{"id":1433,"date":"2018-06-01T11:25:09","date_gmt":"2018-06-01T09:25:09","guid":{"rendered":"http:\/\/www.nyje.al\/?p=1433"},"modified":"2024-08-22T19:35:02","modified_gmt":"2024-08-22T17:35:02","slug":"shkrimtari-mesazh-te-rinjve-mos-bini-pre-e-spektaklit-politik","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/shkrimtari-mesazh-te-rinjve-mos-bini-pre-e-spektaklit-politik\/","title":{"rendered":"Shkrimtari mesazh t\u00eb rinjve: \u201cMos bini pre e spektaklit politik!\u201d"},"content":{"rendered":"
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01.06.2018 | nyje.al<\/strong><\/span><\/p>

Librat e Ylli Demnerit b\u00ebjn\u00eb pjes\u00eb tek ajo krijimtari q\u00eb th\u00ebrret t\u00eb shkuar\u00ebn dhe d\u00ebshiron t\u00eb komunikoj\u00eb me t\u00eb rinjt\u00eb, pra me t\u00eb ardhmen. N\u00eb v\u00ebllimin e dyt\u00eb \u201cM\u00eb kujtohet\u201d botuar n\u00eb maj 2018 ai shkruan: \u201cAshtu si n\u00eb fotografit\u00eb e futura n\u00eb kov\u00ebn me solucion t\u00eb fotografit t\u00eb vjet\u00ebr, diku pran\u00eb Pazarit t\u00eb Ri (\u201cFoto Lugati\u201d si\u00e7 e quanin disa), ku pak nga pak p\u00ebrvijohej portreti dhe coha e zez\u00eb (e zbardhur nga vitet), jam munduar t\u00eb fiksoj grimca t\u00eb nj\u00eb kohe t\u00eb kaluar; t\u00eb kap t\u00eb zakonshmen q\u00eb duket si e b\u00ebr\u00eb p\u00ebr t\u2019u harruar, me shpres\u00ebn q\u00eb k\u00ebto sh\u00ebnime t\u00eb gjejn\u00eb jehon\u00eb te lexuesit dhe natyrsh\u00ebm t\u2019u vij\u00eb n\u00eb buz\u00eb: \u201cPo, edhe mua m\u00eb kujtohet\u201d, duke e kthyer k\u00ebt\u00eb lib\u00ebr n\u00eb nj\u00eb vendtakim t\u00eb kujtimeve.\u201d<\/em><\/span><\/p>

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Ylli Demneri e ka shfaqur veten si autor relativisht von\u00eb<\/span> p\u00ebrkund\u00ebr p\u00ebrfytyrimit tradicional q\u00eb kemi p\u00ebr shkrimtarin i cili \u201crritet\u201d n\u00eb syt\u00eb e lexuesit nga nj\u00eb vep\u00ebr n\u00eb tjetr\u00ebn. Nga kjo pik\u00eb nisi diskutimi me k\u00ebt\u00eb autor n\u00eb takimin letrar zhvilluar n\u00eb q\u00ebndr\u00ebn e grupit \u201cAta\u201d n\u00eb Kam\u00ebz. Demneri \u00a0thot\u00eb q\u00eb debutimi i tij si autor ka ndodhur n\u00eb gjysm\u00ebn ideale t\u00eb jet\u00ebs, n\u00eb mosh\u00ebn 50- vje\u00e7are. Momenti vendimtar n\u00eb t\u00eb cilin vendosi t\u00eb shkruante gjith\u00eb \u00e7far\u00eb kishte mbajtur brenda vetes, ishte kur u njoh me vepr\u00ebn e George Perec-ut: \u201cTakimi me vepr\u00ebn e George Perecut ka ndodhur rast\u00ebsisht si krejt takimet e bukura n\u00eb p\u00ebrgjith\u00ebsi. Nj\u00eb kolege e pun\u00ebs, vjen nj\u00eb dit\u00eb me nj\u00eb let\u00ebr t\u00eb grisur nga nj\u00eb revist\u00eb franceze dhe m\u00eb thot\u00eb: \u2018Ylli, mendoj se do t\u00eb t\u00eb interesoj\u00eb ky artikull.\u2019 E marr artikullin ku flitej p\u00ebr librin e George Perec-ut \u201cJe me souviens\u201d. Nuk i kisha lexuar asnj\u00eb vep\u00ebr. \u00a0Punoja n\u00eb Bulevardin \u201cSan Michel\u201d i cili ishte i rrethuar nga librarit\u00eb. N\u00eb pushimin e drek\u00ebs t\u00eb po asaj dite shkoj dhe e gjej librin e Perec-ut. Sapo nis leximin, hapet brenda meje ajo penges\u00eb kaq e madhe pa koshienc\u00eb q\u00eb ndjeja, e cila m\u00eb pas do t\u00eb m\u00eb b\u00ebnte t\u00eb hidhja gjith\u00eb ato faqe lib\u00ebr, gjith\u00eb ato shkrime, gjith\u00eb ato grimca.\u201d<\/em><\/span><\/p>

P\u00ebrvoja e t\u00eb shkruarit e ka \u00e7liruar nga mendimi i estetik\u00ebs klasike, apo ides\u00eb se roman i mir\u00ebfillt\u00eb mund t\u00eb quhet vet\u00ebm ajo let\u00ebrsi me personazhe t\u00eb motivuar, me ngjarje kulminante q\u00eb gjejn\u00eb nj\u00eb zgjidhje. Librat e tij nuk kan\u00eb t\u00eb b\u00ebjn\u00eb me k\u00ebto ligje, ndaj nuk mund t\u00eb klasifikohen leht\u00ebsisht sipas zhanreve tradicionale, si n\u00eb rastin e \u201cE dashur A.\u201d ku l\u00ebvron epistolarin me nj\u00eb stil narracioni lirik, po edhe kur shkruan nj\u00eb lloj t\u00eb ve\u00e7ant\u00eb eseje e cila provokohet nga nj\u00eb foto e aktualitetit apo e nxjerr\u00eb nga kujtimet, si n\u00eb rastin e librit \u201cBlock-notes\u201d.<\/span><\/p>

Ai p\u00ebrdor gjuh\u00ebn e kinemas\u00eb p\u00ebr t\u00eb sjell\u00eb nj\u00eb imazh m\u00eb t\u00eb gjall\u00eb dhe panoramik p\u00ebr kujtimet e tij: plane t\u00eb shkurtra, pak m\u00eb t\u00eb gjata, plane t\u00eb mesme, plane t\u00eb af\u00ebrta apo plane detaj. Ylli Demneri ka mbaruar liceun p\u00ebr piktur\u00eb, m\u00eb pas ka ndjekur studimet p\u00ebr regji filmi dhe teatri n\u00eb Institutin e Lart\u00eb t\u00eb Arteve. Por lidhja e tij me imazhin ka filluar q\u00eb n\u00eb f\u00ebmij\u00ebri. Fotografia p\u00ebr t\u00eb ka q\u00ebn\u00eb nj\u00eb ushtrim i mir\u00eb, pasi e ka ndihmuar n\u00eb zhvillimin e imagjinat\u00ebs p\u00ebr t\u00eb krijuar analogji me realitetin shqiptar. K\u00ebt\u00eb element e gjejm\u00eb t\u00eb zbatuar tek \u201cBloc-notes\u201d (2016). T\u00ebrheq v\u00ebmendjen meditimi mbi nj\u00eb fotografi t\u00eb diktatorit Kim Jong-il ku p\u00ebrshkruhet gjesti i fotografuar, syzet e tij, apo personazhi mbrapa tij q\u00eb pozon sipas nj\u00eb inskenimi. Ai kalon nga imazhe t\u00eb tilla n\u00eb nj\u00eb lexim t\u00eb thell\u00eb t\u00eb asaj q\u00eb e rrethon. Etika e kthyer n\u00eb mizansen\u00eb, \u00a0propaganda e vazhdueshme, past\u00ebrtia dhe fabrikimi i imazhit, jan\u00eb t\u00eb gjitha shenja e nj\u00eb shoq\u00ebrie spektakliDemneri e komenton n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb: \u201cAjo q\u00eb m\u00eb b\u00ebri m\u00eb shum\u00eb p\u00ebrshtypje kur pash\u00eb foton e diktatorit ishte past\u00ebrtia shembullore e imazhit: panxhar\u00ebt jan\u00eb t\u00eb lar\u00eb, t\u00eb pastruar, kuzhina nuk ka asnj\u00eb lloj vaji. \u00c7do gj\u00eb mbrapa \u00ebsht\u00eb sterile. Un\u00eb shikoja Kim Jongu-n n\u00eb nj\u00eb foto t\u00eb inskenuar e cila sh\u00ebrbente p\u00ebr t\u00eb treguar q\u00eb udh\u00ebheq\u00ebsi \u00ebsht\u00eb n\u00eb nj\u00eb gjendje shum\u00eb t\u00eb mir\u00eb dhe q\u00eb interesohet p\u00ebr sh\u00ebndetin e popullit, pasi \u00ebsht\u00eb me panxhar n\u00eb dor\u00eb. Kjo \u00ebsht\u00eb mizansena m\u00eb semantike e m\u00eb qesharake n\u00eb bot\u00eb.\u201d<\/span><\/p>

Autori nuk kursehet t\u00eb komentoj\u00eb situat\u00ebn politike gjat\u00eb viteve t\u00eb demokracis\u00eb duke e paralelizuar figur\u00ebn e udh\u00ebheq\u00ebsit t\u00eb shtetit me at\u00eb t\u00eb mbretit dhe agait, kundrejt t\u00eb cilit duhet t\u00eb ndjehesh mir\u00ebnjoh\u00ebs duke e adhuruar deri n\u00eb p\u00ebrul\u00ebsi. \u201cDiktatura la mbrapa njer\u00ebz t\u00eb paformuar dhe t\u00eb paaft\u00eb p\u00ebr t\u00eb krijuar e drejtuar nj\u00eb shtet demokratik. Njer\u00ebzit e paditur t\u00eb dikursh\u00ebm, sot kan\u00eb kuptuar vet\u00ebm form\u00ebn e shtetit nd\u00ebrsa thelbin e tij e kan\u00eb z\u00ebvend\u00ebsuar me spektak\u00ebl, narciziz\u00ebm e krenari t\u00eb tepruar. Mesazhi q\u00eb u jap t\u00eb rinjve \u00ebsht\u00eb t\u00eb mos bien pre e spektaklit t\u00eb tyre.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

01.06.2018 | nyje.al Librat e Ylli Demnerit b\u00ebjn\u00eb pjes\u00eb tek ajo krijimtari q\u00eb th\u00ebrret t\u00eb shkuar\u00ebn dhe d\u00ebshiron t\u00eb komunikoj\u00eb me t\u00eb rinjt\u00eb, pra me t\u00eb ardhmen. N\u00eb v\u00ebllimin e dyt\u00eb \u201cM\u00eb kujtohet\u201d botuar n\u00eb maj 2018 ai shkruan: \u201cAshtu si n\u00eb fotografit\u00eb e futura n\u00eb kov\u00ebn me solucion t\u00eb fotografit t\u00eb vjet\u00ebr, diku pran\u00eb Pazarit t\u00eb Ri (\u201cFoto Lugati\u201d si\u00e7 e quanin disa), ku pak nga pak p\u00ebrvijohej portreti dhe coha e zez\u00eb (e zbardhur nga vitet), jam munduar t\u00eb fiksoj grimca t\u00eb nj\u00eb kohe t\u00eb kaluar; t\u00eb kap t\u00eb zakonshmen q\u00eb duket si e b\u00ebr\u00eb p\u00ebr t\u2019u harruar, me shpres\u00ebn q\u00eb k\u00ebto sh\u00ebnime t\u00eb gjejn\u00eb jehon\u00eb te lexuesit dhe natyrsh\u00ebm t\u2019u vij\u00eb n\u00eb buz\u00eb: \u201cPo, edhe mua m\u00eb kujtohet\u201d, duke e kthyer k\u00ebt\u00eb lib\u00ebr n\u00eb nj\u00eb vendtakim t\u00eb kujtimeve.\u201d \u00a0 Ylli Demneri e ka shfaqur veten si autor relativisht von\u00eb p\u00ebrkund\u00ebr p\u00ebrfytyrimit tradicional q\u00eb kemi p\u00ebr shkrimtarin i cili \u201crritet\u201d n\u00eb syt\u00eb e lexuesit nga nj\u00eb vep\u00ebr n\u00eb tjetr\u00ebn. Nga kjo pik\u00eb nisi diskutimi me k\u00ebt\u00eb autor n\u00eb takimin letrar zhvilluar n\u00eb q\u00ebndr\u00ebn e grupit \u201cAta\u201d n\u00eb Kam\u00ebz. Demneri \u00a0thot\u00eb q\u00eb debutimi i tij si autor ka ndodhur n\u00eb gjysm\u00ebn ideale t\u00eb jet\u00ebs, n\u00eb mosh\u00ebn 50- vje\u00e7are. Momenti vendimtar n\u00eb t\u00eb cilin vendosi t\u00eb shkruante gjith\u00eb \u00e7far\u00eb kishte mbajtur brenda vetes, ishte kur u njoh me vepr\u00ebn e George Perec-ut: \u201cTakimi me vepr\u00ebn e George Perecut ka ndodhur rast\u00ebsisht si krejt takimet e bukura n\u00eb p\u00ebrgjith\u00ebsi. Nj\u00eb kolege e pun\u00ebs, vjen nj\u00eb dit\u00eb me nj\u00eb let\u00ebr t\u00eb grisur nga nj\u00eb revist\u00eb franceze dhe m\u00eb thot\u00eb: \u2018Ylli, mendoj se do t\u00eb t\u00eb interesoj\u00eb ky artikull.\u2019 E marr artikullin ku flitej p\u00ebr librin e George Perec-ut \u201cJe me souviens\u201d. Nuk i kisha lexuar asnj\u00eb vep\u00ebr. \u00a0Punoja n\u00eb Bulevardin \u201cSan Michel\u201d i cili ishte i rrethuar nga librarit\u00eb. N\u00eb pushimin e drek\u00ebs t\u00eb po asaj dite shkoj dhe e gjej librin e Perec-ut. Sapo nis leximin, hapet brenda meje ajo penges\u00eb kaq e madhe pa koshienc\u00eb q\u00eb ndjeja, e cila m\u00eb pas do t\u00eb m\u00eb b\u00ebnte t\u00eb hidhja gjith\u00eb ato faqe lib\u00ebr, gjith\u00eb ato shkrime, gjith\u00eb ato grimca.\u201d P\u00ebrvoja e t\u00eb shkruarit e ka \u00e7liruar nga mendimi i estetik\u00ebs klasike, apo ides\u00eb se roman i mir\u00ebfillt\u00eb mund t\u00eb quhet vet\u00ebm ajo let\u00ebrsi me personazhe t\u00eb motivuar, me ngjarje kulminante q\u00eb gjejn\u00eb nj\u00eb zgjidhje. Librat e tij nuk kan\u00eb t\u00eb b\u00ebjn\u00eb me k\u00ebto ligje, ndaj nuk mund t\u00eb klasifikohen leht\u00ebsisht sipas zhanreve tradicionale, si n\u00eb rastin e \u201cE dashur A.\u201d ku l\u00ebvron epistolarin me nj\u00eb stil narracioni lirik, po edhe kur shkruan nj\u00eb lloj t\u00eb ve\u00e7ant\u00eb eseje e cila provokohet nga nj\u00eb foto e aktualitetit apo e nxjerr\u00eb nga kujtimet, si n\u00eb rastin e librit \u201cBlock-notes\u201d. Ai p\u00ebrdor gjuh\u00ebn e kinemas\u00eb p\u00ebr t\u00eb sjell\u00eb nj\u00eb imazh m\u00eb t\u00eb gjall\u00eb dhe panoramik p\u00ebr kujtimet e tij: plane t\u00eb shkurtra, pak m\u00eb t\u00eb gjata, plane t\u00eb mesme, plane t\u00eb af\u00ebrta apo plane detaj. Ylli Demneri ka mbaruar liceun p\u00ebr piktur\u00eb, m\u00eb pas ka ndjekur studimet p\u00ebr regji filmi dhe teatri n\u00eb Institutin e Lart\u00eb t\u00eb Arteve. Por lidhja e tij me imazhin ka filluar q\u00eb n\u00eb f\u00ebmij\u00ebri. Fotografia p\u00ebr t\u00eb ka q\u00ebn\u00eb nj\u00eb ushtrim i mir\u00eb, pasi e ka ndihmuar n\u00eb zhvillimin e imagjinat\u00ebs p\u00ebr t\u00eb krijuar analogji me realitetin shqiptar. K\u00ebt\u00eb element e gjejm\u00eb t\u00eb zbatuar tek \u201cBloc-notes\u201d (2016). T\u00ebrheq v\u00ebmendjen meditimi mbi nj\u00eb fotografi t\u00eb diktatorit Kim Jong-il ku p\u00ebrshkruhet gjesti i fotografuar, syzet e tij, apo personazhi mbrapa tij q\u00eb pozon sipas nj\u00eb inskenimi. Ai kalon nga imazhe t\u00eb tilla n\u00eb nj\u00eb lexim t\u00eb thell\u00eb t\u00eb asaj q\u00eb e rrethon. Etika e kthyer n\u00eb mizansen\u00eb, \u00a0propaganda e vazhdueshme, past\u00ebrtia dhe fabrikimi i imazhit, jan\u00eb t\u00eb gjitha shenja e nj\u00eb shoq\u00ebrie spektakliDemneri e komenton n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb: \u201cAjo q\u00eb m\u00eb b\u00ebri m\u00eb shum\u00eb p\u00ebrshtypje kur pash\u00eb foton e diktatorit ishte past\u00ebrtia shembullore e imazhit: panxhar\u00ebt jan\u00eb t\u00eb lar\u00eb, t\u00eb pastruar, kuzhina nuk ka asnj\u00eb lloj vaji. \u00c7do gj\u00eb mbrapa \u00ebsht\u00eb sterile. Un\u00eb shikoja Kim Jongu-n n\u00eb nj\u00eb foto t\u00eb inskenuar e cila sh\u00ebrbente p\u00ebr t\u00eb treguar q\u00eb udh\u00ebheq\u00ebsi \u00ebsht\u00eb n\u00eb nj\u00eb gjendje shum\u00eb t\u00eb mir\u00eb dhe q\u00eb interesohet p\u00ebr sh\u00ebndetin e popullit, pasi \u00ebsht\u00eb me panxhar n\u00eb dor\u00eb. Kjo \u00ebsht\u00eb mizansena m\u00eb semantike e m\u00eb qesharake n\u00eb bot\u00eb.\u201d Autori nuk kursehet t\u00eb komentoj\u00eb situat\u00ebn politike gjat\u00eb viteve t\u00eb demokracis\u00eb duke e paralelizuar figur\u00ebn e udh\u00ebheq\u00ebsit t\u00eb shtetit me at\u00eb t\u00eb mbretit dhe agait, kundrejt t\u00eb cilit duhet t\u00eb ndjehesh mir\u00ebnjoh\u00ebs duke e adhuruar deri n\u00eb p\u00ebrul\u00ebsi. \u201cDiktatura la mbrapa njer\u00ebz t\u00eb paformuar dhe t\u00eb paaft\u00eb p\u00ebr t\u00eb krijuar e drejtuar nj\u00eb shtet demokratik. Njer\u00ebzit e paditur t\u00eb dikursh\u00ebm, sot kan\u00eb kuptuar vet\u00ebm form\u00ebn e shtetit nd\u00ebrsa thelbin e tij e kan\u00eb z\u00ebvend\u00ebsuar me spektak\u00ebl, narciziz\u00ebm e krenari t\u00eb tepruar. Mesazhi q\u00eb u jap t\u00eb rinjve \u00ebsht\u00eb t\u00eb mos bien pre e spektaklit t\u00eb 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