{"id":11483,"date":"2021-10-20T16:02:51","date_gmt":"2021-10-20T14:02:51","guid":{"rendered":"http:\/\/nyje.al\/?p=11483"},"modified":"2024-09-16T10:56:49","modified_gmt":"2024-09-16T08:56:49","slug":"ca-tabu-per-seksin-dashurine-dhe-dhunen","status":"publish","type":"post","link":"https:\/\/nyje.al\/sq\/ca-tabu-per-seksin-dashurine-dhe-dhunen\/","title":{"rendered":"Ca tabu p\u00ebr seksin, dashurin\u00eb dhe dhun\u00ebn"},"content":{"rendered":"
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Ronald Qema | 20.10.2021 |\u00a0nyje.al<\/strong><\/span><\/p>

N\u00eb mars t\u00eb 1973-shit, Franca Rame, aktorja, regjisorja dhe aktivistja italiane, u mor peng e k\u00ebrc\u00ebnuar me arm\u00eb nga 5 meshkuj brenda nj\u00eb furgoni. P\u00ebrdor\u00ebn briskun p\u00ebr t\u2019u shqyer rrobat dhe prer\u00eb l\u00ebkur\u00ebn, i dogj\u00ebn cigare n\u00eb trup. Franca Rame u p\u00ebrdhunua. U desh\u00ebn dy vjet q\u00eb ajo t\u00eb gjente forc\u00ebn p\u00ebr t\u00eb treguar \u00e7\u2019i kishte ndodhur. Bashk\u00ebshorti i saj, Dario Fo, e mori vesh nga letra q\u00eb Franca i kishte shkruar. Kjo grua tronditi Italin\u00eb kur me an\u00eb t\u00eb nj\u00eb monologu, \u201cLo Stupro\u201d (P\u00ebrdhunimi), tregoi p\u00ebrball\u00eb miliona njer\u00ebzve, q\u00eb e ndiqnin nga ekrani i televizorit, gjith\u00eb \u00e7ka kishte ndodhur nat\u00ebn kur grupi i neofashist\u00ebve e p\u00ebrdhunuan. Ajo vazhdoi ta rr\u00ebfej\u00eb ngjarjen n\u00eb programe televizive e teatro n\u00eb Itali dhe Europ\u00eb.<\/span><\/p>

\u201cLo Stupro\u201d n\u00eb Kam\u00ebz<\/strong><\/span>
Fundjav\u00ebn q\u00eb lam\u00eb pas, monologu \u201cP\u00ebrdhunimi\u201d bashk\u00eb me nj\u00eb tjet\u00ebr monolog t\u00eb Franca Rames, \u201cSeks? Rrofsh sa p\u00ebr t\u2019u k\u00ebndellur\u201d, u luajt n\u00eb Kam\u00ebz n\u00eb nj\u00eb hap\u00ebsir\u00eb biznesi t\u00eb pap\u00ebrfunduar. N\u00ebn drejtimin e Anila Ball\u00ebs, regjisore dhe aktore, shfaqja \u201cP\u00ebrdhun\u00eb\u201d solli rr\u00ebfimin trazues t\u00eb p\u00ebrdhunimit, interpretuar nga Irena Ke\u00e7i, Mariana Syla dhe Anisa Pepkolaj, vajza aktiviste pran\u00eb grupit “Ata”.<\/span><\/p>

\"Foto<\/span> Foto t\u00eb realizuara gjat\u00eb shfaqjeve n\u00eb Kam\u00ebz, Tetor 2021, Ronald Qem<\/span>a<\/span><\/span><\/p>

Aktivistja Diana Malaj, e kishte marr\u00eb p\u00ebrsip\u00ebr p\u00ebrkthimin e monologut t\u00eb Rames si nj\u00eb nevoj\u00eb p\u00ebr t\u2019iu sjell\u00eb t\u00eb rinjve tekste t\u00eb ngarkuara politikisht n\u00eb nj\u00eb Kam\u00ebz q\u00eb duket se nuk mendon p\u00ebr veten me sy kritik\u00eb, se p\u00ebr t\u00eb bukur\u00ebn jo e jo.<\/span><\/p>

\u201cTekstin e p\u00ebrkthyem menj\u00ebher\u00eb pas dhun\u00ebs q\u00eb ndesh\u00ebm n\u00eb Valias<\/a>, gjat\u00eb shfaqjes ‘Vidh nj\u00eb \u00e7ik\u00eb m\u00eb pak’ e Dario Fos\u00eb\u201d, tregon Diana. \u201cN\u00eb p\u00ebrpjekje p\u00ebr t\u00eb gjetur nj\u00eb arsye p\u00ebr \u00e7far\u00eb na kishte, ndodhur u hodh\u00ebm n\u00eb tekstin e Francas. E pam\u00eb dhe ripam\u00eb interpretimin e saj, aq sa menduam se p\u00ebrkthimi do t\u00eb na ndihmonte p\u00ebr t\u00eb kuptuar m\u00eb mir\u00eb veten dhe identitetin ton\u00eb.\u201d<\/span>
Bazuar n\u00eb realitetin e p\u00ebrditsh\u00ebm q\u00eb vajzat e grupit ndeshin por edhe n\u00eb situat\u00ebn e r\u00ebnduar t\u00eb dhun\u00ebs ndaj grave e vajzave, monologu \u201cP\u00ebrdhunimi\u201d duhej p\u00ebrdorur si reagim. \u201cE ndiem\u00eb se duhej b\u00ebr\u00eb di\u00e7ka\u201d, thot\u00eb Anila Balla. \u201cNa ndodh t\u00eb p\u00ebrplasemi vazhdimisht me dhun\u00ebn n\u00eb p\u00ebrditshm\u00ebrin\u00eb ton\u00eb, drejtp\u00ebrdrejt apo p\u00ebrmes televizorit, nj\u00eb dhun\u00eb n\u00eb format nga m\u00eb t\u00eb \u00e7uditshme.\u201d<\/span>
N\u00eb fakt, monologu ka dy vite q\u00eb kalon n\u00ebp\u00ebr duart e aktivist\u00ebve t\u00eb grupit dhe \u00ebsht\u00eb lexuar n\u00eb grup 8 marsin e shkuar.<\/span><\/p>

\"\"<\/span> Kam\u00ebz, Tetor 2021, R.Qema<\/span><\/p>

Q\u00eb nga p\u00ebrkthimi e deri n\u00eb v\u00ebnien n\u00eb sken\u00eb, shum\u00eb ide jan\u00eb rrahur dhe p\u00ebrpunuar p\u00ebr m\u00ebnyr\u00ebn se si duhej interpretuar. Ndryshe nga zakonisht, monologu u luajt nga tri karaktere, si tri pasqyrime t\u00eb gjendjes q\u00eb \u00e7do grua mund t\u00eb ket\u00eb p\u00ebrjetuar n\u00eb situat\u00ebn e Francas. Regjisorja Anila Balla tregon se kishte menduar q\u00eb \u201cpjesa do t\u00eb vinte m\u00eb fuqish\u00ebm n\u00ebse do interpretohej nga tri vajza, t\u00eb trija karaktere q\u00eb p\u00ebrfaq\u00ebsojn\u00eb mend\u00ebsi t\u00eb ndryshme t\u00eb vajzave e grave. Anisa \u00ebsht\u00eb minorene, shum\u00eb e ndjeshme, deri n\u00eb kufijt\u00eb e mbylljes n\u00eb vetvete. Irena \u00ebsht\u00eb ajo q\u00eb t\u00eb magjeps me karakterin e fort\u00eb dhe krenarin\u00eb. Nd\u00ebrsa Mariana me z\u00ebrin e ngroht\u00eb, jo i zakont\u00eb p\u00ebr t\u00eb treguar dhun\u00ebn fizike e shpirt\u00ebrore t\u00eb nj\u00eb personazhi.\u201d<\/span><\/p>

K\u00ebshtu, pesh\u00ebn e ngjarjes vajzat e kan\u00eb ndar\u00eb mes tyre, n\u00eb sken\u00ebn e err\u00ebt t\u00eb ndri\u00e7uar vet\u00ebm nga posht\u00eb.<\/span>
\u201cE dija dhe isha e vet\u00ebdijshme p\u00ebr r\u00ebnd\u00ebsin\u00eb q\u00eb ka tema dhe sa e fort\u00eb \u00ebsht\u00eb p\u00ebr shoq\u00ebrin\u00eb, kudo, jo vet\u00ebm n\u00eb Kam\u00ebz. Por nuk isha vet\u00ebm, bashk\u00eb me gocat jemi ndier\u00eb t\u00eb mbrojtura\u201d, thot\u00eb Irena.<\/span><\/p>

Nga mungesa e edukimit seksual tek p\u00ebrdhunimi<\/strong><\/span><\/p>

\"\"<\/span> Anila Balla teksa performon monologun “Seks? Rrofsh sa p\u00ebr t’u k\u00ebndellur”, Tetor 2021, R.Qema\u00a0<\/span><\/p>

Monologu \u201cSeks? Rrofsh sa p\u00ebr t\u2019u k\u00ebndellur\u201d (p\u00ebrkthyer nga origjinali nga Anxhela Lepuri) iu bashkangjit \u201cP\u00ebrdhunimit\u201d p\u00ebr t\u00eb krijuar shfaqjen teatrale \u201cP\u00ebrdhun\u00eb\u201d. Franca Rame dhe Dario e Jacopo Fo e shkruan familjarisht n\u00eb vitin 1994 dhe \u00ebsht\u00eb nj\u00eb nd\u00ebr t\u00eb shumtat komedi-monologje t\u00eb \u00e7iftit Fo-Rame. Pasojat e munges\u00ebs s\u00eb edukimit seksual sjell me humor e satir\u00eb, jan\u00eb nj\u00eb realitet edhe p\u00ebr publikun n\u00eb Kam\u00ebz. Pararend\u00ebs i rr\u00ebfimit t\u00eb p\u00ebrdhunimit, ky monolog i Francas ndau me publikun \u00e7\u00ebshtjet e dashuris\u00eb dhe seksit, \u00e7\u00ebshtje q\u00eb tabu p\u00ebr t\u2019u artikuluar qart\u00eb dhe hapur n\u00eb publik e q\u00eb shikuesit her\u00eb i prit\u00ebn me t\u00eb qeshura e her\u00eb vrenjtur. \u201cMendoj q\u00eb kjo shfaqje plot\u00ebson t\u00eb gjith\u00eb pasqyr\u00ebn e dhun\u00ebs seksuale, sepse p\u00ebrfshihet edhe padija seksuale deri tek akti i tmerrsh\u00ebm i p\u00ebrdhunimit\u201d, shpjegon Anila. Pati njer\u00ebz q\u00eb zun\u00eb e qesh\u00ebn me batutat e monologut t\u00eb par\u00eb, qan\u00eb me monologun e p\u00ebrdhunimit, u ndien\u00eb t\u00eb sikletosur nga termat si seks, penis, orgaz\u00ebm, etj., e gjithashtu pati t\u00eb tjer\u00eb q\u00eb u \u00e7uan dhe ik\u00ebn.<\/span>

Tri pyetje p\u00ebr aktoret
<\/strong><\/span>
\u00c7\u2019\u00ebsht\u00eb dhuna gjinore sipas teje? \u00c7far\u00eb keni diskutuar p\u00ebr m\u00ebnyr\u00ebn se si duhej sjell\u00eb p\u00ebrdhunimi n\u00eb sken\u00eb?<\/em><\/span>
Irena Ke\u00e7i: N\u00eb fakt kam q\u00ebn\u00eb shum\u00eb e qart\u00eb q\u00eb nga fillimi, q\u00eb n\u00ebse do m\u00eb vinte mund\u00ebsia p\u00ebr t\u00eb interpretuar nj\u00eb rol t\u00eb till\u00eb, nuk do e humbisja. M\u00eb ka prekur teksti, kemi rrjedhur n\u00ebp\u00ebr tekst shum\u00eb her\u00eb me dhimbje, por nga ana tjet\u00ebr ishte k\u00ebnaq\u00ebsi q\u00eb ia dol\u00ebm t\u00eb tregojm\u00eb dhimbjen e gruas n\u00eb nj\u00eb sken\u00eb t\u00eb vog\u00ebl. Pastaj, pas \u00e7do p\u00ebrcaktimi q\u00eb mund t\u00eb m\u00eb jepet, si aktore, aktiviste apo qytetare e Kamz\u00ebs, un\u00eb jam vajz\u00eb, jam grua, jam gjinia e paragjykuar, pothuajse e pambrojtur dhe gjithmon\u00eb me nj\u00eb barr\u00eb n\u00eb shpin\u00eb. Do doja shum\u00eb q\u00eb pas k\u00ebsaj shfaqjeje, bashk\u00eb me t\u00eb, t\u00eb mbaronte \u00e7do vuajte q\u00eb gruaja ka kaluar dhe kalon akoma. T\u00eb ndalonte aty \u00e7do padrejt\u00ebsi dhe t\u00eb gjith\u00eb t\u00eb kuptonin se sa t\u00eb r\u00ebnd\u00ebsishme jemi dhe se barazia duhet t\u00eb jet\u00eb e panegociueshme. Por, fuqia ime dhe e jona si trup\u00eb aktoresh dhe aktivistesh \u00ebsht\u00eb t\u2019i japim atij pak publiku q\u00eb na ndjek mund\u00ebsin\u00eb t\u00eb d\u00ebgjojn\u00eb e m\u00eb pas t\u00eb rr\u00ebfejn\u00eb mesazhet q\u00eb dham\u00eb. \u00cbsht\u00eb e v\u00ebshtir\u00eb v\u00ebrtet, por e vetmja gj\u00eb q\u00eb kemi \u00ebsht\u00eb: t\u00eb flasim.<\/span><\/p>

Mbi \u00e7\u2019emocione baz\u00eb keni punuar p\u00ebr t\u00eb realizuar shfaqjen \u201cP\u00ebrdhun\u00eb\u201d?
<\/em><\/span>
Mariana Syla: Gjat\u00eb jav\u00ebve q\u00eb kemi punuar p\u00ebr shfaqjen \u201cP\u00ebrdhun\u00eb\u201d, fillimisht kemi pasur emocione shum\u00eb t\u00eb forta e t\u00eb sinqerta dhe shpeshher\u00eb p\u00ebrballeshim me frik\u00ebrat tona. Ka qen\u00eb e pamundur t\u00eb shmang\u00ebsh mendimin q\u00eb ndoshta nj\u00eb dit\u00eb mund t\u00eb jemi dhe ne n\u00eb at\u00eb gjendje, frik\u00eb q\u00eb ndoshta e shoq\u00ebron \u00e7do vajz\u00eb. Kur kthehesh von\u00eb pas pune p\u00ebr n\u00eb sht\u00ebpi e futesh n\u00eb ato rrugicat e pandri\u00e7uara, frika ngjallet. Ne si vajza t\u00eb trup\u00ebs s\u00eb aktrimit e ndienim k\u00ebt\u00eb ngjarje af\u00ebr personales, p\u00ebr shembull: parandjenj\u00ebn q\u00eb do ndodh\u00eb di\u00e7ka, at\u00eb muzik\u00ebn e radios q\u00eb e d\u00ebgjon edhe kur e kalon at\u00eb rrugic\u00ebn e pandri\u00e7uar t\u00eb lagjes.\u00a0Nd\u00ebrsa gjat\u00eb dit\u00ebve t\u00eb shfaqjeve ka pasur emocione t\u00eb ndryshme, n\u00eb nj\u00ebr\u00ebn nga net\u00ebt jemi p\u00ebrfshir\u00eb shum\u00eb dhe kam menduar sikur situata po m\u00eb dilte jasht\u00eb kontrollit.<\/span><\/p>

Anisa, je m\u00eb e reja n\u00eb k\u00ebt\u00eb projekt. Si je ndier p\u00ebr rolin q\u00eb more p\u00ebrsip\u00ebr?
<\/em><\/span>
Anisa Pepkolaj: Jam ndier shum\u00eb e sfiduar edhe e frik\u00ebsuar sepse nuk e kuptoja mir\u00eb aktin e tmerrsh\u00ebm t\u00eb p\u00ebrdhunimit, dhe mendoja se nuk do e sillja mir\u00eb efektin q\u00eb ka p\u00ebrdhunimi tek nj\u00eb grua. \u00cbsht\u00eb di\u00e7ka jo normale p\u00ebr mua, m\u00eb ka sfiduar edhe m\u00eb ka nxjerr\u00eb nga zona e komfortit. Fakti q\u00eb jam minorene b\u00ebn q\u00eb pesha e gjith\u00eb ndodhis\u00eb t\u00eb shtohet.\u00a0Kam pasur ndiesin\u00eb q\u00eb vajzat e grat\u00eb q\u00eb kan\u00eb p\u00ebrjetuar k\u00ebt\u00eb tmerr mund edhe t\u00eb ofendoheshin nga kjo q\u00eb po b\u00ebnim por me \u201cp\u00ebrqafimin\u201d e Franca Rames, mendoj se ndoshta nuk i kemi l\u00ebnduar.<\/span><\/p>

\"\"<\/span> Imazh i shk\u00ebputur nga performanca e monologut “P\u00ebrdhunimi”, Tetor 2021, R.Qema<\/span><\/p>


\u201cP\u00ebrdhun\u00eb\u201d n\u00eb Lezh\u00eb<\/strong><\/span>
Pas tri net shfaqjesh n\u00eb Kamz\u00ebs, \u201cP\u00ebrdhun\u00eb\u201d shkon n\u00eb Lezh\u00eb n\u00eb fundjav\u00eb. \u00cbsht\u00eb e nevojshme dalja nga zallamahia e Tiran\u00ebs dhe komunikimi me komunitete q\u00eb kan\u00eb etje p\u00ebr teat\u00ebr politik e shoq\u00ebror. K\u00ebt\u00eb t\u00eb shtun\u00eb, n\u00eb or\u00ebn 18:00, trupa e vajzave udh\u00ebton n\u00eb Lezh\u00eb me motivin q\u00eb aktivistja Diana Malaj e shpreh k\u00ebsisoj: \u201cP\u00ebr t\u00eb shprehur d\u00ebshtimin ton\u00eb q\u00eb ende nuk kemi b\u00ebr\u00eb mjaftuesh\u00ebm, por edhe si p\u00ebr t\u00eb mbledh\u00eb veten q\u00eb ende mundemi t\u00eb b\u00ebjm\u00eb di\u00e7ka.\u201d<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Ronald Qema | 20.10.2021 |\u00a0nyje.al N\u00eb mars t\u00eb 1973-shit, Franca Rame, aktorja, regjisorja dhe aktivistja italiane, u mor peng e k\u00ebrc\u00ebnuar me arm\u00eb nga 5 meshkuj brenda nj\u00eb furgoni. P\u00ebrdor\u00ebn briskun p\u00ebr t\u2019u shqyer rrobat dhe prer\u00eb l\u00ebkur\u00ebn, i dogj\u00ebn cigare n\u00eb trup. Franca Rame u p\u00ebrdhunua. U desh\u00ebn dy vjet q\u00eb ajo t\u00eb gjente forc\u00ebn p\u00ebr t\u00eb treguar \u00e7\u2019i kishte ndodhur. Bashk\u00ebshorti i saj, Dario Fo, e mori vesh nga letra q\u00eb Franca i kishte shkruar. Kjo grua tronditi Italin\u00eb kur me an\u00eb t\u00eb nj\u00eb monologu, \u201cLo Stupro\u201d (P\u00ebrdhunimi), tregoi p\u00ebrball\u00eb miliona njer\u00ebzve, q\u00eb e ndiqnin nga ekrani i televizorit, gjith\u00eb \u00e7ka kishte ndodhur nat\u00ebn kur grupi i neofashist\u00ebve e p\u00ebrdhunuan. Ajo vazhdoi ta rr\u00ebfej\u00eb ngjarjen n\u00eb programe televizive e teatro n\u00eb Itali dhe Europ\u00eb. \u201cLo Stupro\u201d n\u00eb Kam\u00ebzFundjav\u00ebn q\u00eb lam\u00eb pas, monologu \u201cP\u00ebrdhunimi\u201d bashk\u00eb me nj\u00eb tjet\u00ebr monolog t\u00eb Franca Rames, \u201cSeks? Rrofsh sa p\u00ebr t\u2019u k\u00ebndellur\u201d, u luajt n\u00eb Kam\u00ebz n\u00eb nj\u00eb hap\u00ebsir\u00eb biznesi t\u00eb pap\u00ebrfunduar. N\u00ebn drejtimin e Anila Ball\u00ebs, regjisore dhe aktore, shfaqja \u201cP\u00ebrdhun\u00eb\u201d solli rr\u00ebfimin trazues t\u00eb p\u00ebrdhunimit, interpretuar nga Irena Ke\u00e7i, Mariana Syla dhe Anisa Pepkolaj, vajza aktiviste pran\u00eb grupit “Ata”. Foto t\u00eb realizuara gjat\u00eb shfaqjeve n\u00eb Kam\u00ebz, Tetor 2021, Ronald Qema Aktivistja Diana Malaj, e kishte marr\u00eb p\u00ebrsip\u00ebr p\u00ebrkthimin e monologut t\u00eb Rames si nj\u00eb nevoj\u00eb p\u00ebr t\u2019iu sjell\u00eb t\u00eb rinjve tekste t\u00eb ngarkuara politikisht n\u00eb nj\u00eb Kam\u00ebz q\u00eb duket se nuk mendon p\u00ebr veten me sy kritik\u00eb, se p\u00ebr t\u00eb bukur\u00ebn jo e jo. \u201cTekstin e p\u00ebrkthyem menj\u00ebher\u00eb pas dhun\u00ebs q\u00eb ndesh\u00ebm n\u00eb Valias, gjat\u00eb shfaqjes ‘Vidh nj\u00eb \u00e7ik\u00eb m\u00eb pak’ e Dario Fos\u00eb\u201d, tregon Diana. \u201cN\u00eb p\u00ebrpjekje p\u00ebr t\u00eb gjetur nj\u00eb arsye p\u00ebr \u00e7far\u00eb na kishte, ndodhur u hodh\u00ebm n\u00eb tekstin e Francas. E pam\u00eb dhe ripam\u00eb interpretimin e saj, aq sa menduam se p\u00ebrkthimi do t\u00eb na ndihmonte p\u00ebr t\u00eb kuptuar m\u00eb mir\u00eb veten dhe identitetin ton\u00eb.\u201dBazuar n\u00eb realitetin e p\u00ebrditsh\u00ebm q\u00eb vajzat e grupit ndeshin por edhe n\u00eb situat\u00ebn e r\u00ebnduar t\u00eb dhun\u00ebs ndaj grave e vajzave, monologu \u201cP\u00ebrdhunimi\u201d duhej p\u00ebrdorur si reagim. \u201cE ndiem\u00eb se duhej b\u00ebr\u00eb di\u00e7ka\u201d, thot\u00eb Anila Balla. \u201cNa ndodh t\u00eb p\u00ebrplasemi vazhdimisht me dhun\u00ebn n\u00eb p\u00ebrditshm\u00ebrin\u00eb ton\u00eb, drejtp\u00ebrdrejt apo p\u00ebrmes televizorit, nj\u00eb dhun\u00eb n\u00eb format nga m\u00eb t\u00eb \u00e7uditshme.\u201dN\u00eb fakt, monologu ka dy vite q\u00eb kalon n\u00ebp\u00ebr duart e aktivist\u00ebve t\u00eb grupit dhe \u00ebsht\u00eb lexuar n\u00eb grup 8 marsin e shkuar. Kam\u00ebz, Tetor 2021, R.Qema Q\u00eb nga p\u00ebrkthimi e deri n\u00eb v\u00ebnien n\u00eb sken\u00eb, shum\u00eb ide jan\u00eb rrahur dhe p\u00ebrpunuar p\u00ebr m\u00ebnyr\u00ebn se si duhej interpretuar. Ndryshe nga zakonisht, monologu u luajt nga tri karaktere, si tri pasqyrime t\u00eb gjendjes q\u00eb \u00e7do grua mund t\u00eb ket\u00eb p\u00ebrjetuar n\u00eb situat\u00ebn e Francas. Regjisorja Anila Balla tregon se kishte menduar q\u00eb \u201cpjesa do t\u00eb vinte m\u00eb fuqish\u00ebm n\u00ebse do interpretohej nga tri vajza, t\u00eb trija karaktere q\u00eb p\u00ebrfaq\u00ebsojn\u00eb mend\u00ebsi t\u00eb ndryshme t\u00eb vajzave e grave. Anisa \u00ebsht\u00eb minorene, shum\u00eb e ndjeshme, deri n\u00eb kufijt\u00eb e mbylljes n\u00eb vetvete. Irena \u00ebsht\u00eb ajo q\u00eb t\u00eb magjeps me karakterin e fort\u00eb dhe krenarin\u00eb. Nd\u00ebrsa Mariana me z\u00ebrin e ngroht\u00eb, jo i zakont\u00eb p\u00ebr t\u00eb treguar dhun\u00ebn fizike e shpirt\u00ebrore t\u00eb nj\u00eb personazhi.\u201d K\u00ebshtu, pesh\u00ebn e ngjarjes vajzat e kan\u00eb ndar\u00eb mes tyre, n\u00eb sken\u00ebn e err\u00ebt t\u00eb ndri\u00e7uar vet\u00ebm nga posht\u00eb.\u201cE dija dhe isha e vet\u00ebdijshme p\u00ebr r\u00ebnd\u00ebsin\u00eb q\u00eb ka tema dhe sa e fort\u00eb \u00ebsht\u00eb p\u00ebr shoq\u00ebrin\u00eb, kudo, jo vet\u00ebm n\u00eb Kam\u00ebz. Por nuk isha vet\u00ebm, bashk\u00eb me gocat jemi ndier\u00eb t\u00eb mbrojtura\u201d, thot\u00eb Irena. Nga mungesa e edukimit seksual tek p\u00ebrdhunimi Anila Balla teksa performon monologun “Seks? Rrofsh sa p\u00ebr t’u k\u00ebndellur”, Tetor 2021, R.Qema\u00a0 Monologu \u201cSeks? Rrofsh sa p\u00ebr t\u2019u k\u00ebndellur\u201d (p\u00ebrkthyer nga origjinali nga Anxhela Lepuri) iu bashkangjit \u201cP\u00ebrdhunimit\u201d p\u00ebr t\u00eb krijuar shfaqjen teatrale \u201cP\u00ebrdhun\u00eb\u201d. Franca Rame dhe Dario e Jacopo Fo e shkruan familjarisht n\u00eb vitin 1994 dhe \u00ebsht\u00eb nj\u00eb nd\u00ebr t\u00eb shumtat komedi-monologje t\u00eb \u00e7iftit Fo-Rame. Pasojat e munges\u00ebs s\u00eb edukimit seksual sjell me humor e satir\u00eb, jan\u00eb nj\u00eb realitet edhe p\u00ebr publikun n\u00eb Kam\u00ebz. Pararend\u00ebs i rr\u00ebfimit t\u00eb p\u00ebrdhunimit, ky monolog i Francas ndau me publikun \u00e7\u00ebshtjet e dashuris\u00eb dhe seksit, \u00e7\u00ebshtje q\u00eb tabu p\u00ebr t\u2019u artikuluar qart\u00eb dhe hapur n\u00eb publik e q\u00eb shikuesit her\u00eb i prit\u00ebn me t\u00eb qeshura e her\u00eb vrenjtur. \u201cMendoj q\u00eb kjo shfaqje plot\u00ebson t\u00eb gjith\u00eb pasqyr\u00ebn e dhun\u00ebs seksuale, sepse p\u00ebrfshihet edhe padija seksuale deri tek akti i tmerrsh\u00ebm i p\u00ebrdhunimit\u201d, shpjegon Anila. Pati njer\u00ebz q\u00eb zun\u00eb e qesh\u00ebn me batutat e monologut t\u00eb par\u00eb, qan\u00eb me monologun e p\u00ebrdhunimit, u ndien\u00eb t\u00eb sikletosur nga termat si seks, penis, orgaz\u00ebm, etj., e gjithashtu pati t\u00eb tjer\u00eb q\u00eb u \u00e7uan dhe ik\u00ebn.Tri pyetje p\u00ebr aktoret\u00c7\u2019\u00ebsht\u00eb dhuna gjinore sipas teje? \u00c7far\u00eb keni diskutuar p\u00ebr m\u00ebnyr\u00ebn se si duhej sjell\u00eb p\u00ebrdhunimi n\u00eb sken\u00eb?Irena Ke\u00e7i: N\u00eb fakt kam q\u00ebn\u00eb shum\u00eb e qart\u00eb q\u00eb nga fillimi, q\u00eb n\u00ebse do m\u00eb vinte mund\u00ebsia p\u00ebr t\u00eb interpretuar nj\u00eb rol t\u00eb till\u00eb, nuk do e humbisja. M\u00eb ka prekur teksti, kemi rrjedhur n\u00ebp\u00ebr tekst shum\u00eb her\u00eb me dhimbje, por nga ana tjet\u00ebr ishte k\u00ebnaq\u00ebsi q\u00eb ia dol\u00ebm t\u00eb tregojm\u00eb dhimbjen e gruas n\u00eb nj\u00eb sken\u00eb t\u00eb vog\u00ebl. Pastaj, pas \u00e7do p\u00ebrcaktimi q\u00eb mund t\u00eb m\u00eb jepet, si aktore, aktiviste apo qytetare e Kamz\u00ebs, un\u00eb jam vajz\u00eb, jam grua, jam gjinia e paragjykuar, pothuajse e pambrojtur dhe gjithmon\u00eb me nj\u00eb barr\u00eb n\u00eb shpin\u00eb. Do doja shum\u00eb q\u00eb pas k\u00ebsaj shfaqjeje, bashk\u00eb me t\u00eb, t\u00eb mbaronte \u00e7do vuajte q\u00eb gruaja ka kaluar dhe kalon akoma. T\u00eb ndalonte aty \u00e7do padrejt\u00ebsi dhe t\u00eb gjith\u00eb t\u00eb kuptonin se sa t\u00eb r\u00ebnd\u00ebsishme jemi dhe se barazia duhet t\u00eb jet\u00eb e panegociueshme. Por, fuqia ime dhe e jona si trup\u00eb aktoresh dhe aktivistesh \u00ebsht\u00eb t\u2019i japim atij pak publiku q\u00eb na ndjek mund\u00ebsin\u00eb t\u00eb d\u00ebgjojn\u00eb e m\u00eb pas t\u00eb rr\u00ebfejn\u00eb mesazhet q\u00eb dham\u00eb. \u00cbsht\u00eb e v\u00ebshtir\u00eb v\u00ebrtet, por e vetmja gj\u00eb q\u00eb kemi \u00ebsht\u00eb: t\u00eb flasim. Mbi \u00e7\u2019emocione baz\u00eb keni punuar p\u00ebr t\u00eb realizuar shfaqjen \u201cP\u00ebrdhun\u00eb\u201d?Mariana Syla: Gjat\u00eb jav\u00ebve q\u00eb kemi punuar p\u00ebr shfaqjen \u201cP\u00ebrdhun\u00eb\u201d, fillimisht kemi pasur emocione shum\u00eb t\u00eb forta e t\u00eb sinqerta dhe shpeshher\u00eb p\u00ebrballeshim me frik\u00ebrat tona. Ka qen\u00eb e pamundur t\u00eb shmang\u00ebsh 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