{"id":529,"date":"2018-08-22T18:37:03","date_gmt":"2018-08-22T16:37:03","guid":{"rendered":"http:\/\/www.nyje.al\/?page_id=529"},"modified":"2024-08-13T17:24:08","modified_gmt":"2024-08-13T15:24:08","slug":"kulture","status":"publish","type":"page","link":"https:\/\/nyje.al\/sq\/kulture\/","title":{"rendered":"Kultur\u00eb"},"content":{"rendered":"\t\t
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\n\t\t\t\n\t\t\t\tEuropa shtrin kolonit\u00eb e saj penale n\u00eb Shqip\u00ebri\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\tK\u00ebndv\u00ebshtrim<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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N\u00eb Gjad\u00ebr, fshati i vog\u00ebl n\u00eb veriper\u00ebndim t\u00eb vendit, n\u00ebn diellin p\u00ebrc\u00ebllues t\u00eb korrikut, rrug\u00ebt jan\u00eb t\u00eb zbrazura. Me r\u00ebnd\u00ebsi strategjike p\u00ebrgjat\u00eb periudh\u00ebs komuniste, fshati i b\u00ebnte vend baz\u00ebs m\u00eb t\u00eb r\u00ebnd\u00ebsishme ushtarake n\u00eb rajon. N\u00eb at\u00eb periudh\u00eb, qielli gum\u00ebzhinte nga zhurma e avion\u00ebve n\u00eb ulje teksa i drejtoheshin hangar\u00ebve t\u00eb m\u00ebdhenj n\u00ebntok\u00ebsor\u00eb t\u00eb nd\u00ebrlidhur p\u00ebrmes nj\u00eb rrjeti tunelesh. Pas r\u00ebnies s\u00eb komunizmit, baza u braktis dhe fshati u zbraz gradualisht p\u00ebr shkak t\u00eb migrimit masiv. Sot kan\u00eb mbetur vet\u00ebm pak familje, shum\u00eb prej t\u00eb cilave jan\u00eb ende t\u00eb lidhura ngusht\u00eb me kujtimet e jet\u00ebs s\u00eb dikurshme n\u00eb Gjad\u00ebr. N\u00eb nj\u00ebrin nga tre lokalet e vetme p\u00ebrgjat\u00eb rrug\u00ebs kryesore t\u00eb fshatit, takuam Jetmirin*, nj\u00eb i ri shqiptar i deportuar s\u00eb fundmi nga Franca. \u201cM\u00eb kthyen n\u00eb Shqip\u00ebri para dhjet\u00eb dit\u00ebsh,\u201d na tregon teksa rrufit birr\u00ebn. Si shum\u00eb t\u00eb rinj t\u00eb tjer\u00eb nga ky fshat i vog\u00ebl, Jetmiri u largua nga Shqip\u00ebria n\u00eb k\u00ebrkim t\u00eb nj\u00eb jete m\u00eb t\u00eb mir\u00eb. Mir\u00ebpo, \u00ebndrra e tij u nd\u00ebrpre kur policia franceze e kapi pa dokumente.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tTjetri inkonsistent i jouissance-s – Sllavoj Zhizhek (V)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\tKultur\u00eb<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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K\u00ebshtu, kemi arritur sakaq te forma e kat\u00ebrt, e fundit dhe e plot\u00eb e grafikut t\u00eb d\u00ebshir\u00ebs, sepse ajo q\u00eb shtohet n\u00eb k\u00ebt\u00eb form\u00eb t\u00eb fundit \u00ebsht\u00eb nj\u00eb vektor i ri i d\u00ebfrimit (jouissance) q\u00eb nd\u00ebrpritet me vektorin e d\u00ebshir\u00ebs s\u00eb strukturuar simbolikisht. Grafiku i plot\u00eb ndahet pra n\u00eb dy nivele, t\u00eb cil\u00ebt mund t\u00eb p\u00ebrshkruhen si niveli i kuptimit dhe niveli i d\u00ebfrimit [jouissance-s q\u00eb \u00ebsht\u00eb si t\u00eb thuash k\u00ebnaq\u00ebdhimbje]. Problemi i nivelit t\u00eb par\u00eb (i poshtmi) \u00ebsht\u00eb se si kryq\u00ebzimi i zinxhirit t\u00eb shenjuesve dhe i nj\u00eb q\u00ebllim\u00ebsie mitike (\u0394) prodhon efektin e kuptimit, me t\u00eb gjith\u00eb artikulimin e tij t\u00eb brendsh\u00ebm: karakteri prapaveprues i kuptimit, p\u00ebr aq sa \u00ebsht\u00eb funksion i Tjetrit t\u00eb madh \u2013 p\u00ebr aq sa \u00ebsht\u00eb i kusht\u00ebzuar nga vendi i Tjetrit, bateria e shenjuesve (s(O)); imagjinari (i(o)) dhe simboliku (I(O)) \u2013 identifikimi i subjektit bazuar n\u00eb k\u00ebt\u00eb prodhim prapaveprues t\u00eb kuptimit dhe k\u00ebshtu me radh\u00eb. Problemi i nivelit t\u00eb dyt\u00eb (i sip\u00ebrmi) \u00ebsht\u00eb \u00e7far\u00eb ndodh kur vet\u00eb fusha e rendit t\u00eb shenjuesit, e Tjetrit t\u00eb madh, birohet, shpohet nga nj\u00eb rrym\u00eb para-simbolike (reale) jouissance \u2013 \u00e7far\u00eb ndodh kur \u201cl\u00ebnda\u201d para-simbolike, trupi si k\u00ebnaq\u00ebdhimbje e materializuar dhe e mish\u00ebruar, mplekset n\u00eb rrjetin e shenjuesve.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\u00c7ifuti dhe Antigona – Sllavoj Zhizhek (IV)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\tKultur\u00eb<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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K\u00ebt\u00eb \u201cChe vuoi?\u201d e ndeshim kudo n\u00eb fush\u00ebn politike, p\u00ebrfshir\u00eb n\u00eb luft\u00ebn zgjedhore amerikane t\u00eb vitit 1988, ku, pas sukseseve t\u00eb para t\u00eb Jesse Jackson, shtypi filloi t\u00eb pyes\u00eb: \u201c\u00c7far\u00eb d\u00ebshiron v\u00ebrtet Jackson?\u201d \u00cbsht\u00eb e leht\u00eb t\u00eb dallohen n\u00ebntonet raciste n\u00eb k\u00ebt\u00eb pyetje, sepse kjo pyetje kurr\u00eb nuk ngrihej p\u00ebr kandidat\u00ebt e tjer\u00eb. P\u00ebrfundimi se kemi t\u00eb b\u00ebjm\u00eb me raciz\u00ebm konfirmohet m\u00eb tej nga fakti se kjo \u201cChe vuoi?\u201d shp\u00ebrthen m\u00eb dhunsh\u00ebm n\u00eb form\u00ebn m\u00eb t\u00eb kulluar, si t\u00eb thuash t\u00eb distiluar, t\u00eb racizmit, n\u00eb anti-semitiz\u00ebm: n\u00eb perspektiv\u00ebn antisemite, \u00e7ifuti \u00ebsht\u00eb pik\u00ebrisht nj\u00eb person p\u00ebr t\u00eb cilin nuk \u00ebsht\u00eb kurr\u00eb e qart\u00eb \u201c\u00e7far\u00eb d\u00ebshiron v\u00ebrtet\u201d \u2013 pra, veprimet e tij gjithmon\u00eb dyshohen se udh\u00ebhiqen nga disa motive t\u00eb fshehta (konspiracioni \u00e7ifut, dominimi i bot\u00ebs dhe korruptimi moral i jo-\u00e7ifut\u00ebve, e k\u00ebshtu me radh\u00eb). Rasti i antisemitizmit gjithashtu ilustron n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrsosur pse Lakani vendosi, n\u00eb fund t\u00eb lakores q\u00eb sh\u00ebnon pyetjen \u201cChe vuoi?\u201d, formul\u00ebn e fantazis\u00eb ($ \u25ca o): fantazia \u00ebsht\u00eb nj\u00eb p\u00ebrgjigje ndaj k\u00ebsaj \u201cChe vuoi?\u201d; ajo \u00ebsht\u00eb nj\u00eb rrekje p\u00ebr t\u00eb mbushur boshll\u00ebkun e pyetjes me nj\u00eb p\u00ebrgjigje.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tImazh dhe v\u00ebshtrim – Sllavoj Zhizhek (III)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\t20\/03\/2026<\/span>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\u2022<\/span>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\n\t\t\t\t\tKultur\u00eb<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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Marr\u00ebdh\u00ebnia midis identifikimit imagjinar dhe simbolik \u2013 midis egos ideale (Idealich) dhe idealit t\u00eb egos (Ich-Ideal) \u2013 \u00ebsht\u00eb, duke p\u00ebrdorur dallimin e b\u00ebr\u00eb nga Jacques-Alain Miller (n\u00eb Seminarin e tij t\u00eb pabotuar), ajo mes identifikimit t\u00eb \u201cthemeluar\u201d dhe identifikimit \u201cthemelues\u201d: p\u00ebr ta th\u00ebn\u00eb thjesht, identifikimi imagjinar \u00ebsht\u00eb identifikimi me imazhin n\u00eb t\u00eb cilin dukemi t\u00eb p\u00eblqyesh\u00ebm p\u00ebr veten, me imazhin q\u00eb p\u00ebrfaq\u00ebson \u201cat\u00eb q\u00eb do t\u00eb donim t\u00eb ishim\u201d, nd\u00ebrsa identifikimi simbolik \u00ebsht\u00eb identifikimi me vet\u00eb vendin nga ku po na vrojtojn\u00eb, nga ku ne shikojm\u00eb veten q\u00eb t\u00eb dukemi t\u00eb p\u00eblqyesh\u00ebm p\u00ebr veten, t\u00eb denj\u00eb p\u00ebr dashuri. Ideja jon\u00eb mbizot\u00ebruese dhe spontane e identifikimit \u00ebsht\u00eb ajo e imitimit t\u00eb modeleve, idealeve, krijuesve t\u00eb imazhit: zakonisht vihet re (nga perspektiva \u201ce pjekur\u201d p\u00ebr\u00e7muese) se si t\u00eb rinjt\u00eb identifikohen me heronjt\u00eb popullor\u00eb, k\u00ebng\u00ebtar\u00ebt pop, yjet e filmit, sportist\u00ebt... Kjo ide spontane \u00ebsht\u00eb dy her\u00eb gabim. S\u00eb pari, ve\u00e7oria, tipari mbi baz\u00ebn e t\u00eb cilit ne identifikohemi me dik\u00eb, zakonisht \u00ebsht\u00eb i fshehur \u2013 nuk \u00ebsht\u00eb medoemos nj\u00eb tipar magjeps\u00ebs a t\u00ebrheq\u00ebs.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tP\u00ebrshenjuesi i ngurt\u00eb dhe objet a-ja – Sllavoj Zhizhek (II)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\t18\/03\/2026<\/span>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t\t\t\u2022<\/span>\n\t\t\t\t
\n\t\t\t\t\t<\/i>\n\t\t\t\t\tKultur\u00eb<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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N\u00ebse mbajm\u00eb q\u00ebndrimin se point de capiton \u00ebsht\u00eb nj\u00eb \u201cpik\u00eb nyje\u201d, nj\u00eb lloj nyj\u00ebtimi kuptimesh, kjo nuk n\u00ebnkupton se ajo \u00ebsht\u00eb thjesht fjala m\u00eb \u201ce pasur\u201d, fjala ku \u00ebsht\u00eb kondensuar e gjith\u00eb pasuria e kuptimit t\u00eb fush\u00ebs q\u00eb ajo \u201ckopsit\u201d: point de capiton \u00ebsht\u00eb m\u00eb tep\u00ebr ajo fjal\u00eb e cila, si nj\u00eb fjal\u00eb, n\u00eb nivelin e shenjuesit vet\u00eb, unifikon nj\u00eb fush\u00eb t\u00eb dh\u00ebn\u00eb, themelon identitetin e saj: \u00ebsht\u00eb, si t\u00eb thuash, fjala t\u00eb cil\u00ebs vet\u00eb \u201cgj\u00ebrat\u201d i referohen p\u00ebr t\u00eb njohur veten e tyre n\u00eb unitetin e tyre. Le t\u00eb marrim rastin e reklam\u00ebs s\u00eb famshme p\u00ebr Marlboron: fotografia e kaubojsit t\u00eb bronzt\u00eb, l\u00ebndinat e gjera t\u00eb kullotave dhe k\u00ebshtu me radh\u00eb \u2013 t\u00eb gjitha k\u00ebto \u201ckonotojn\u00eb\u201d, sigurisht, i japin nj\u00eb ngjyrim, imazh t\u00eb caktuar Amerik\u00ebs (toka e njer\u00ebzve t\u00eb fort\u00eb dhe t\u00eb ndersh\u00ebm, e horizonteve t\u00eb pafundme...); por efekti i \u201ckopsitjes\u201d ndodh vet\u00ebm kur z\u00eb vend nj\u00eb p\u00ebrmbysje e caktuar; gj\u00eb q\u00eb nuk ndodh derisa \u201camerikan\u00ebt real\u00eb\u201d nisin t\u00eb identifikohen (n\u00eb vet\u00ebp\u00ebrjetimin e tyre ideologjik) me imazhin e krijuar nga reklama e Marlboros \u2013 kur Amerika vet\u00eb t\u00eb p\u00ebrjetohet si \u201cvendi Marlboro\u201d.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\u201cChe Vuoi?\u201d – Sllavoj Zhizhek (I)\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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\n\t\t\t\t\t<\/i>\n\t\t\t\t\tKultur\u00eb<\/a>, P\u00ebrkthime<\/a>\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t
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The Sublime Object of Ideology \u00ebsht\u00eb nj\u00eb vep\u00ebr thelb\u00ebsore e Sllavoj Zhizhek-ut, e botuar p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb vitin 1989, q\u00eb sh\u00ebnoi hyrjen e tij n\u00eb bot\u00ebn akademike anglishtfol\u00ebse dhe vendosjen e tij si nj\u00eb nga mendimtar\u00ebt m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb teoris\u00eb bashk\u00ebkohore. Duke nd\u00ebrthurur analiz\u00ebn marksiste me psikoanaliz\u00ebn lakaniane, Zhizhek eksploron m\u00ebnyrat se si ideologjia funksionon jo vet\u00ebm p\u00ebrmes shtypjes, por edhe p\u00ebrmes k\u00ebnaq\u00ebsis\u00eb dhe d\u00ebshir\u00ebs s\u00eb pavet\u00ebdijshme. Vepra thekson konceptin e ideologjis\u00eb si nj\u00eb struktur\u00eb q\u00eb jo vet\u00ebm deformon realitetin, por sh\u00ebrben si mjeti p\u00ebrmes t\u00eb cilit individ\u00ebt e p\u00ebrballojn\u00eb vakuumin ekzistencial t\u00eb s\u00eb v\u00ebrtet\u00ebs sublime. Ky tekst \u00ebsht\u00eb nj\u00eb kontribut madhor n\u00eb fush\u00ebn e teoris\u00eb kritike, duke hapur horizonte t\u00eb reja p\u00ebr analiz\u00ebn kulturore dhe politike, si dhe duke pozicionuar Zhizhek-un si nj\u00eb nd\u00ebrmjet\u00ebs t\u00eb r\u00ebnd\u00ebsish\u00ebm midis traditave intelektuale kontinentale dhe anglosaksone.<\/p>

Lexoni m\u00eb tej...<\/a><\/div>\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t
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