\u00eb ka humbur kontaktin me mendimin dhe gazetar\u00eb q\u00eb p\u00ebrdorin fraza t\u00eb parafabrikuara; tituj bombastik q\u00eb s\u2019kan\u00eb lidhje me p\u00ebrmbajtjen e tekstit; raportime jo m\u00eb t\u00eb aktit q\u00eb ndodh, por t\u00eb skenareve q\u00eb i riprodhojn\u00eb vet\u00eb n\u00ebp\u00ebr redaksi duke njohur shijet e \u201ckonsumatorit\u201d; televizioni i reduktuar n\u00eb nj\u00eb kanal i shk\u00ebputur t\u00ebr\u00ebsisht prej dometh\u00ebnies q\u00eb duhet t\u00eb mbart\u00eb me vete.<\/span><\/p>

Pjes\u00eb e k\u00ebtij takimi ishte poeti e nj\u00ebkoh\u00ebsisht botuesi i kolan\u00ebs \u201cMeduza\u201d, Krenar Zejno i cili ndau me t\u00eb pranishmit nj\u00eb reflektim mbi gazetarin\u00eb n\u00eb Shqip\u00ebri. M\u00eb posht\u00eb shkrimi i tij i plot\u00eb.
<\/span>Dyshi hidhet nga shtata dhe gjen nj\u00ebshin<\/span>
(nga masa e mediave te media e masave)<\/span><\/p>

Me shkas nga n\u00ebntitulli edhe trauma e papar\u00eb q\u00eb njofton fjalia e par\u00eb e librit t\u00eb par\u00eb q\u00eb \u00e7el koleksionin Meduza, Shp\u00ebrthimi i gazetaris\u00eb, n\u00eb botimet Zenit: prej goditjes s\u00eb \u201dmeteorit internet\u201dn\u00eb tok\u00eb dhe numerizimi i bot\u00ebs e shnd\u00ebrrimi i biotopit informacional q\u00eb kjo shkakton. Por edhe rastit t\u00eb par\u00eb kur, i pranish\u00ebm n\u00eb promovim, as i kam lexuar p\u00ebrtej hedhjes nj\u00eb sy n\u00ebn urgjenc\u00ebn e pag\u00ebzimit t\u00eb kolan\u00ebs me nj\u00eb em\u00ebr. N\u00eb kushtet e s\u00eb cil\u00ebs na ndih p\u00ebr t\u00eb dyja, referimi mitik mbi profanimin e tempullit me aktin e p\u00ebrdhunimit t\u00eb bukuris\u00eb Meduz\u00eb prej fuqis\u00eb dhe n\u00eb vijim ai i shnd\u00ebrrimit n\u00eb gur prej v\u00ebshtrimit sy m\u00eb sy. Gjithsesi, e pranueshme kjo alibi e imja vet\u00ebm fal\u00eb dor\u00ebzanis\u00eb dhe bashk\u00ebpunimit p\u00ebr her\u00eb t\u00eb par\u00eb si bashk\u00ebbotues, Institutit politik t\u00eb studimeve humane, dhe mb\u00ebshtjetjes gjeneroze t\u00eb Autoritetit t\u00eb mediave. K\u00ebsisoj, po vijoj duke e ruajtur efikasitetin q\u00eb sjell paralelizimi dhe enumeracioni, me nj\u00eb rast prej kronik\u00ebs s\u00eb dit\u00ebs nga nj\u00eb e p\u00ebrditshme. Ndehur n\u00eb krye t\u00eb saj, titulli:<\/span><\/p>

Hidhen nga kati i shtat\u00eb, gjejn\u00eb vdekjen.<\/span>
Shtjellimi: Nj\u00eb \u00e7ift t\u00eb moshuarish hidhen nga kati shtat\u00eb dhe gjejn\u00eb vdekjen!<\/span><\/p>

Mortjen ndehur aty posht\u00eb n\u00eb tok\u00eb, q\u00eb sikur e gjet\u00ebn pasi e kishin humbur nga syt\u00eb (sh\u00ebnimi im). M\u00eb posht\u00eb: Hidhen s\u00ebtoku nga lart\u00ebsia, gj\u00eb q\u00eb ka shkaktuar vdekjen e menj\u00ebhershme t\u00eb t\u00eb dyve. Policia po k\u00ebrkon shkaqet e k\u00ebsaj (sh\u00ebnimi i saj, t\u00eb p\u00ebrditshmes). Nuk b\u00ebhet fjal\u00eb p\u00ebr shkaqet e mosp\u00ebrputhjes mes koh\u00ebve t\u00eb foljes, pra vdekjes n\u00eb t\u00eb shkuar\u00ebn e q\u00eb i paraprin hedhjes n\u00eb koh\u00ebn e tashme teksa sikur po ndodh live. Pastaj: pik\u00eb. Q\u00eb gjithsesi l\u00eb t\u00eb hapur mund\u00ebsin\u00eb dhe t\u00eb sigurt gatishm\u00ebrin\u00eb e gazetaris\u00eb q\u00eb, n\u00ebqoft\u00ebse eventualisht do t\u00eb ket\u00eb numra t\u00eb tjer\u00eb t\u00eb p\u00ebrfshir\u00eb si shkaktar\u00eb, kjo do t\u00eb shkaktoj\u00eb menj\u00ebher\u00eb v\u00ebnien n\u00eb gar\u00eb se kush do t\u00eb jet\u00eb m\u00eb i pari p\u00ebr njoftimin m\u00eb t\u00eb fundit lajm\u00ebrues t\u00eb p\u00ebrfshirjes n\u00eb ndryshimin e rendit t\u00eb k\u00ebtyre numrave. P\u00ebrndryshe\u2026 kaq, dhe pask\u00ebtaj lajmi hesht, apo heshtet. Thjesht, n\u00eb munges\u00eb l\u00ebnde dhe materiali faktik q\u00eb t\u00eb implikoj\u00eb nj\u00eb serial numrash. Edhe numrin m\u00eb t\u00eb af\u00ebrt t\u00eb mundsh\u00ebm, sapo e vuri n\u00eb p\u00ebrdorim gazeta konkurente:<\/span><\/p>

\u00c7ifti i t\u00eb moshuarve hidhet nga kati i tet\u00eb (megjith\u00eb dyqanet).<\/span><\/p>

E k\u00ebtu, ortografia b\u00ebhet nj\u00ebsh me gj\u00ebm\u00ebn. Nuk ka koh\u00eb, n\u00eb rendjen pas lajmit dhe numrave, t\u2019i vihesh pas edhe fatit t\u00eb shkronjave. Aq m\u00eb pak t\u00eb operosh n\u00eb rendin simbolik t\u00eb numrave dhe at\u00eb figurativ e imagjinar si p.sh n\u00ebn qasjen : \u2026 pasi nuk rrin\u00eb dot m\u00eb brenda rrath\u00ebve t\u00eb ferrit, ku kan\u00eb mb\u00ebrritur t\u00eb shtatin, hidhen nga sheshpushimi i katit t\u00eb tet\u00eb. Aq m\u00eb pak akoma, t\u00eb k\u00ebshillosh se p\u00ebr raste \u00e7iftesh m\u00eb t\u00eb rinj q\u00eb mund t\u00eb marrin nj\u00eb vendim t\u00eb till\u00eb, kati lypset t\u00eb jet\u00eb p\u00ebrpjestueshm\u00ebrisht m\u00eb i lart\u00eb p\u00ebr t\u00eb shkaktuar me siguri m\u00eb t\u00eb lart\u00eb at\u00eb \u00e7ka ata kan\u00eb vendosur t\u00eb realizojn\u00eb, kjo p\u00ebr shkak t\u00eb vet\u00eb kondicionit fizik, normalisht m\u00eb t\u00eb sh\u00ebndetsh\u00ebm. Kjo dhe p\u00ebr faktin se, kur b\u00ebn vaki nj\u00eb rast i ngjash\u00ebm rinor, zakonisht \u00ebsht\u00eb m\u00eb me interes ta orjentosh titullin drejt versionit: burri hedh gruan dhe fill m\u00eb pas hidhet edhe vet\u00eb. Duke qen\u00eb se zgjon dy mund\u00ebsi dhe p\u00ebr pasoj\u00eb dyfish interes. Kurse nj\u00eb titull mbi hedhjen e dyshes s\u00eb pleqve, mund t\u00eb shtyhet maksimumi deri te basti i parashikimit se ky lajm \u00ebsht\u00eb i fund\u00ebm, i p\u00ebrmbyllur n\u00eb vetvete, i pashtjelluesh\u00ebm, pra me shum\u00eb gjas\u00eb nuk do t\u00eb ket\u00eb numra t\u00eb tjer\u00eb si shkaqe pas k\u00ebtij akti, e p\u00ebr pasoj\u00eb as \u00e7\u2019t\u00eb thuhet pas tij.<\/span>
At\u00ebher\u00eb, n\u00eb shfaqe t\u00eb nj\u00eb rangu m\u00eb t\u00eb lart\u00eb profesionalizmi guximtar dhe aft\u00ebsie p\u00ebr t\u00eb parapar\u00eb q\u00eb s\u2019ka dor\u00eb tjet\u00ebr pas k\u00ebtij akti – prej vet\u00eb faktit t\u00eb kapjes dor\u00eb m\u00eb dor\u00eb si d\u00ebshmi e p\u00ebrplot\u00eb e vullnetit t\u00eb plot\u00eb t\u00eb dyshes p\u00ebr t\u00eb ikur nga kjo bot\u00eb -, ja dhe titulli disi m\u00eb i zgjeruar p\u00ebr nj\u00eb testat\u00eb paksa m\u00eb t\u00eb detajuar e t\u00eb figurshme:<\/span><\/p>

Nj\u00eb \u00e7ift t\u00eb moshuarish hidhen nga kati i tet\u00eb prej trishtimit.<\/span><\/p>

Madje, kjo e p\u00ebrditshme e ka marr\u00eb t\u00eb mir\u00ebqen\u00eb p\u00ebrfshirjen e dyqaneve t\u00eb katit p\u00ebrdhes n\u00eb llogaritjen e lart\u00ebsis\u00eb s\u00eb ngrehin\u00ebs sipas modelit per\u00ebndimor. Pa qen\u00eb nevoja p\u00ebr sqarimin e hedhjes nga kati i tet\u00eb \u2019megjith\u00eb dyqanet\u2019, i cili do mund t\u00eb keqkuptohej si nj\u00eb v\u00ebrvitje e p\u00ebrbashkuar e varf\u00ebris\u00eb dhe e prosperitetit e mallrave, gj\u00eb q\u00eb jo vet\u00ebm e tejkalon trishtimin, por nuk i mjafton as mjerimi te pauperizmi si gjendja kronike e tij e pashpres\u00eb. Sepse kur mjerimi rri mu ndan\u00eb pasuris\u00eb dhe mondanes: kalohet n\u00eb gjendjen kristaline t\u00eb mizerjes. Mjeranes. Aty ku u ndal Migjeni t\u00eb shihte, kur ishte ende her\u00ebt dhe pothuaj ende bosh pragut matan\u00eb.<\/span><\/p>

P\u00ebr sakt\u00ebsi asnj\u00eb prej gazetave nuk do t\u00eb jet\u00eb shprehur n\u00eb lidhje me detajin e katit si i parafundit. Jo vet\u00ebm se kjo dukej qart\u00eb edhe nga pamjet e kronikave televizive, por edhe sepse, p\u00ebrve\u00e7 numrit si m\u00eb t\u00ebrheq\u00ebs p\u00ebr lexuesin, nuk ka koh\u00eb p\u00ebr t\u00eb zhbiruar n\u00ebse shtesa si kat i fundit \u00ebsht\u00eb e legalizuar apo jo, p\u00ebr ta konsideruar ligj\u00ebrisht e p\u00ebrmendur korrekt\u00ebsisht n\u00eb shtyp. Por edhe n\u00eb rast se po, duhet hetuar edhe mbi hekurat p\u00ebrpjet\u00eb e p\u00ebrmbi t\u00eb, si qimet e derrit ku ra ngulthi dhe mbeti trumcaku i Migjenit.<\/span>
Gjithsesi, shpresoj q\u00eb t\u00eb mos kaploheni nga e nj\u00ebjta marramendje ime dhe ta ruani edhe pak ekuilibrin meq\u00eb, tekefundit, k\u00ebtu po b\u00ebjm\u00eb nj\u00eb paralele nga jeta reale, q\u00eb n\u00eb fakt nuk gjen lidhje t\u00eb drejtp\u00ebrdrejt\u00eb me librin. Sigurisht q\u00eb do t\u00eb konsiderohej thjesht lajthitje e r\u00ebndomt\u00eb ortografike e do t\u00eb ndryshohej atyp\u00ebraty, pa q\u00ebn\u00eb as nevoja t\u00eb censurohet me urdh\u00ebr, sikur shprehja e k\u00ebtij lajmi kronike t\u00eb qe, p\u00ebr shembull:<\/span><\/p>

\u00c7ifti dor\u00ebp\u00ebrdore hidhet nga kati i shtat\u00eb i trishtimit!<\/span><\/p>

Mir\u00ebpo, ca si shum\u00eb romantik ky p\u00ebr nj\u00eb lajm realiteti, si\u00e7 nga ana tjet\u00ebr rezulton tep\u00ebr e that\u00eb numerologjia e rendit simbolik: dyshi hidhet nga shtata ose teta dhe gjen nj\u00ebshin.<\/span>
Te ky \u00e7ast i hedhjes n\u00eb \u00e7ift parakalojn\u00eb imazhe frame t\u00eb koh\u00ebrave. Qysh prej atij primordial adamik, kur Ai dhe Ajo vendosin vet\u00ebvrasjen e qasht\u00ebrsis\u00eb p\u00ebr nj\u00eb sfid\u00eb: t\u00eb kap\u00ebrdijn\u00eb nj\u00eb kafshat\u00eb t\u00eb ndaluar, mbase n\u00ebn kureshtjen p\u00ebr t\u00eb kuptuar mes brendie edhe \u00e7\u2019\u00ebsht\u00eb dija e pushtetit mbi ta. Nga ky ballkon i v\u00ebrvitjes p\u00ebr n\u00eb dheun posht\u00eb, parakalojn\u00eb pamje t\u00eb artit, nga Shekspiri i tragjedis\u00eb romantike t\u00eb ballkonat\u00ebs s\u00eb vet, te Hygoi epik i t\u00eb mjer\u00ebve t\u00eb mizerjes e te Bodleri elegjiak i kryqit mes atij spleen si gjendje e trishtimit brengos\u00ebs dhe m\u00ebrzis\u00eb bodleriane q\u00eb edhe i lypset njeriut p\u00ebr t\u00eb ndri\u00e7uar njohjen e njer\u00ebzores, e gjer dhe absurdi beketian i personazhit n\u00eb \u00e7ift pleqsh t\u00eb vepr\u00ebs me titull: Oh, k\u00ebto dit\u00eb t\u00eb bukura!<\/span><\/p>

E n\u00ebse rasti i k\u00ebsi \u00e7asti nuk bart k\u00ebt\u00eb ngarkes\u00eb, pra as absurdin vet\u00eb si finale dhe rrug\u00ebdalje interpretimi pa rrug\u00ebdalje, \u00ebsht\u00eb pik\u00ebrisht prej k\u00ebsaj q\u00eb akti b\u00ebhet tmerrues. Pa implikimin e dashuris\u00eb si shtys\u00eb e pakontrollueshme pasioni: akti tyre s\u2019gjen alibi. K\u00ebsisoj, i mbetet ve\u00e7se politikja e tij, p\u00ebrsaq\u00eb e tyrja \u00ebsht\u00eb nj\u00eb vetvrasje jo individuale por in-dividum, e pandashme, e duetit q\u00eb rri n\u00eb baz\u00eb t\u00eb jet\u00ebs dhe mb\u00ebrjes s\u00eb shoq\u00ebris\u00eb. Q\u00eb i dha t\u00eb shtymen.<\/span>
Te libri \u201dsikurqenia\u201d ka dhe nj\u00eb faqe kronike q\u00eb e konsideroj pjes\u00ebn m\u00eb t\u00eb dob\u00ebt e ku kam r\u00ebn\u00eb n\u00eb dob\u00ebsin\u00eb e hakmarrjes pa artin e duhur t\u00eb p\u00ebrshkrimit t\u00eb realitetit, m\u00eb shum\u00eb p\u00ebr inat e m\u00ebri ndaj realitetit mediatik t\u00eb p\u00ebrshkrimit, t\u00eb cilin u p\u00ebrpoqa m\u00eb kot ta vizatoja me fjal\u00eb n\u00eb form\u00ebn e nj\u00eb vegle pune antike q\u00eb druvari e p\u00ebrdor edhe p\u00ebr t\u00eb mund\u00ebsuar letr\u00ebn e shkrimit, por m\u00eb s\u00eb shumti dhe zakonisht p\u00ebr dru zjarri apo ndonj\u00eb funksion tjet\u00ebr dyt\u00ebsor:<\/span><\/p>

Kur qenia e dob\u00ebt po i \u00e7an<\/span>
kok\u00ebn nj\u00eb qenieje t\u00eb fort\u00eb<\/span>
at\u00ebher\u00eb kjo qenie e fort\u00eb<\/span>
dhe sipas dialektit t\u00eb vet<\/span>
ia \u00e7an kok\u00ebn, apo kryet,<\/span>
atyp\u00ebraty me nj\u00eb s\u00ebpat\u00eb<\/span>
qenies ca m\u00eb t\u00eb shkret\u00eb<\/span>
q\u00eb na pat krejt fajin vet\u00eb<\/span>
p\u00ebrsa: nuk e linte t\u00eb qet\u00eb<\/span>
Nd\u00ebrkaq qarkorja e qendr\u00ebs<\/span>
shpall t\u00eb zhdukur n\u00eb drejtim<\/span>
t\u00eb pa ditur at\u00eb t\u00eb nd\u00ebrkryerin<\/span>
q\u00eb as denjoi fare t\u00eb paraqitej<\/span>
t\u00eb pakt\u00ebn p\u00ebr t\u00eb qen\u00eb i paditur<\/span>
dhe e b\u00ebn krejt t\u00eb qart\u00eb q\u00eb vrasja<\/span>
n\u00ebp\u00ebrmjet pjes\u00ebs s\u00eb mpreht\u00eb t\u00eb nj\u00eb<\/span>
arme t\u00eb hekurt relativisht t\u00eb ftoht\u00eb<\/span>
t\u00eb ashtuquajtur: s\u00ebpat\u00eb me myqe<\/span>
dhe ndarja e kok\u00ebs horizontalisht<\/span>
m\u00eb dysh e n\u00eb lart\u00ebsin\u00eb e qerpik\u00ebve<\/span>
pa asnj\u00eb m\u00ebdyshje \u00ebsht\u00eb kryer me<\/span>
paraq\u00ebllim t\u00eb q\u00ebllimsh\u00ebm<\/span><\/p>

Koh\u00eb e pas kohe<\/span>
gazetat qendrore q\u00eb<\/span>
s\u2019ka \u00e7\u2019qullosin p\u00ebrpos<\/span>
zis\u00eb kronike t\u00eb qenieve<\/span>
do pasqyrojn\u00eb lajmet p\u00ebr<\/span>
aq e kaq vje\u00e7arin, q\u00eb \u00ebsht\u00eb<\/span>
zhdukur e q\u00eb s\u2019\u00ebsht\u00eb kthyer<\/span>
akoma nga drejtimi i pa ditur<\/span>
qysh ahere kur q\u00eblloi me pjes\u00ebn<\/span>
e p\u00ebrparme t\u00eb nj\u00eb s\u00ebpate kaq e aq<\/span>
vje\u00e7aren, q\u00eb, k\u00ebto dit\u00eb, n\u00eb baz\u00eb t\u00eb<\/span>
dat\u00ebs s\u00eb saj t\u00eb lindjes, do t\u2019qe duke<\/span>
festuar dit\u00eblindjen<\/span>
meq\u00eb do mbushte kaq e aq vje\u00e7, teksa<\/span>
miqt\u00eb e mikeshat me pjatat n\u00eb p\u00ebqi dhe<\/span>
qerasjet mes gishtash maniqyr do thonin:<\/span>
edhe nj\u00ebqind!<\/span><\/p>

Nd\u00ebrkoh\u00eb<\/span>
aq e kaq vje\u00e7ari q\u00eb e q\u00eblloi<\/span>
e q\u00eb tani, me llogari, i binte t\u00eb qe<\/span>
aq e kaq vje\u00e7<\/span>
do t\u00eb qe inatosur, me siguri, si kriminel q\u00eb qe<\/span>
tek do shihte me qes\u00ebndi viktim\u00ebn e ardh\u00ebshme<\/span>
po t\u00eb qe k\u00ebtu<\/span>
tani-tani q\u00eb, p\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs, duhet th\u00ebn\u00eb q\u00eb<\/span>
n\u00eb fakt aq e kaq vje\u00e7ari mbetet ende si qyshkur<\/span>
n\u00eb drejtim t\u00eb paditur, nd\u00ebrkoh\u00eb q\u00eb kaq vje\u00e7arja<\/span>
q\u00eb ka dit\u00eblindjen, fatkeqsisht ka nd\u00ebrruar jet\u00eb<\/span>
Qashtu si\u00e7 gazetat na e kan\u00eb b\u00ebr\u00eb t\u00eb qart\u00eb<\/span>
me pasqyrimin qysh n\u00eb faqe t\u00eb par\u00eb<\/span>
t\u00eb \u00e7astit kur qenia tjet\u00ebr aq vje\u00e7are<\/span>
at\u00ebbot\u00eb q\u00eb ishin n\u00eb bashk\u00ebshort\u00ebsi<\/span>
q\u00eblloi<\/span>
p\u00ebr vdekje kaq e aq vje\u00e7aren<\/span>
q\u00eb tani prehet mu n\u00eb paqe<\/span>
t\u00eb qiellit.<\/span><\/p>

Para se ta mbyll, m\u00eb duhet ta rikthej fjal\u00ebn edhe nj\u00ebher\u00eb aty nga e nis\u00ebm. Dallimin nga kuptimi i termit \u2018shp\u00ebrthim\u2019 si vitalitet, lindje, big-beng a shp\u00ebrthim i nj\u00eb bulbi, te shp\u00ebrthimi si hedhje n\u00eb er\u00eb, si anullim, vdekje, titulli n\u00eb shqip i librit Shp\u00ebrthimi i gazetaris\u00eb e l\u00eb n\u00eb pezull, t\u00eb pashp\u00ebrthyer. Aq m\u00eb mir\u00eb, p\u00ebr t\u00eb apeluar qysh nga titulli at\u00eb q\u00eb gjuha e bart dhe e p\u00ebrcjell mbase jo m\u00eb kot si ambiguitet dhe qasje dyfish\u00ebsie pozicionimi mendues, dyshues, reflektues. Si\u00e7 n\u00eb rastet e mbara kur gazetaria nuk qe fotografja amatore e realitetit p\u00ebr kronik\u00eb e thjesht p\u00ebr t\u00eb m\u00ebsuar nj\u00eb lajm, por v\u00ebshtruesja me sy t\u00eb shqyer e reales, p\u00ebr t\u00eb kumtuar me lajm e p\u00ebr m\u00ebtuar prej lajmit. Ndaj, mund t\u00eb quanim gazetar\u00eb e kronikan\u00eb t\u00eb klasit t\u00eb par\u00eb vet\u00eb Migjenin, Nolin, Konic\u00ebn, apo dhe Kutelin, Petro Markon e Ismail Kadaren\u00eb.<\/span>
Jan\u00eb p\u00ebrtej nesh edhe ata q\u00eb kan\u00eb kaluar nga gazetaria, kronika, pamfleti dhe editoria; nga S\u00ebift te \u00cbilliam Blake e te \u00cbitman, nga Hemingueji tek Or\u00ebell, Pasolini, Kamy e Markes, e me rradh\u00eb. Mir\u00ebpo, tani \u00ebsht\u00eb gjith\u00eb e m\u00eb e v\u00ebshtir\u00eb t\u00eb shkojn\u00eb m\u00eb t\u00eb till\u00eb.<\/span>
Jetojm\u00eb me koh\u00eb n\u00eb koh\u00ebn e dor\u00ebzimit t\u00eb gazetaris\u00eb dhe medias, nga shp\u00ebrthimi i saj iniciator – si pushteti i kat\u00ebrt, n\u00ebn atributin e z\u00ebrit voix of people p\u00ebr nj\u00eb drejtpeshim t\u00eb treshes pushtet e p\u00ebrkund\u00ebr ushtrimit t\u00eb tepris\u00eb dhe arbitrares dhunuese e pushtuese -, tek atashimi n\u00eb rradh\u00ebt e mercenarizmit, n\u00eb betejat e n\u00ebn urdhrat e pushtetit. E prap\u00ebseprap\u00eb, \u00ebsht\u00eb nga media dhe shtypi ku mbarset e ngjizet edhe nevoja e rikthimit n\u00eb pozitat e misionares s\u00eb fillimeve.<\/span><\/p>

Shtypi dhe media kan\u00eb p\u00ebrcjell\u00eb edhe val\u00ebt e liris\u00eb e humanizmit, edhe val\u00ebt e t\u00eb lig\u00ebs model g\u00ebbelsian p\u00ebrmes radios s\u00eb nazizmit. Si\u00e7 Meduza mit i dyfisht\u00eb i v\u00ebshtrimit e rrezikut, bukuris\u00eb dhe spektaklit t\u00eb sh\u00ebmtis\u00eb, mbrojt\u00ebses dhe mizoris\u00eb.
<\/span>Gazeta dhe televizioni, mes fjal\u00ebs dhe imazhit, l\u00ebnd\u00ebs materie dhe val\u00eb, qielli dhe toke, legjitimes dhe arbitrares, tundimit dhe nd\u00ebshkimit, \u00ebsht\u00eb nj\u00eb far\u00eb \u00e7ifti Eva-Adam. Bart\u00ebse e nj\u00eb m\u00ebkati q\u00eb u p\u00ebrket t\u00eb gjith\u00ebve, gjithaq e fajshme sa e pafajshme.<\/span>
N\u00eb trajektoren e kalimit ton\u00eb t\u00eb regjimeve e pushteteve t\u00eb shtypjes dhe shtypit p\u00ebrkat\u00ebs, nga bufonata pa nj\u00eb censur\u00eb kushedi, ama gjakmarr\u00ebse, e mbret\u00ebris\u00eb, mandej te demokracia popullore e shpalljes pa liri, e tanim\u00eb n\u00eb lirin\u00eb populiste t\u00eb palljes me dhe pa demokraci, medias as i jan\u00eb dashur k\u00ebto komplikime mitike. E mbyllim kronik\u00ebn k\u00ebtu dhe me gjuh\u00ebn e saj:<\/span><\/p>

Sot e p\u00ebr rastin n\u00eb fjal\u00eb, nga nisi edhe kjo fjal\u00eb, mund t\u00eb thuhet se ajo ka dor\u00eb t\u00eb padukshme n\u00eb val\u00ebn e er\u00ebs q\u00eb i dha nj\u00eb dor\u00eb shtys\u00ebs s\u00eb dy pleqve t\u00eb v\u00ebrvitur n\u00eb ajri, dor\u00ebzuar vullnetit dhe urtis\u00eb s\u00eb gravitetit, kapur dor\u00eb m\u00eb dor\u00eb.<\/span>
\u201cVetvrasja e trumcakut\u201d, n\u00eb mjaft raste rileximesh, m\u00eb ngjan se mban p\u00ebrbrenda edhe marazin e autorit q\u00eb po vret cop\u00ebra t\u00eb artit t\u00eb vepr\u00ebs s\u00eb vet, duke apeluar diku m\u00eb hapur e m\u00eb me tepri vullnetet e ndrydhuna dhe emergjenc\u00ebn si shoq\u00ebri, p\u00ebr mos me mbet \u2018ai thumbi i ngulun n\u00eb trut\u00eb e njerzis\u00eb\u2019.<\/span>
Mund ta ligj\u00ebroja k\u00ebt\u00eb tem\u00eb edhe pa e shkruar dhe do t\u2019i mjaftoja ftes\u00ebs s\u00eb t\u00eb sotmes bised\u00eb. Por tema mbi gazetarin\u00eb e sotme duhet t\u00eb p\u00ebrfshij\u00eb edhe rrezikun e shuarjes s\u00eb dallimit mes t\u00eb shkruar\u00ebs dhe t\u00eb folur\u00ebs. Q\u00eb jan\u00eb aq t\u00eb ndryshme. Duke e v\u00ebshtruar dhe kryq\u00ebzuar shikimin me fjal\u00ebt q\u00eb shkruan, shkruesi e njeh edhe rrezikun e shnd\u00ebrrimit n\u00eb gur t\u00eb nj\u00ebr\u00ebs nga pal\u00ebt.<\/span><\/p>

Faleminderit q\u00eb sot, n\u00eb shp\u00ebrnguljet nga Zenit n\u00eb shtypshkronj\u00eb e k\u00ebtu n\u00eb Autoritetin e mediave \u2013 por edhe fal\u00eb teknologjis\u00eb s\u00eb sotme p\u00ebr t\u00eb shkruar n\u00eb nj\u00eb ekran celulari dhe t\u00eb mirave t\u00eb transportit publik p\u00ebr me pas dor\u00ebn t\u00eb lir\u00eb nga timoni, si dhe ndjesin\u00eb e fort\u00eb t\u00eb publikes mes t\u00ebr\u00eb asaj mase populli n\u00eb autobus -, m\u00eb dhat\u00eb shtys\u00ebn t\u00eb shp\u00ebrtheja nj\u00eb makth realiteti t\u00eb s\u00eb p\u00ebrdit\u00ebshmes, pa qen\u00eb i shtr\u00ebnguar t\u00eb lirohem prej tij duke e zhb\u00ebr\u00eb at\u00eb medoemos n\u00eb nj\u00eb vep\u00ebr.<\/span><\/p>

Krenar Zejno<\/span><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

N\u00ebp\u00ebrmjet kolan\u00ebs \u201cMeduza\u201d, projekt i konceptuar dhe realizuar nga \u201cInstituti Politik i Studimeve Humane\u201d me mb\u00ebshtetjen e Autoritetit t\u00eb Medias Audiovizive, u arrit q\u00eb t\u00eb sillen n\u00eb shqip 4 libra q\u00eb trajtojn\u00eb sociologjin\u00eb dhe statusin e televizionit. B\u00ebhet fjal\u00eb p\u00ebr \u201cSociologjia e televizionit\u201d nga Brigitte LE Grignou dhe \u00c9rik Neveu dhe \u201cShp\u00ebrthimi i gazetaris\u00eb\u201d i autorit Ignacio Ramonet (p\u00ebrkthyer nga Elvis Hoxha), \u201cTelevizioni dhe kultura rinore\u201d nga Jan Jagodzinski (p\u00ebrkthyer nga Genci Shehu) dhe \u201cHistoria e programeve televizive amerikane\u201d nga James Roman (p\u00ebrkthyer nga Evi Veliu dhe Pavjo Gjini). Jan\u00eb titujt e kat\u00ebr copave t\u00eb nj\u00eb mozaiku, shum\u00eb t\u00eb pasur me bibliografi q\u00eb u ofrojn\u00eb student\u00ebve t\u00eb gazetaris\u00eb mund\u00ebsin\u00eb p\u00ebr t\u00eb njohur se \u00e7far\u00eb fshihet mbrapa edukimit t\u00eb nj\u00eb gazetari n\u00eb Per\u00ebndim. Kolana u promovua prej botuesit dhe p\u00ebrkthyesve t\u00eb cil\u00ebt p\u00ebrmend\u00ebn nd\u00ebr t\u00eb tjera r\u00ebnd\u00ebsin\u00eb e k\u00ebtyre p\u00ebrkthimeve sidomos nisur prej \u00e7oroditjes s\u00eb gazetaris\u00eb edhe n\u00eb Shqip\u00ebri. Disa nga temat q\u00eb u cek\u00ebn p\u00ebrgjat\u00eb k\u00ebtij takimi ishin gazetaria q\u00eb ka humbur kontaktin me mendimin dhe gazetar\u00eb q\u00eb p\u00ebrdorin fraza t\u00eb parafabrikuara; tituj bombastik q\u00eb s\u2019kan\u00eb lidhje me p\u00ebrmbajtjen e tekstit; raportime jo m\u00eb t\u00eb aktit q\u00eb ndodh, por t\u00eb skenareve q\u00eb i riprodhojn\u00eb vet\u00eb n\u00ebp\u00ebr redaksi duke njohur shijet e \u201ckonsumatorit\u201d; televizioni i reduktuar n\u00eb nj\u00eb kanal i shk\u00ebputur t\u00ebr\u00ebsisht prej dometh\u00ebnies q\u00eb duhet t\u00eb mbart\u00eb me vete. Pjes\u00eb e k\u00ebtij takimi ishte poeti e nj\u00ebkoh\u00ebsisht botuesi i kolan\u00ebs \u201cMeduza\u201d, Krenar Zejno i cili ndau me t\u00eb pranishmit nj\u00eb reflektim mbi gazetarin\u00eb n\u00eb Shqip\u00ebri. M\u00eb posht\u00eb shkrimi i tij i plot\u00eb.Dyshi hidhet nga shtata dhe gjen nj\u00ebshin(nga masa e mediave te media e masave) Me shkas nga n\u00ebntitulli edhe trauma e papar\u00eb q\u00eb njofton fjalia e par\u00eb e librit t\u00eb par\u00eb q\u00eb \u00e7el koleksionin Meduza, Shp\u00ebrthimi i gazetaris\u00eb, n\u00eb botimet Zenit: prej goditjes s\u00eb \u201dmeteorit internet\u201dn\u00eb tok\u00eb dhe numerizimi i bot\u00ebs e shnd\u00ebrrimi i biotopit informacional q\u00eb kjo shkakton. Por edhe rastit t\u00eb par\u00eb kur, i pranish\u00ebm n\u00eb promovim, as i kam lexuar p\u00ebrtej hedhjes nj\u00eb sy n\u00ebn urgjenc\u00ebn e pag\u00ebzimit t\u00eb kolan\u00ebs me nj\u00eb em\u00ebr. N\u00eb kushtet e s\u00eb cil\u00ebs na ndih p\u00ebr t\u00eb dyja, referimi mitik mbi profanimin e tempullit me aktin e p\u00ebrdhunimit t\u00eb bukuris\u00eb Meduz\u00eb prej fuqis\u00eb dhe n\u00eb vijim ai i shnd\u00ebrrimit n\u00eb gur prej v\u00ebshtrimit sy m\u00eb sy. Gjithsesi, e pranueshme kjo alibi e imja vet\u00ebm fal\u00eb dor\u00ebzanis\u00eb dhe bashk\u00ebpunimit p\u00ebr her\u00eb t\u00eb par\u00eb si bashk\u00ebbotues, Institutit politik t\u00eb studimeve humane, dhe mb\u00ebshtjetjes gjeneroze t\u00eb Autoritetit t\u00eb mediave. K\u00ebsisoj, po vijoj duke e ruajtur efikasitetin q\u00eb sjell paralelizimi dhe enumeracioni, me nj\u00eb rast prej kronik\u00ebs s\u00eb dit\u00ebs nga nj\u00eb e p\u00ebrditshme. Ndehur n\u00eb krye t\u00eb saj, titulli: Hidhen nga kati i shtat\u00eb, gjejn\u00eb vdekjen.Shtjellimi: Nj\u00eb \u00e7ift t\u00eb moshuarish hidhen nga kati shtat\u00eb dhe gjejn\u00eb vdekjen! Mortjen ndehur aty posht\u00eb n\u00eb tok\u00eb, q\u00eb sikur e gjet\u00ebn pasi e kishin humbur nga syt\u00eb (sh\u00ebnimi im). M\u00eb posht\u00eb: Hidhen s\u00ebtoku nga lart\u00ebsia, gj\u00eb q\u00eb ka shkaktuar vdekjen e menj\u00ebhershme t\u00eb t\u00eb dyve. Policia po k\u00ebrkon shkaqet e k\u00ebsaj (sh\u00ebnimi i saj, t\u00eb p\u00ebrditshmes). Nuk b\u00ebhet fjal\u00eb p\u00ebr shkaqet e mosp\u00ebrputhjes mes koh\u00ebve t\u00eb foljes, pra vdekjes n\u00eb t\u00eb shkuar\u00ebn e q\u00eb i paraprin hedhjes n\u00eb koh\u00ebn e tashme teksa sikur po ndodh live. Pastaj: pik\u00eb. Q\u00eb gjithsesi l\u00eb t\u00eb hapur mund\u00ebsin\u00eb dhe t\u00eb sigurt gatishm\u00ebrin\u00eb e gazetaris\u00eb q\u00eb, n\u00ebqoft\u00ebse eventualisht do t\u00eb ket\u00eb numra t\u00eb tjer\u00eb t\u00eb p\u00ebrfshir\u00eb si shkaktar\u00eb, kjo do t\u00eb shkaktoj\u00eb menj\u00ebher\u00eb v\u00ebnien n\u00eb gar\u00eb se kush do t\u00eb jet\u00eb m\u00eb i pari p\u00ebr njoftimin m\u00eb t\u00eb fundit lajm\u00ebrues t\u00eb p\u00ebrfshirjes n\u00eb ndryshimin e rendit t\u00eb k\u00ebtyre numrave. P\u00ebrndryshe\u2026 kaq, dhe pask\u00ebtaj lajmi hesht, apo heshtet. Thjesht, n\u00eb munges\u00eb l\u00ebnde dhe materiali faktik q\u00eb t\u00eb implikoj\u00eb nj\u00eb serial numrash. Edhe numrin m\u00eb t\u00eb af\u00ebrt t\u00eb mundsh\u00ebm, sapo e vuri n\u00eb p\u00ebrdorim gazeta konkurente: \u00c7ifti i t\u00eb moshuarve hidhet nga kati i tet\u00eb (megjith\u00eb dyqanet). E k\u00ebtu, ortografia b\u00ebhet nj\u00ebsh me gj\u00ebm\u00ebn. Nuk ka koh\u00eb, n\u00eb rendjen pas lajmit dhe numrave, t\u2019i vihesh pas edhe fatit t\u00eb shkronjave. Aq m\u00eb pak t\u00eb operosh n\u00eb rendin simbolik t\u00eb numrave dhe at\u00eb figurativ e imagjinar si p.sh n\u00ebn qasjen : \u2026 pasi nuk rrin\u00eb dot m\u00eb brenda rrath\u00ebve t\u00eb ferrit, ku kan\u00eb mb\u00ebrritur t\u00eb shtatin, hidhen nga sheshpushimi i katit t\u00eb tet\u00eb. Aq m\u00eb pak akoma, t\u00eb k\u00ebshillosh se p\u00ebr raste \u00e7iftesh m\u00eb t\u00eb rinj q\u00eb mund t\u00eb marrin nj\u00eb vendim t\u00eb till\u00eb, kati lypset t\u00eb jet\u00eb p\u00ebrpjestueshm\u00ebrisht m\u00eb i lart\u00eb p\u00ebr t\u00eb shkaktuar me siguri m\u00eb t\u00eb lart\u00eb at\u00eb \u00e7ka ata kan\u00eb vendosur t\u00eb realizojn\u00eb, kjo p\u00ebr shkak t\u00eb vet\u00eb kondicionit fizik, normalisht m\u00eb t\u00eb sh\u00ebndetsh\u00ebm. Kjo dhe p\u00ebr faktin se, kur b\u00ebn vaki nj\u00eb rast i ngjash\u00ebm rinor, zakonisht \u00ebsht\u00eb m\u00eb me interes ta orjentosh titullin drejt versionit: burri hedh gruan dhe fill m\u00eb pas hidhet edhe vet\u00eb. Duke qen\u00eb se zgjon dy mund\u00ebsi dhe p\u00ebr pasoj\u00eb dyfish interes. Kurse nj\u00eb titull mbi hedhjen e dyshes s\u00eb pleqve, mund t\u00eb shtyhet maksimumi deri te basti i parashikimit se ky lajm \u00ebsht\u00eb i fund\u00ebm, i p\u00ebrmbyllur n\u00eb vetvete, i pashtjelluesh\u00ebm, pra me shum\u00eb gjas\u00eb nuk do t\u00eb ket\u00eb numra t\u00eb tjer\u00eb si shkaqe pas k\u00ebtij akti, e p\u00ebr pasoj\u00eb as \u00e7\u2019t\u00eb thuhet pas tij.At\u00ebher\u00eb, n\u00eb shfaqe t\u00eb nj\u00eb rangu m\u00eb t\u00eb lart\u00eb profesionalizmi guximtar dhe aft\u00ebsie p\u00ebr t\u00eb parapar\u00eb q\u00eb s\u2019ka dor\u00eb tjet\u00ebr pas k\u00ebtij akti – prej vet\u00eb faktit t\u00eb kapjes dor\u00eb m\u00eb dor\u00eb si d\u00ebshmi e p\u00ebrplot\u00eb e vullnetit t\u00eb plot\u00eb t\u00eb dyshes p\u00ebr t\u00eb ikur nga kjo bot\u00eb -, ja dhe titulli disi m\u00eb i zgjeruar p\u00ebr nj\u00eb testat\u00eb paksa m\u00eb t\u00eb detajuar e t\u00eb figurshme: Nj\u00eb \u00e7ift t\u00eb moshuarish hidhen nga kati i tet\u00eb prej trishtimit. Madje, kjo e p\u00ebrditshme e ka marr\u00eb t\u00eb mir\u00ebqen\u00eb p\u00ebrfshirjen e dyqaneve t\u00eb katit p\u00ebrdhes n\u00eb llogaritjen e lart\u00ebsis\u00eb s\u00eb ngrehin\u00ebs sipas modelit per\u00ebndimor. Pa qen\u00eb nevoja p\u00ebr sqarimin e hedhjes nga kati i tet\u00eb \u2019megjith\u00eb dyqanet\u2019, i cili do mund t\u00eb keqkuptohej si nj\u00eb v\u00ebrvitje e p\u00ebrbashkuar e varf\u00ebris\u00eb dhe e prosperitetit e mallrave, gj\u00eb q\u00eb jo vet\u00ebm e tejkalon trishtimin, por nuk i mjafton as mjerimi te pauperizmi si gjendja kronike 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