{"id":16664,"date":"2022-08-24T12:58:31","date_gmt":"2022-08-24T12:58:31","guid":{"rendered":"https:\/\/nyje.al\/?p=16664"},"modified":"2024-09-27T10:09:11","modified_gmt":"2024-09-27T08:09:11","slug":"fabrika-punetoreve","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/fabrika-punetoreve\/","title":{"rendered":"Fabrika, pun\u00ebtor\u00ebve"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"16664\" class=\"elementor elementor-16664\">\n\t\t\t\t<div class=\"elementor-element elementor-element-24d10bf2 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-parent\" data-id=\"24d10bf2\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-335f606a elementor-widget elementor-widget-text-editor\" data-id=\"335f606a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: justify\"><span style=\"color: #800000;font-family: georgia, palatino, serif;font-size: 14pt\"><strong>Antonela Pepkolaj | 24.08.2022 | nyje.al<\/strong><\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">P\u00ebrgjith\u00ebsisht autonomia \u00ebsht\u00eb nj\u00eb nga pasojat e suksesit (apo k\u00ebshtu mendohet) dhe, pasoj\u00eb e autonomis\u00eb, \u00ebsht\u00eb m\u00eb shum\u00eb dinjitet dhe integritet njer\u00ebzor. Dokumentari \u201cFactory to the workers\u201d, nxjerr n\u00eb pah, q\u00eb n\u00eb fakt edhe ekzistenca mund t\u00eb p\u00ebrb\u00ebj\u00eb konflikt interesi, sidomos n\u00eb nj\u00eb bot\u00eb hierarkish n\u00eb t\u00eb cil\u00ebn idealist\u00ebt zgjedhin t\u00eb ecin kund\u00ebr rrym\u00ebs. K\u00ebshtu ndodh me fabrik\u00ebn e pjes\u00ebve t\u00eb makinave ITAS n\u00eb Kroaci.\u00a0<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">N\u00eb p\u00ebrpjekje p\u00ebr t\u00eb luftuar procesin e privatizimit, pun\u00ebtor\u00ebt b\u00ebhen pronar\u00ebt e saj duke ndar\u00eb p\u00ebrgjegj\u00ebsit\u00eb dhe aksionet. E gjith\u00eb kjo narrativ\u00eb, q\u00eb p\u00ebrb\u00ebn dhe konfliktin kryesor t\u00eb dokumentarit, n\u00ebnkupton nj\u00eb lloj nostalgjie, apo inercie, kah socializmi jugosllav, i cili sh\u00ebnjohet m\u00eb qartazi nga imazhet e Titos n\u00eb hyrje t\u00eb filmit.\u00a0<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">Megjithat\u00eb, d\u00ebshira e mir\u00eb nuk \u00ebsht\u00eb garant p\u00ebr sukses, pasi ky model utopik d\u00ebshton, duke i l\u00ebn\u00eb pun\u00ebtor\u00ebt vet\u00ebm me privilegjin e barazis\u00eb dhe vendimmarrjes, por pa rroga. K\u00ebtu shtrohen dilema t\u00eb tilla si: d\u00ebshira p\u00ebr mir\u00ebq\u00ebnie kundrejt d\u00ebshir\u00ebs p\u00ebr liri dhe dinjitet; koha q\u00eb shesim kundrejt koh\u00ebs q\u00eb investojm\u00eb; sakrifica kundrejt t\u00eb drejt\u00ebs p\u00ebr d\u00ebmshp\u00ebrblim. Shquhen m\u00eb qart\u00eb n\u00eb rr\u00ebfimin e nj\u00ebrit prej pun\u00ebtor\u00ebve p\u00ebrball\u00eb kamerave, i cili konstaton t\u00eb drejt\u00ebn e vet p\u00ebr dinjitet, p\u00ebr liri, p\u00ebr m\u00eb shum\u00eb mund\u00ebsi duke v\u00ebn\u00eb n\u00eb pah se puna n\u00eb fabrik\u00eb ia c\u00ebnon k\u00ebto t\u00eb drejta dhe q\u00eb, n\u00eb fakt puna n\u00eb fabrik\u00eb p\u00ebr t\u00eb \u00ebsht\u00eb kompromis me veten, pasi nuk do ishte asnj\u00ebher\u00eb opsioni i tij i par\u00eb.<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-family: georgia, palatino, serif;font-size: 14pt\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-16666 aligncenter\" src=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-300x165.jpg\" alt=\"\" width=\"449\" height=\"247\" srcset=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-300x165.jpg 300w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-18x10.jpg 18w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-1320x725.jpg 1320w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-768x422.jpg 768w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-1536x845.jpg 1536w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217-2048x1126.jpg 2048w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7591-e1662556248217.jpg 1361w\" sizes=\"(max-width: 449px) 100vw, 449px\" \/><\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">Loja me rrogat zbulon dhe nj\u00eb skem\u00eb t\u00eb posht\u00ebr: Bo\u017eo Dragoslavi\u0107, drejtori ekzekutiv i ITAS-it ka vjedhur vazhdimisht nga fondet e fabrik\u00ebs, gj\u00eb e cila vet\u00ebm aludohet, por e v\u00ebrteta nuk zbulohet asnj\u00ebher\u00eb qart\u00eb, pasi dokumentari \u00ebsht\u00eb i nd\u00ebrtuar pas prizmit t\u00eb pun\u00ebtor\u00ebve, dhe ata nuk din\u00eb asgj\u00eb p\u00ebrpos faktit se nuk kan\u00eb marr\u00eb rrogat e tyre. Kjo shkakton q\u00eb Dragoslavi\u0107 t\u00eb shkarkohet nga posti i tij dhe n\u00eb vend t\u00eb tij vendoset Varga, nj\u00eb njeri i cili duket se do sinqerisht m\u00eb t\u00eb mir\u00ebn p\u00ebr pun\u00ebtor\u00ebt dhe fabrik\u00ebn. Megjithat\u00eb, borxhet e shumta kusht\u00ebzojn\u00eb suksesin e fabrik\u00ebs dhe n\u00eb fund t\u00eb dokumentarit, aludohet p\u00ebr falimentin e plot\u00eb t\u00eb saj, p\u00ebrmes imazheve t\u00eb nj\u00eb pun\u00ebtori q\u00eb po mbledh shishe brenda fabrike p\u00ebr t\u2019i shitur m\u00eb pas.<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">Filmi \u00ebsht\u00eb nj\u00eb dokumentar i cili zhvillohet brenda hap\u00ebsirave t\u00eb fabrik\u00ebs, me fokus pun\u00ebtor\u00ebt dhe eksperienc\u00ebn e tyre n\u00eb kontekstin e pun\u00ebs. Shikuesi nuk \u00ebsht\u00eb apo b\u00ebhet familjar me t\u00eb v\u00ebrtet\u00ebn pas problemeve me t\u00eb cilat ndeshen pun\u00ebtor\u00ebt, si\u00e7 \u00ebsht\u00eb mungesa e rrogave prej tashm\u00eb disa muajsh, por \u00ebsht\u00eb familjar me mundin e tyre teksa p\u00ebrpiqen t\u00eb luftojn\u00eb p\u00ebr t\u00eb drejtat e veta. Ndaj edhe atmosfera e dokumentarit luhatet mes momentesh revolte e mjerimi, e deri te konspiracioni dhe aludimi. Gjithsesi, filmi i q\u00ebndron besnik deri n\u00eb fund prizmit t\u00eb pun\u00ebtorit.<\/span><\/p><p><div id='gallery-1' class='gallery galleryid-16664 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/nyje.al\/sq\/fabrika-punetoreve\/img_7596\/'><img decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-300x225.jpg 300w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-16x12.jpg 16w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-768x576.jpg 768w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-1536x1152.jpg 1536w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-2048x1536.jpg 2048w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596-1320x990.jpg 1320w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/IMG_7596.jpg 1512w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/nyje.al\/sq\/fabrika-punetoreve\/whatsapp-image-2022-08-24-at-1-58-01-pm\/'><img decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.01-PM-300x225.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.01-PM-300x225.jpeg 300w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.01-PM-16x12.jpeg 16w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.01-PM-768x576.jpeg 768w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.01-PM.jpeg 812w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/nyje.al\/sq\/fabrika-punetoreve\/whatsapp-image-2022-08-24-at-1-58-02-pm\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.02-PM-300x225.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.02-PM-300x225.jpeg 300w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.02-PM-16x12.jpeg 16w, https:\/\/nyje.al\/wp-content\/uploads\/2022\/09\/WhatsApp-Image-2022-08-24-at-1.58.02-PM.jpeg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n<\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">P\u00ebrve\u00e7 tematik\u00ebs s\u00eb t\u00eb drejtave t\u00eb pun\u00ebtor\u00ebve, dokumentari v\u00eb n\u00eb pah edhe p\u00ebrplasjen mes sistemeve t\u00eb ndryshme ekonomike, si\u00e7 jan\u00eb n\u00eb k\u00ebt\u00eb rast socializmi dhe kapitalizmi, duke dal\u00eb n\u00eb p\u00ebrfundimin pesimist se kapitalizmi \u00ebsht\u00eb gjuha e vetme e ekonomis\u00eb dhe q\u00eb gjith\u00e7ka tjet\u00ebr \u00ebsht\u00eb e prirur t\u00eb d\u00ebshtoj\u00eb. Pa\u00e7ka se, fabrika orvatet t\u00eb ruaj\u00eb solidaritetin e saj duke luftuar procesin e privatizimit, duket sikur dokumentari na thot\u00eb q\u00eb nuk mund t\u00eb ruajm\u00eb edhe autoritetin e plot\u00eb njer\u00ebzor mbi veten dhe jet\u00ebn ton\u00eb edhe suksesin ekonomik, por q\u00eb, duhet zgjedhur vazhdimisht mes tyre.\u00a0<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">Dokumentari fitoi gar\u00ebn e dokumentar\u00ebve t\u00eb Ballkanit n\u00eb DokuFest, edicioni XXI , me motivacionin: \u201cJuria zgjodhi unanimisht nj\u00eb dokumentar q\u00eb zbulon dinamik\u00ebn komplekse dhe universale t\u00eb nj\u00eb mikrokozmosi ku solidariteti njer\u00ebzor sfidohet nga forcat brutale shoq\u00ebrore, duke p\u00ebrdorur nj\u00eb qasje t\u00eb ndjeshme dhe kamer\u00eb t\u00eb sakt\u00eb v\u00ebzhguese. \u00c7mimi Balkan Dox shkon p\u00ebr \u201cFactory to the Workers\u201d nga Sr\u0111an Kova\u010devi\u0107.\u201d\u00a0<\/span><\/p><p style=\"text-align: justify\"><span style=\"font-weight: 400;font-family: georgia, palatino, serif;font-size: 14pt\">N\u00eb kuad\u00ebr t\u00eb tem\u00ebs s\u00eb k\u00ebtij edicioni t\u00eb DokuFest \u201cHow to survive?\u201d, mes t\u00eb tjerash, ky film v\u00eb n\u00eb pah nj\u00eb pjes\u00eb t\u00eb problematikave t\u00eb shoq\u00ebris\u00eb, si\u00e7 \u00ebsht\u00eb cil\u00ebsia e kushteve dhe siguria n\u00eb vendin e pun\u00ebs p\u00ebr pun\u00ebtor\u00ebt. Tjera \u00e7\u00ebshtje q\u00eb ishin qend\u00ebr e k\u00ebtij edicioni t\u00eb DokuFest, ishin edhe \u00e7\u00ebshtjet mjedisore, identiteti seksual n\u00eb nj\u00eb kontekst patriarkal dhe rolet gjinore, izolimi, pasojat e luft\u00ebs, nevoja p\u00ebr m\u00eb shum\u00eb aktiviz\u00ebm etj. Megjith\u00ebse, si\u00e7 observojn\u00eb banor\u00eb t\u00eb Prizrenit, se DokuFest ndiqet m\u00eb shum\u00eb nga t\u00eb ardhur dhe t\u00eb huaj, festivali prek ndjesh\u00ebm dinamik\u00ebn e qytetit, duke e b\u00ebr\u00eb m\u00eb t\u00eb gjall\u00eb dhe m\u00eb miq\u00ebsor p\u00ebr t\u00eb gjith\u00eb s\u00eb bashku.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Antonela Pepkolaj | 24.08.2022 | nyje.al P\u00ebrgjith\u00ebsisht autonomia \u00ebsht\u00eb nj\u00eb nga pasojat e suksesit (apo k\u00ebshtu mendohet) dhe, pasoj\u00eb e autonomis\u00eb, \u00ebsht\u00eb m\u00eb shum\u00eb dinjitet dhe integritet njer\u00ebzor. Dokumentari \u201cFactory to the workers\u201d, nxjerr n\u00eb pah, q\u00eb n\u00eb fakt edhe ekzistenca mund t\u00eb p\u00ebrb\u00ebj\u00eb konflikt interesi, sidomos n\u00eb nj\u00eb bot\u00eb hierarkish n\u00eb t\u00eb cil\u00ebn idealist\u00ebt zgjedhin t\u00eb ecin kund\u00ebr rrym\u00ebs. K\u00ebshtu ndodh me fabrik\u00ebn e pjes\u00ebve t\u00eb makinave ITAS n\u00eb Kroaci.\u00a0 N\u00eb p\u00ebrpjekje p\u00ebr t\u00eb luftuar procesin e privatizimit, pun\u00ebtor\u00ebt b\u00ebhen pronar\u00ebt e saj duke ndar\u00eb p\u00ebrgjegj\u00ebsit\u00eb dhe aksionet. E gjith\u00eb kjo narrativ\u00eb, q\u00eb p\u00ebrb\u00ebn dhe konfliktin kryesor t\u00eb dokumentarit, n\u00ebnkupton nj\u00eb lloj nostalgjie, apo inercie, kah socializmi jugosllav, i cili sh\u00ebnjohet m\u00eb qartazi nga imazhet e Titos n\u00eb hyrje t\u00eb filmit.\u00a0 Megjithat\u00eb, d\u00ebshira e mir\u00eb nuk \u00ebsht\u00eb garant p\u00ebr sukses, pasi ky model utopik d\u00ebshton, duke i l\u00ebn\u00eb pun\u00ebtor\u00ebt vet\u00ebm me privilegjin e barazis\u00eb dhe vendimmarrjes, por pa rroga. K\u00ebtu shtrohen dilema t\u00eb tilla si: d\u00ebshira p\u00ebr mir\u00ebq\u00ebnie kundrejt d\u00ebshir\u00ebs p\u00ebr liri dhe dinjitet; koha q\u00eb shesim kundrejt koh\u00ebs q\u00eb investojm\u00eb; sakrifica kundrejt t\u00eb drejt\u00ebs p\u00ebr d\u00ebmshp\u00ebrblim. Shquhen m\u00eb qart\u00eb n\u00eb rr\u00ebfimin e nj\u00ebrit prej pun\u00ebtor\u00ebve p\u00ebrball\u00eb kamerave, i cili konstaton t\u00eb drejt\u00ebn e vet p\u00ebr dinjitet, p\u00ebr liri, p\u00ebr m\u00eb shum\u00eb mund\u00ebsi duke v\u00ebn\u00eb n\u00eb pah se puna n\u00eb fabrik\u00eb ia c\u00ebnon k\u00ebto t\u00eb drejta dhe q\u00eb, n\u00eb fakt puna n\u00eb fabrik\u00eb p\u00ebr t\u00eb \u00ebsht\u00eb kompromis me veten, pasi nuk do ishte asnj\u00ebher\u00eb opsioni i tij i par\u00eb. Loja me rrogat zbulon dhe nj\u00eb skem\u00eb t\u00eb posht\u00ebr: Bo\u017eo Dragoslavi\u0107, drejtori ekzekutiv i ITAS-it ka vjedhur vazhdimisht nga fondet e fabrik\u00ebs, gj\u00eb e cila vet\u00ebm aludohet, por e v\u00ebrteta nuk zbulohet asnj\u00ebher\u00eb qart\u00eb, pasi dokumentari \u00ebsht\u00eb i nd\u00ebrtuar pas prizmit t\u00eb pun\u00ebtor\u00ebve, dhe ata nuk din\u00eb asgj\u00eb p\u00ebrpos faktit se nuk kan\u00eb marr\u00eb rrogat e tyre. Kjo shkakton q\u00eb Dragoslavi\u0107 t\u00eb shkarkohet nga posti i tij dhe n\u00eb vend t\u00eb tij vendoset Varga, nj\u00eb njeri i cili duket se do sinqerisht m\u00eb t\u00eb mir\u00ebn p\u00ebr pun\u00ebtor\u00ebt dhe fabrik\u00ebn. Megjithat\u00eb, borxhet e shumta kusht\u00ebzojn\u00eb suksesin e fabrik\u00ebs dhe n\u00eb fund t\u00eb dokumentarit, aludohet p\u00ebr falimentin e plot\u00eb t\u00eb saj, p\u00ebrmes imazheve t\u00eb nj\u00eb pun\u00ebtori q\u00eb po mbledh shishe brenda fabrike p\u00ebr t\u2019i shitur m\u00eb pas. Filmi \u00ebsht\u00eb nj\u00eb dokumentar i cili zhvillohet brenda hap\u00ebsirave t\u00eb fabrik\u00ebs, me fokus pun\u00ebtor\u00ebt dhe eksperienc\u00ebn e tyre n\u00eb kontekstin e pun\u00ebs. Shikuesi nuk \u00ebsht\u00eb apo b\u00ebhet familjar me t\u00eb v\u00ebrtet\u00ebn pas problemeve me t\u00eb cilat ndeshen pun\u00ebtor\u00ebt, si\u00e7 \u00ebsht\u00eb mungesa e rrogave prej tashm\u00eb disa muajsh, por \u00ebsht\u00eb familjar me mundin e tyre teksa p\u00ebrpiqen t\u00eb luftojn\u00eb p\u00ebr t\u00eb drejtat e veta. Ndaj edhe atmosfera e dokumentarit luhatet mes momentesh revolte e mjerimi, e deri te konspiracioni dhe aludimi. Gjithsesi, filmi i q\u00ebndron besnik deri n\u00eb fund prizmit t\u00eb pun\u00ebtorit. P\u00ebrve\u00e7 tematik\u00ebs s\u00eb t\u00eb drejtave t\u00eb pun\u00ebtor\u00ebve, dokumentari v\u00eb n\u00eb pah edhe p\u00ebrplasjen mes sistemeve t\u00eb ndryshme ekonomike, si\u00e7 jan\u00eb n\u00eb k\u00ebt\u00eb rast socializmi dhe kapitalizmi, duke dal\u00eb n\u00eb p\u00ebrfundimin pesimist se kapitalizmi \u00ebsht\u00eb gjuha e vetme e ekonomis\u00eb dhe q\u00eb gjith\u00e7ka tjet\u00ebr \u00ebsht\u00eb e prirur t\u00eb d\u00ebshtoj\u00eb. Pa\u00e7ka se, fabrika orvatet t\u00eb ruaj\u00eb solidaritetin e saj duke luftuar procesin e privatizimit, duket sikur dokumentari na thot\u00eb q\u00eb nuk mund t\u00eb ruajm\u00eb edhe autoritetin e plot\u00eb njer\u00ebzor mbi veten dhe jet\u00ebn ton\u00eb edhe suksesin ekonomik, por q\u00eb, duhet zgjedhur vazhdimisht mes tyre.\u00a0 Dokumentari fitoi gar\u00ebn e dokumentar\u00ebve t\u00eb Ballkanit n\u00eb DokuFest, edicioni XXI , me motivacionin: \u201cJuria zgjodhi unanimisht nj\u00eb dokumentar q\u00eb zbulon dinamik\u00ebn komplekse dhe universale t\u00eb nj\u00eb mikrokozmosi ku solidariteti njer\u00ebzor sfidohet nga forcat brutale shoq\u00ebrore, duke p\u00ebrdorur nj\u00eb qasje t\u00eb ndjeshme dhe kamer\u00eb t\u00eb sakt\u00eb v\u00ebzhguese. \u00c7mimi Balkan Dox shkon p\u00ebr \u201cFactory to the Workers\u201d nga Sr\u0111an Kova\u010devi\u0107.\u201d\u00a0 N\u00eb kuad\u00ebr t\u00eb tem\u00ebs s\u00eb k\u00ebtij edicioni t\u00eb DokuFest \u201cHow to survive?\u201d, mes t\u00eb tjerash, ky film v\u00eb n\u00eb pah nj\u00eb pjes\u00eb t\u00eb problematikave t\u00eb shoq\u00ebris\u00eb, si\u00e7 \u00ebsht\u00eb cil\u00ebsia e kushteve dhe siguria n\u00eb vendin e pun\u00ebs p\u00ebr pun\u00ebtor\u00ebt. Tjera \u00e7\u00ebshtje q\u00eb ishin qend\u00ebr e k\u00ebtij edicioni t\u00eb DokuFest, ishin edhe \u00e7\u00ebshtjet mjedisore, identiteti seksual n\u00eb nj\u00eb kontekst patriarkal dhe rolet gjinore, izolimi, pasojat e luft\u00ebs, nevoja p\u00ebr m\u00eb shum\u00eb aktiviz\u00ebm etj. Megjith\u00ebse, si\u00e7 observojn\u00eb banor\u00eb t\u00eb Prizrenit, se DokuFest ndiqet m\u00eb shum\u00eb nga t\u00eb ardhur dhe t\u00eb huaj, festivali prek ndjesh\u00ebm dinamik\u00ebn e qytetit, duke e b\u00ebr\u00eb m\u00eb t\u00eb gjall\u00eb dhe m\u00eb miq\u00ebsor p\u00ebr t\u00eb gjith\u00eb s\u00eb 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