{"id":1737,"date":"2018-10-22T23:24:22","date_gmt":"2018-10-22T21:24:22","guid":{"rendered":"http:\/\/www.nyje.al\/?p=1737"},"modified":"2024-08-28T09:31:00","modified_gmt":"2024-08-28T07:31:00","slug":"ngjarje-e-qellimte-ne-nje-qytet-aksidental","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/ngjarje-e-qellimte-ne-nje-qytet-aksidental\/","title":{"rendered":"Ngjarje e q\u00ebllimt\u00eb n\u00eb nj\u00eb qytet aksidental"},"content":{"rendered":"
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Diana Malaj | 22.10.2018 | nyje.al<\/span><\/strong><\/span><\/p>

D\u00ebrrasat e vjetra l\u00ebn\u00eb prej vitesh mbi themelet e nj\u00eb sht\u00ebpie emigrant\u00ebsh u fsheh\u00ebn n\u00eb nj\u00eb cep gjat\u00eb nj\u00eb dite t\u00eb nxeht\u00eb nga nj\u00eb pun\u00ebtor krahu. Me g\u00ebrbuj\u00eb, fshes\u00eb dhe uj\u00eb u b\u00eb gati ajo q\u00eb m\u00eb von\u00eb do t\u00eb kthehej n\u00eb nj\u00eb sken\u00eb t\u00eb v\u00ebrtet\u00eb teatri. Nj\u00eb sht\u00ebpi e l\u00ebn\u00eb p\u00ebrgjysm\u00eb, vet\u00ebm me kolonat e \u00e7imentos t\u00eb hedhura e t\u00eb mbetura zhveshur si skelet, rrethohet nga nj\u00eb avlli e rr\u00ebnuar. Sip\u00ebr saj rrin\u00eb ulur f\u00ebmij\u00ebt e nj\u00eb lagjeje n\u00eb Kam\u00ebz. Fqinj\u00ebt nuk din\u00eb asgj\u00eb p\u00ebr t\u00eb zot\u00ebt e nd\u00ebrtes\u00ebs. \u201cE kan\u00eb lan\u00eb dhe jan\u00eb kthye n\u2019fshat, a m\u00eb doket kan\u00eb ik n\u2019Greqi krejt. Paj, vallai s\u2019e dim\u00eb bash sakt se ku mund t\u2019jen\u00eb tash\u201d, na thot\u00eb nj\u00eb nan\u00eb kur duam t\u2019i k\u00ebrkojm\u00eb leje p\u00ebr shfaqjen e teatrit.<\/span><\/p>

Dy kolonat q\u00ebndrore t\u00eb sht\u00ebpis\u00eb jan\u00eb kufiri i sken\u00ebs n\u00eb t\u00eb cil\u00ebn do t\u00eb zhvillohet nj\u00eb ngjarje e pazakont\u00eb. Gjith\u00eb pjes\u00ebs tjet\u00ebr t\u00eb katit t\u00eb par\u00eb i duhen sajuar perde t\u00eb zeza. Jan\u00eb copa t\u00eb hequra nga diku dhe t\u00eb v\u00ebna aty rishtazi, si p\u00ebr t\u2019u arnuar shpejt e shpejt. Veshjet e aktor\u00ebve jan\u00eb t\u00eb marra hua. Nj\u00eb pal\u00eb k\u00ebpuc\u00eb nj\u00eb v\u00ebllai, nj\u00eb xhaket\u00eb marr\u00eb nj\u00eb shoku n\u00eb ushtri, nj\u00eb k\u00ebmish\u00eb bler\u00eb te ndihmat. Simbole dhe objekte, b\u00ebr\u00eb me dor\u00eb, qepur, ngjitur. Nj\u00eb llamp\u00eb e vog\u00ebl me ndri\u00e7im t\u00eb mekur p\u00ebr nj\u00eb sken\u00eb t\u00eb madhe sa nj\u00eb sht\u00ebpi varet sip\u00ebr nj\u00eb kolone. Energjia elektrike jepet nga sht\u00ebpia m\u00eb e af\u00ebrt, pasi n\u00ebna i ka k\u00ebrkuar leje nuses, nusja burrit, dhe burri pasi i ka b\u00ebr\u00eb ca hesape me veten. Karriget dhe shiltet i mbartin t\u00eb rinj q\u00eb kan\u00eb ardhur p\u00ebr t\u00eb ndjekur shfaqjen dhe miqt\u00eb e tyre. F\u00ebmij\u00ebt jan\u00eb t\u00eb par\u00ebt q\u00eb ulen dhe z\u00ebn\u00eb vendet m\u00eb af\u00ebr sken\u00ebs. N\u00ebp\u00ebr ballkonet e sht\u00ebpive p\u00ebrreth nxjerrin krye dy-tri vet\u00eb dhe na e b\u00ebjn\u00eb me dor\u00eb, si n\u00ebp\u00ebr llozhat e nj\u00eb teatri t\u00eb v\u00ebrtet\u00eb. Tri familje q\u00eb jetojn\u00eb bashk\u00eb n\u00eb sht\u00ebpin\u00eb p\u00ebrbri rreshtojn\u00eb karriget dhe ulen n\u00eb ballkonin e katit t\u00eb dyt\u00eb. Nj\u00eb n\u00ebn\u00eb e re mban n\u00eb krah\u00eb nj\u00eb foshnje t\u00eb porsalindur q\u00eb shkrihet n\u00eb vaj. Njer\u00ebzit sa vijn\u00eb dhe shtohen. Edhe djemt\u00eb e Eccobet-it p\u00ebrball\u00eb q\u00ebndr\u00ebs s\u00eb grupit Ata i bashkohen publikut pak minuta pasi ka filluar shfaqja. E ndjekin n\u00eb heshtje dhe me kureshtje at\u00eb q\u00eb kan\u00eb pasur mund\u00ebsi t\u00eb shohin nga rruga p\u00ebr jav\u00eb t\u00eb t\u00ebra.<\/span><\/p>

Jan\u00eb gjithsej pes\u00eb aktor\u00eb t\u00eb rinj q\u00eb dy dit\u00eb pasi kan\u00eb v\u00ebn\u00eb n\u00eb oborrin e Teatrit Komb\u00ebtar komedin\u00eb \u201cVdekja aksidentale e nj\u00eb anarkisti\u201d, po b\u00ebhen gati ta risjellin p\u00ebr njer\u00ebzit e Kamz\u00ebs.<\/span><\/p>


\"\"<\/span> N\u00eb fotografi: Greta Baci, Xhesika Leka, Mexhit Balla, Anila Balla, Klodian Gjonpalaj dhe Mariza Rama.<\/em><\/span><\/p>

Anila Balla \u00ebsht\u00eb regjisorja q\u00eb ka punuar me pjes\u00ebn, e ka p\u00ebrshtatur dhe ka realizuar me shum\u00eb p\u00ebrkushtim v\u00ebnien e k\u00ebsaj komedie n\u00eb dy skena t\u00eb improvizuara. Ajo ka p\u00ebrfunduar studimet e larta p\u00ebr Regjisur\u00eb n\u00eb Akademin\u00eb e Arteve. M\u00eb von\u00eb ka vazhduar Studimet Letrare n\u00eb nivel master n\u00eb Universitetin e Tiran\u00ebs. Anila \u00ebsht\u00eb bashkautore e skenarit p\u00ebr film me metrazh t\u00eb shkurt\u00ebr \u201cTirana 100KM\u201d me mb\u00ebshtetjen e Qendr\u00ebs Komb\u00ebtare t\u00eb Kinematografis\u00eb.\u00a0 Gjithashtu, ka botuar tregime dhe ese n\u00eb revista letrare. Ka q\u00ebn\u00eb e dyzuar n\u00eb zgjedhjen mes vepr\u00ebs s\u00eb Henrik Ibsenit \u201cArmiku i popullit\u201d dhe komedis\u00eb s\u00eb Dario Fo-s\u00eb. Ajo shprehet: \u201cP\u00ebr t\u00eb dyja veprat nuk do t\u00eb kisha pishmane, sepse t\u00eb dyja jan\u00eb aktuale p\u00ebr situat\u00ebn politike e sociale t\u00eb Shqip\u00ebris\u00eb. Por, te Dario Fo-ja gjeta t\u00eb plot\u00ebsuar modelin e artistit, i cili n\u00ebp\u00ebrmjet artit t\u00eb tij nuk ka rreshtur gjith\u00eb jet\u00ebn duke kontribuar p\u00ebr vendin, p\u00ebr popullin, p\u00ebr njer\u00ebzit e tij. Gjenialiteti i Fo-s\u00eb, dinamika e personazheve dhe forca e gjuh\u00ebs te vepra \u201cVdekja aksidentale e nj\u00eb anarkisti\u201d m\u00eb rr\u00ebfyen rrug\u00ebn q\u00eb duhej t\u00eb ndiqja me grupin dhe aktor\u00ebt e rinj.\u201d<\/span><\/p>

Klodian Gjonpalaj \u00ebsht\u00eb m\u00eb i vogli nd\u00ebr aktor\u00ebt e shfaqjes, gjimnazist n\u00eb shkoll\u00ebn \u201cElez Isuf Ndreu\u201d n\u00eb Bathore. Nuk e ka pasur aspak t\u00eb thjesht\u00eb p\u00ebr t\u00eb p\u00ebrshkuar \u00e7do nat\u00eb nj\u00eb rrug\u00eb t\u00eb gjat\u00eb p\u00ebr t\u00eb b\u00ebr\u00eb provat. Ai ka mbajtur mbi supe rolin m\u00eb dinamik dhe t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb pjes\u00ebs: I \u00c7menduri i Fo-s\u00eb, n\u00ebp\u00ebrmjet t\u00eb cilit na vjen e plot\u00eb e gjith\u00eb narrativa e vepr\u00ebs, bazuar n\u00eb ngjarjen e v\u00ebrtet\u00eb t\u00eb vdekjes s\u00eb anarkistit Pinelli n\u00eb Italin\u00eb e viteve \u201960-\u201970.<\/span><\/p>

\u201cPersonazhi im ishte ai i nj\u00eb polici t\u00eb tredhur nga urdhrat e shefit. Ky polic nuk di se si t\u00eb sillet n\u00ebse nuk ka nj\u00eb urdh\u00ebr p\u00ebr t\u00eb zbatuar, nuk ka koherenc\u00eb n\u00eb ato q\u00eb thot\u00eb dhe gjithmon\u00eb luhatet nga frika e zbulimit t\u00eb s\u00eb v\u00ebrtet\u00ebs. Sa m\u00eb shum\u00eb e njihja personazhin tim, aq m\u00eb shum\u00eb hidhja paralele me situat\u00ebn politike n\u00eb Shqip\u00ebri. Skenaret e \u201cngjarjeve aksidentale\u201d p\u00ebr t\u00eb cilat \u201cnuk di kush gj\u00eb\u201d, \u201cnuk ka par\u00eb kush gj\u00eb\u201d na p\u00ebrs\u00ebriten \u00e7do dit\u00eb para syve, nd\u00ebrkoh\u00eb q\u00eb media kujdeset t\u00eb na i shtremb\u00ebroj\u00eb ato\u201d, shprehet Xhesika Leka, studente n\u00eb vitin e dyt\u00eb n\u00eb Fakultetin e Shkencave t\u00eb Natyr\u00ebs, Informatik\u00eb.<\/span><\/p>

Mexhiti, student n\u00eb t\u00eb nj\u00ebjtin fakultet, ka ndeshur jo pak v\u00ebshtir\u00ebsi p\u00ebr t\u2019u angazhuar n\u00eb k\u00ebt\u00eb nism\u00eb. Edhe p\u00ebrgjat\u00eb dit\u00ebve t\u00eb shfaqjeve i \u00ebsht\u00eb dashur t\u00eb punoj\u00eb kamerier n\u00eb nj\u00eb restorant nga ora pes\u00eb e m\u00ebngjesit deri von\u00eb mbasdite, n\u00eb pamund\u00ebsi p\u00ebr t\u00eb marr\u00eb leje. Pas pune drejtohej direkt te provat. Ai risjell nd\u00ebrmend emocionet e forta t\u00eb p\u00ebrjetuara n\u00eb premier\u00ebn e shfaqjes n\u00eb Tiran\u00eb: \u201cIsha i pari q\u00eb duhej t\u00eb futej n\u00eb sken\u00eb dhe mbaj mend q\u00eb p\u00ebrgjat\u00eb pes\u00eb minutave t\u00eb para m\u00eb jan\u00eb dridhur buz\u00ebt, pastaj sapo ndjeva mb\u00ebshtetjen e publikut u ngroha p\u00ebrbrenda dhe e pata m\u00eb t\u00eb thjesht\u00eb. Tani q\u00eb shfaqja ka mbaruar, mendoj se ia ka vlejtur shum\u00eb p\u00ebrpjekja jon\u00eb. Do doja t\u00eb p\u00ebrs\u00ebritej kjo p\u00ebrvoj\u00eb.\u201d<\/span><\/p>

Roli i shefit t\u00eb komisariatit luhej nga nj\u00eb vajz\u00eb e cila sapo ka filluar studimet e saj n\u00eb Fakultetin e Arteve Skenike p\u00ebr Regji Teatri. Greta, 19 vje\u00e7e shprehet se ka p\u00ebrjetuar shum\u00eb emocione p\u00ebrgjat\u00eb shfaqjes n\u00eb Tiran\u00eb dhe n\u00eb Kam\u00ebz. Edhe pse ka pasur nj\u00eb pun\u00eb intensive me provat ajo argumenton se fakti i t\u00eb mospasurit nj\u00eb sken\u00eb t\u00eb v\u00ebrtet\u00eb n\u00eb t\u00eb cil\u00ebn t\u00eb praktikohen, ia ka v\u00ebshtir\u00ebsuar pun\u00ebn me personazhin e saj. \u201cKarakteri q\u00eb m\u2019u besua ishte interesant p\u00ebr shkak t\u00eb situatave absurde n\u00eb t\u00eb cilat gjendej. \u00c7do personazh ka mbrapa nj\u00eb histori, ngjarje q\u00eb mund t\u2019i ken\u00eb ndodhur dhe q\u00eb ia modelojn\u00eb sjelljen n\u00eb t\u00eb tashmen, ndaj e shoh me r\u00ebnd\u00ebsi t\u00eb dyfisht\u00eb teatrin. Ai t\u00eb jep mund\u00ebsi ta shoh\u00ebsh jet\u00ebn me syt\u00eb e tu, dhe me syt\u00eb e tjetrit, t\u00eb cilin duhet ta njoh\u00ebsh gradualisht deri sa ta sjell\u00ebsh p\u00ebrpara publikut n\u00eb form\u00ebn e tij t\u00eb p\u00ebrkryer. \u201d<\/span><\/p>

Mariza, studente e Drejt\u00ebsis\u00eb tregon se roli i gazetares q\u00eb kishte n\u00eb shfaqje e lidh me p\u00ebrditshm\u00ebrin\u00eb q\u00eb i ka imponuar jeta n\u00eb Kam\u00ebz. Qyteti i vjen n\u00eb p\u00ebrmasat e nj\u00eb pengese q\u00eb ia limiton lirin\u00eb e paradoksalisht ia ka m\u00ebsuar artin e maskave q\u00eb duhet t\u2019i mbaj\u00eb n\u00eb jet\u00ebn e saj p\u00ebr t\u00eb krijuar raportin me lirin\u00eb. \u201cShfaqja ka p\u00ebrfunduar, por roli im jo. Un\u00eb \u00e7do dit\u00eb luaj pa dashje rolin e gazetares q\u00eb k\u00ebrkon t\u00eb hetoj\u00eb me kujdes pushtetin, n\u00eb \u00e7far\u00ebdolloj forme q\u00eb shp\u00ebrfaqet ai, privatisht e publikisht, por q\u00eb nuk di t\u00eb sillem ndaj tij. Thjesht e marr dhe e p\u00ebrcjell at\u00eb si nj\u00eb lajm n\u00eb gazetari.\u201d Dy frik\u00ebra t\u00eb ndryshme ia kan\u00eb paraprir\u00eb ndjesit\u00eb e tjera. \u201cN\u00eb Tiran\u00eb kisha m\u00eb tep\u00ebr emocione, pasi e dija q\u00eb nj\u00eb pjes\u00eb nga publiku kishte lidhje me artin, ishin t\u00eb m\u00ebsuar me teatrin, apo mund ta njihnin shum\u00eb mir\u00eb vepr\u00ebn, nd\u00ebrsa n\u00eb Kam\u00ebz kisha frik\u00ebn e nj\u00eb publiku q\u00eb nuk do mundej t\u00eb qeshte me nj\u00eb realitet q\u00eb ka zgjedhur ta injoroj\u00eb.\u201d<\/span><\/p>

\u00a0\"\"<\/span><\/p>

Komedia \u201cVdekja aksidentale e nj\u00eb anarkisti\u201d shkruar nga nobelisti Dario Fo ka ardhur si nj\u00eb p\u00ebrgjigje e <\/span>domosdoshme kundrejt gjendjes aktuale t\u00eb teatrit n\u00eb\u00a0 <\/span>nivel lokal dhe komb\u00ebtar. Nga nj\u00ebra an\u00eb, teatri lokal brenda qytetit t\u00eb Kamz\u00ebs, me afro 420 vende bosh, nd\u00ebrtuar me fonde publike dhe n\u00eb kushte shum\u00eb t\u00eb mira nuk vihet n\u00eb funksion t\u00eb qytetar\u00ebve, kjo pasi varet nga humori i kryetarit t\u00eb bashkis\u00eb. Dhe nga ana tjet\u00ebr, Tirana q\u00eb prej m\u00eb shum\u00eb se 3 muajsh ka mbartur n\u00eb zem\u00ebr t\u00eb saj q\u00ebndres\u00ebn m\u00eb t\u00eb r\u00ebnd\u00ebsishme p\u00ebr mbrojtjen e Teatrit Komb\u00ebtar kund\u00ebr projektit t\u00eb shembjes nga qeveria e majt\u00eb. Po t\u00eb nj\u00ebjt\u00ebt persona q\u00eb jan\u00eb p\u00ebrgjegj\u00ebs p\u00ebr gjendjen n\u00eb t\u00eb cil\u00ebn \u00ebsht\u00eb katandisur teatri sot, n\u00eb nivel lokal dhe komb\u00ebtar, shk\u00ebmbehen n\u00ebp\u00ebr protesta apo i b\u00ebjn\u00eb karshill\u00ebk nj\u00ebri-tjetrit n\u00eb em\u00ebr t\u00eb kultur\u00ebs. Po t\u00eb nj\u00ebjt\u00ebt drejtues q\u00eb kan\u00eb mohuar k\u00ebrkes\u00ebn p\u00ebr leje p\u00ebr zhvillimin e shfaqjes brenda nj\u00eb salle teatri n\u00eb Kam\u00ebz, i gjen n\u00ebn ndonj\u00eb hije peme p\u00ebrgjat\u00eb ndonj\u00eb proteste p\u00ebr mbrojtjen e nj\u00eb teatri tjet\u00ebr, jo p\u00ebr at\u00eb q\u00eb e mbajn\u00eb peng, vet\u00ebm se jan\u00eb t\u00eb drejtuar nga lideri i tyre partiak. Dhe po t\u00eb nj\u00ebjt\u00ebt drejtues q\u00eb jan\u00eb n\u00eb pushtet, p\u00ebrdorin figur\u00ebn e kryebashkiak\u00ebve t\u00eb djatht\u00eb si \u201ctjetrin p\u00ebrshques\u201d p\u00ebr t\u00eb treguar se sa ndryshe jan\u00eb nga k\u00ebta. Nd\u00ebrkoh\u00eb, n\u00eb p\u00ebrpjekje p\u00ebr t\u2019u dalluar, ngjasojn\u00eb aq shum\u00eb!<\/span><\/p>

Sakaq jo pak probleme ka n\u00eb lidhje me student\u00ebt e Arteve dhe institucionet kulturore n\u00eb qytete t\u00eb tjera. Regjisorja Anila Balla shprehet se nga 12 vet\u00eb q\u00eb diplomohen \u00e7do vit nga Universiteti i Arteve n\u00eb deg\u00ebn e Arteve Skenike, fare mir\u00eb mund ta fillonin karrier\u00ebn n\u00eb k\u00ebto teatro lokale p\u00ebr t\u2019i dh\u00ebn\u00eb jet\u00eb pasditeve t\u00eb gjata t\u00eb qyteteve t\u00eb tjera. \u201cTeatri, kinemaja, ekspozitat, apo lloje t\u00eb tjera arti veprojn\u00eb shum\u00eb ngadal\u00eb dhe nuk do t\u00eb ken\u00eb asnj\u00ebher\u00eb rezultat t\u00eb menj\u00ebhersh\u00ebm, ndaj \u00ebsht\u00eb shum\u00eb e nevojshme q\u00eb puna t\u00eb fillohet sa m\u00eb her\u00ebt.\u201d<\/span><\/p>

Nj\u00eb artiste e apasionuar dhe njoh\u00ebse e mir\u00eb e artit t\u00eb Dario Fo-s\u00eb n\u00eb p\u00ebrfundim t\u00eb shfaqjes u shpreh se ky komedian e ka shkruar \u201cVdekjen aksidetnale t\u00eb nj\u00eb anarkisti\u201d sidomos p\u00ebr t\u00eb rinjt\u00eb q\u00eb gjenden n\u00eb situata t\u00eb tilla, si rr\u00ebfimtar\u00eb q\u00eb jan\u00eb t\u00eb p\u00ebrjashtuar nga konteksti dhe q\u00eb pengohen p\u00ebr t\u00eb b\u00ebr\u00eb di\u00e7ka n\u00eb rrethanat ku ndodhen.<\/span><\/p>

Fo, n\u00eb nj\u00eb nd\u00ebr daljet e fundit t\u00eb tij thekson se nuk \u00ebsht\u00eb pajtuar kurr\u00eb me iden\u00eb e ekzistenc\u00ebs s\u00eb nj\u00eb parajse e cila na pret q\u00eb ta shijojm\u00eb n\u00eb nj\u00eb jet\u00eb tjet\u00ebr. Ai \u00ebsht\u00eb ateist rigoroz. Ama ndjen q\u00eb duhet t\u00eb risjell\u00eb nj\u00eb shprehje t\u00eb dikujt n\u00eb lidhje me vdekjen \u201cG\u00ebzohem shum\u00eb q\u00eb do t\u00eb vdes, por m\u00eb vjen keq.\u201d\u00a0 Ai e donte shum\u00eb jet\u00ebn, pasi gjente n\u00eb t\u00eb, n\u00eb \u00e7do moment: takime, mund\u00ebsi, histori t\u00eb treguara, t\u00eb rinj q\u00eb l\u00ebvizin me shum\u00eb inteligjenc\u00eb q\u00eb e entuziasmojn\u00eb dhe e b\u00ebjn\u00eb t\u00eb marr\u00eb pjes\u00eb dhe t\u2019u thot\u00eb: \u201cEcni p\u00ebrpara, vazhdoni t\u00eb na tregoni edhe m\u00eb shum\u00eb, na b\u00ebni t\u00eb qeshim me vuajtjen q\u00eb mbajm\u00eb gjithmon\u00eb brenda.”<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Diana Malaj | 22.10.2018 | nyje.al D\u00ebrrasat e vjetra l\u00ebn\u00eb prej vitesh mbi themelet e nj\u00eb sht\u00ebpie emigrant\u00ebsh u fsheh\u00ebn n\u00eb nj\u00eb cep gjat\u00eb nj\u00eb dite t\u00eb nxeht\u00eb nga nj\u00eb pun\u00ebtor krahu. Me g\u00ebrbuj\u00eb, fshes\u00eb dhe uj\u00eb u b\u00eb gati ajo q\u00eb m\u00eb von\u00eb do t\u00eb kthehej n\u00eb nj\u00eb sken\u00eb t\u00eb v\u00ebrtet\u00eb teatri. Nj\u00eb sht\u00ebpi e l\u00ebn\u00eb p\u00ebrgjysm\u00eb, vet\u00ebm me kolonat e \u00e7imentos t\u00eb hedhura e t\u00eb mbetura zhveshur si skelet, rrethohet nga nj\u00eb avlli e rr\u00ebnuar. Sip\u00ebr saj rrin\u00eb ulur f\u00ebmij\u00ebt e nj\u00eb lagjeje n\u00eb Kam\u00ebz. Fqinj\u00ebt nuk din\u00eb asgj\u00eb p\u00ebr t\u00eb zot\u00ebt e nd\u00ebrtes\u00ebs. \u201cE kan\u00eb lan\u00eb dhe jan\u00eb kthye n\u2019fshat, a m\u00eb doket kan\u00eb ik n\u2019Greqi krejt. Paj, vallai s\u2019e dim\u00eb bash sakt se ku mund t\u2019jen\u00eb tash\u201d, na thot\u00eb nj\u00eb nan\u00eb kur duam t\u2019i k\u00ebrkojm\u00eb leje p\u00ebr shfaqjen e teatrit. Dy kolonat q\u00ebndrore t\u00eb sht\u00ebpis\u00eb jan\u00eb kufiri i sken\u00ebs n\u00eb t\u00eb cil\u00ebn do t\u00eb zhvillohet nj\u00eb ngjarje e pazakont\u00eb. Gjith\u00eb pjes\u00ebs tjet\u00ebr t\u00eb katit t\u00eb par\u00eb i duhen sajuar perde t\u00eb zeza. Jan\u00eb copa t\u00eb hequra nga diku dhe t\u00eb v\u00ebna aty rishtazi, si p\u00ebr t\u2019u arnuar shpejt e shpejt. Veshjet e aktor\u00ebve jan\u00eb t\u00eb marra hua. Nj\u00eb pal\u00eb k\u00ebpuc\u00eb nj\u00eb v\u00ebllai, nj\u00eb xhaket\u00eb marr\u00eb nj\u00eb shoku n\u00eb ushtri, nj\u00eb k\u00ebmish\u00eb bler\u00eb te ndihmat. Simbole dhe objekte, b\u00ebr\u00eb me dor\u00eb, qepur, ngjitur. Nj\u00eb llamp\u00eb e vog\u00ebl me ndri\u00e7im t\u00eb mekur p\u00ebr nj\u00eb sken\u00eb t\u00eb madhe sa nj\u00eb sht\u00ebpi varet sip\u00ebr nj\u00eb kolone. Energjia elektrike jepet nga sht\u00ebpia m\u00eb e af\u00ebrt, pasi n\u00ebna i ka k\u00ebrkuar leje nuses, nusja burrit, dhe burri pasi i ka b\u00ebr\u00eb ca hesape me veten. Karriget dhe shiltet i mbartin t\u00eb rinj q\u00eb kan\u00eb ardhur p\u00ebr t\u00eb ndjekur shfaqjen dhe miqt\u00eb e tyre. F\u00ebmij\u00ebt jan\u00eb t\u00eb par\u00ebt q\u00eb ulen dhe z\u00ebn\u00eb vendet m\u00eb af\u00ebr sken\u00ebs. N\u00ebp\u00ebr ballkonet e sht\u00ebpive p\u00ebrreth nxjerrin krye dy-tri vet\u00eb dhe na e b\u00ebjn\u00eb me dor\u00eb, si n\u00ebp\u00ebr llozhat e nj\u00eb teatri t\u00eb v\u00ebrtet\u00eb. Tri familje q\u00eb jetojn\u00eb bashk\u00eb n\u00eb sht\u00ebpin\u00eb p\u00ebrbri rreshtojn\u00eb karriget dhe ulen n\u00eb ballkonin e katit t\u00eb dyt\u00eb. Nj\u00eb n\u00ebn\u00eb e re mban n\u00eb krah\u00eb nj\u00eb foshnje t\u00eb porsalindur q\u00eb shkrihet n\u00eb vaj. Njer\u00ebzit sa vijn\u00eb dhe shtohen. Edhe djemt\u00eb e Eccobet-it p\u00ebrball\u00eb q\u00ebndr\u00ebs s\u00eb grupit Ata i bashkohen publikut pak minuta pasi ka filluar shfaqja. E ndjekin n\u00eb heshtje dhe me kureshtje at\u00eb q\u00eb kan\u00eb pasur mund\u00ebsi t\u00eb shohin nga rruga p\u00ebr jav\u00eb t\u00eb t\u00ebra. Jan\u00eb gjithsej pes\u00eb aktor\u00eb t\u00eb rinj q\u00eb dy dit\u00eb pasi kan\u00eb v\u00ebn\u00eb n\u00eb oborrin e Teatrit Komb\u00ebtar komedin\u00eb \u201cVdekja aksidentale e nj\u00eb anarkisti\u201d, po b\u00ebhen gati ta risjellin p\u00ebr njer\u00ebzit e Kamz\u00ebs. N\u00eb fotografi: Greta Baci, Xhesika Leka, Mexhit Balla, Anila Balla, Klodian Gjonpalaj dhe Mariza Rama. Anila Balla \u00ebsht\u00eb regjisorja q\u00eb ka punuar me pjes\u00ebn, e ka p\u00ebrshtatur dhe ka realizuar me shum\u00eb p\u00ebrkushtim v\u00ebnien e k\u00ebsaj komedie n\u00eb dy skena t\u00eb improvizuara. Ajo ka p\u00ebrfunduar studimet e larta p\u00ebr Regjisur\u00eb n\u00eb Akademin\u00eb e Arteve. M\u00eb von\u00eb ka vazhduar Studimet Letrare n\u00eb nivel master n\u00eb Universitetin e Tiran\u00ebs. Anila \u00ebsht\u00eb bashkautore e skenarit p\u00ebr film me metrazh t\u00eb shkurt\u00ebr \u201cTirana 100KM\u201d me mb\u00ebshtetjen e Qendr\u00ebs Komb\u00ebtare t\u00eb Kinematografis\u00eb.\u00a0 Gjithashtu, ka botuar tregime dhe ese n\u00eb revista letrare. Ka q\u00ebn\u00eb e dyzuar n\u00eb zgjedhjen mes vepr\u00ebs s\u00eb Henrik Ibsenit \u201cArmiku i popullit\u201d dhe komedis\u00eb s\u00eb Dario Fo-s\u00eb. Ajo shprehet: \u201cP\u00ebr t\u00eb dyja veprat nuk do t\u00eb kisha pishmane, sepse t\u00eb dyja jan\u00eb aktuale p\u00ebr situat\u00ebn politike e sociale t\u00eb Shqip\u00ebris\u00eb. Por, te Dario Fo-ja gjeta t\u00eb plot\u00ebsuar modelin e artistit, i cili n\u00ebp\u00ebrmjet artit t\u00eb tij nuk ka rreshtur gjith\u00eb jet\u00ebn duke kontribuar p\u00ebr vendin, p\u00ebr popullin, p\u00ebr njer\u00ebzit e tij. Gjenialiteti i Fo-s\u00eb, dinamika e personazheve dhe forca e gjuh\u00ebs te vepra \u201cVdekja aksidentale e nj\u00eb anarkisti\u201d m\u00eb rr\u00ebfyen rrug\u00ebn q\u00eb duhej t\u00eb ndiqja me grupin dhe aktor\u00ebt e rinj.\u201d Klodian Gjonpalaj \u00ebsht\u00eb m\u00eb i vogli nd\u00ebr aktor\u00ebt e shfaqjes, gjimnazist n\u00eb shkoll\u00ebn \u201cElez Isuf Ndreu\u201d n\u00eb Bathore. Nuk e ka pasur aspak t\u00eb thjesht\u00eb p\u00ebr t\u00eb p\u00ebrshkuar \u00e7do nat\u00eb nj\u00eb rrug\u00eb t\u00eb gjat\u00eb p\u00ebr t\u00eb b\u00ebr\u00eb provat. Ai ka mbajtur mbi supe rolin m\u00eb dinamik dhe t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb pjes\u00ebs: I \u00c7menduri i Fo-s\u00eb, n\u00ebp\u00ebrmjet t\u00eb cilit na vjen e plot\u00eb e gjith\u00eb narrativa e vepr\u00ebs, bazuar n\u00eb ngjarjen e v\u00ebrtet\u00eb t\u00eb vdekjes s\u00eb anarkistit Pinelli n\u00eb Italin\u00eb e viteve \u201960-\u201970. \u201cPersonazhi im ishte ai i nj\u00eb polici t\u00eb tredhur nga urdhrat e shefit. Ky polic nuk di se si t\u00eb sillet n\u00ebse nuk ka nj\u00eb urdh\u00ebr p\u00ebr t\u00eb zbatuar, nuk ka koherenc\u00eb n\u00eb ato q\u00eb thot\u00eb dhe gjithmon\u00eb luhatet nga frika e zbulimit t\u00eb s\u00eb v\u00ebrtet\u00ebs. Sa m\u00eb shum\u00eb e njihja personazhin tim, aq m\u00eb shum\u00eb hidhja paralele me situat\u00ebn politike n\u00eb Shqip\u00ebri. Skenaret e \u201cngjarjeve aksidentale\u201d p\u00ebr t\u00eb cilat \u201cnuk di kush gj\u00eb\u201d, \u201cnuk ka par\u00eb kush gj\u00eb\u201d na p\u00ebrs\u00ebriten \u00e7do dit\u00eb para syve, nd\u00ebrkoh\u00eb q\u00eb media kujdeset t\u00eb na i shtremb\u00ebroj\u00eb ato\u201d, shprehet Xhesika Leka, studente n\u00eb vitin e dyt\u00eb n\u00eb Fakultetin e Shkencave t\u00eb Natyr\u00ebs, Informatik\u00eb. Mexhiti, student n\u00eb t\u00eb nj\u00ebjtin fakultet, ka ndeshur jo pak v\u00ebshtir\u00ebsi p\u00ebr t\u2019u angazhuar n\u00eb k\u00ebt\u00eb nism\u00eb. Edhe p\u00ebrgjat\u00eb dit\u00ebve t\u00eb shfaqjeve i \u00ebsht\u00eb dashur t\u00eb punoj\u00eb kamerier n\u00eb nj\u00eb restorant nga ora pes\u00eb e m\u00ebngjesit deri von\u00eb mbasdite, n\u00eb pamund\u00ebsi p\u00ebr t\u00eb marr\u00eb leje. Pas pune drejtohej direkt te provat. Ai risjell nd\u00ebrmend emocionet e forta t\u00eb p\u00ebrjetuara n\u00eb premier\u00ebn e shfaqjes n\u00eb Tiran\u00eb: \u201cIsha i pari q\u00eb duhej t\u00eb futej n\u00eb sken\u00eb dhe mbaj mend q\u00eb p\u00ebrgjat\u00eb pes\u00eb minutave t\u00eb para m\u00eb jan\u00eb dridhur buz\u00ebt, pastaj sapo ndjeva mb\u00ebshtetjen e publikut u ngroha p\u00ebrbrenda dhe e pata m\u00eb t\u00eb thjesht\u00eb. Tani q\u00eb shfaqja ka mbaruar, mendoj se ia ka vlejtur shum\u00eb p\u00ebrpjekja jon\u00eb. Do doja t\u00eb p\u00ebrs\u00ebritej kjo p\u00ebrvoj\u00eb.\u201d Roli i shefit t\u00eb komisariatit luhej nga nj\u00eb vajz\u00eb e cila sapo ka filluar studimet e saj n\u00eb Fakultetin e Arteve Skenike p\u00ebr Regji Teatri. Greta, 19 vje\u00e7e shprehet se ka p\u00ebrjetuar shum\u00eb emocione p\u00ebrgjat\u00eb shfaqjes n\u00eb Tiran\u00eb dhe n\u00eb Kam\u00ebz. Edhe pse ka pasur nj\u00eb pun\u00eb intensive me provat ajo argumenton se fakti i t\u00eb mospasurit nj\u00eb sken\u00eb t\u00eb v\u00ebrtet\u00eb n\u00eb t\u00eb 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